A woman lies on her back, her form partially revealed from the waist down. A crown rests upon her head, while a mask obscures her facial features. This 1992 work utilizes the artist's own body to explore the boundaries of identity and the performance of the self.
The composition relies on the tension between what is hidden and what is exposed. By masking the face, the figure becomes an archetype rather than a specific individual. The presence of the crown introduces a layer of artifice, suggesting a staged or theatrical reality.
Created during a period when the artist was deeply engaged with deconstructing societal roles, this piece functions through the manipulation of visual cues. It belongs to a broader investigation into how media and expectation shape the perception of gender and personhood.
The work is held at The Feminist Institute in New York, United States. Through the use of costume and physical positioning, it challenges the viewer to look past the surface of the image to find the mechanisms of its own creation.
Sindi Šerman kūryboje „Untitled #264“ pasižymi Contemporary Art stiliumi, derinant jį su identity construction, gender role deconstruction, media representation critique, exploration of the gaze, performance and artifice temomis.
Norėdami užsisakyti „Untitled #264“, autorius – Sindi Šerman spausdinį, tiesiog jį užsisakykite puslapio Kūrinio spausdinimas skiltyje: aukščiausios kokybės spausdinys ant medžio siuvinėjamų audinių arba archyvinio kanvas tipo popieriaus.
„Untitled #264“, autorius – Sindi Šerman spalvų analizėje fiksuojamas Gentle kontrastas ir Balanced Harmony harmonija.
Atraskite transformatyvius Cindy Sherman, svarbios amerikietės fotografės, autoportretus. Dekonstruodama tapatybę ir lytį per tokias ikonomines serijas kaip „Untitled Film Stills“, ji meta iššūkį menui ir medioms.
Atraskite The Feminist Institute Niujorke: svarbus feministinės meno ir istorijos archyvas. Tyrinėkite Judy Chicago, Miriam Schapiro kūrybą bei Gloria Steinem ir Sylvia Sleigh laiškus bei puoselėkite lygybę.