아틀리에 — 전 세계 무료 배송 — 배송 기간 2~6주

      1607 - 1652

      한눈에 보기

      • Art period: Early Modern
      • Died: 1652
      • Works on this site: 2
      • Nationality: France
      • Copyright status: Public domain
      • Museums on this site: 바이에른 주립 회화 컬렉션

      The Formative Years and Roman Sojourn

      Rémy Vuibert was a French painter whose early life remains somewhat shrouded in mystery. While his exact birth date is subject to debate, he was born in Rethel, France. His training likely took place in Troyes or Paris, and he eventually entered the studio of Simon Vouet. Between 1635 and 1637, Vuibert resided in Rome, where he became acquainted with Nicolas Poussin. During this period, he produced several engravings after the works of Raphael, including compositions from the Vatican's Raphael Rooms and various allegorical figures. His Roman studies also included works after the compositions of Domenichino and Guido Reni.

      Return to France and Decorative Mastery

      Upon returning to France in 1637, Vuibert began a prolific career, particularly in the realm of large-scale decorative frescoes. He was appointed as a "peintre ordinaire du roi" and was tasked with assisting Poussin on the decoration of the Grande Galerie of the Louvre. His expertise in perspective and decorative schemes led to significant commissions, including works for the Château de Tanlay and the Hôtel d'Avaux. One of his most notable and certain surviving works is the ceiling of the choir of the Visitation convent in Moulins, which depicts the Assumption of the Virgin. Vuibert died in Moulins in 1652.

      Q&A

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      간단한 퀴즈

      각 질문의 정답은 하나뿐입니다.

      질문 1:
      In which city did Rémy Vuibert die in 1652?
      질문 2:
      Which famous artist was Vuibert's teacher in Rome?
      질문 3:
      What type of work did Poussin encourage Vuibert to switch to, moving away from oil on canvas?
      질문 4:
      Vuibert was appointed to which prestigious position during the period he worked on the Louvre?
      질문 5:
      What is the subject of Vuibert's most famous and certain work located in the chapel of the Visitation in Moulins?