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Guitar

Discover the exquisite violins of Georges Chanot I, a renowned French maker celebrated for his craftsmanship & tonal quality alongside J.B. Vuillaume.

Giclée / Meno spausdinimas

Muziejų lygio „giclée“ arba drobos spausdinimas: greita gamyba ir lankstios apdailos parinktys. (Pirkti rankomis tapytą paveikslą Pirkti rankomis tapytą paveiksląPirkti vaizdą Pirkti vaizdą)

Standard
custom
CM
INCH

Pasirinkite iš mūsų nustatytų dydžių, atitinkančių originalaus meno kūrinio proporcijas.

plotis
aukštis

Galite nurodyti savo matmenis, kad vaizdas atitiktų konkretų rėmą ar erdvę. Jei pasirinktas dydis nesutaps su originalaus paveikslėlio proporcijomis, mes arba apkirpsime kūrinį, arba išplėsime vaizdą naudojant veideliu atspindėtą arba vientisą šoną. Skaitmeninis maketas bus išsiųstas jums patvirtinti prieš pradedant gamybą.
Atkreipkite dėmesį, kad ekrane matomas vaizdinys neatspindi tikrojo apkirpimo ar išplėtimo. Tik maketas tiksliai parodytų galutinę kompoziciją.
Nors galima rinktis ir individualius dydžius, rekomenduojame pasirinkti vieną iš išanksti nustatytų matmenų, kad būtų išlaikytos originalios proporcijos.

Pristatymas visame pasaulyje () per 2 weeks, o ne įprastas 4/5 savaičių laikotarpis. (16 rugpjūtis)

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Tikro spalvų atitikimo garantija
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60 dienų grąžinimo politika (tik esant gamyklinėms defektams)
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Nuolaida už kelias reprodukcijas

Visų darbų kaina

$ 69

reproduction

Guitar

Giclée / Meno spausdinimas

Reprodukcijos matmenys

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Galutinė kaina

$ 69

Kolekcinio eksponato aprašymas

This guitar is remarkable for its elaborate decoration, especially the fingerboard with its mother of pearl engraved and colored panels. The top seven sections of the fingerboard depict famous buildings and monuments, including the Palais du Luxembourg, Porte Saint-Denis, and the Ecole Militaire, while the lower panels depict musical instruments, arms and armor and floral motifs. The maker, George Chanot, made stringed instruments in Paris during the mid to late 19th century. There are reports that this guitar was shown at the world’s fair in London (1851). While it certainly is the type of highly decorated, showy instrument that might have been exhibited, we have yet to discover proof of its display, as well as evidence supporting the rumor that it was once owned by Empress Eugenie of France.

Autoriaus biografija

Georges Chanot I: A Legacy of Craftsmanship and Collaboration

Georges Chanot I (1801-1873) stands as a pivotal figure in the history of French violin making, inextricably linked to the towering presence of Jean Baptiste Vuillaume. Born in Mirecourt, France – a town renowned for its violin tradition – Chanot’s life was dedicated to upholding and advancing this venerable craft, forging enduring partnerships that shaped the instrument world of his era. His influence extends far beyond simply producing instruments; he embodied the spirit of innovation tempered by meticulous adherence to established techniques.
  • Early Life & Family Chanot's formative years were spent in Mirecourt, where he apprenticed under his father and brother, mastering the foundational skills required for violin construction. This familial connection instilled a deep appreciation for tradition alongside a burgeoning desire to refine craftsmanship.
  • Move to Paris & Establishment of Workshop Recognizing the opportunities presented by Parisian artistic circles, Chanot relocated to the capital in 1830 and established his own workshop, marking a significant step toward independent creative endeavor. This move allowed him to cultivate connections with fellow instrument makers and explore new avenues for experimentation.
Chanot’s collaborative spirit was particularly evident in his relationships with prominent contemporaries like Marie-Joseph Chardon, Guillaume Charles Louis Gand, Joseph Dominique Lété, Georges II, and notably Jean Baptiste Vuillaume himself. These collaborations weren't merely transactional; they fostered a dynamic exchange of ideas and techniques—a testament to the importance of shared expertise within the violinmaking community. Vuillaume’s influence is undeniable, shaping Chanot’s approach to instrument design and tonal considerations.
  • Instrument Making Technique Chanot's instruments are characterized by exceptional quality – a hallmark of Mirecourt craftsmanship. He meticulously carved spruce tops and maple backs, employing traditional methods honed over generations. The resulting violins possessed remarkable resonance and projection, qualities that cemented Chanot’s reputation as one of the finest violin makers of his time.
  • Notable Achievements & Legacy While precise biographical details remain somewhat scarce, Chanot's instruments are held in prestigious collections worldwide, demonstrating their enduring artistic merit. His contribution to the preservation and advancement of violinmaking tradition ensures that his name will forever be remembered alongside Vuillaume as a cornerstone of French musical heritage.
Chanot’s work represents more than just beautifully crafted violins; it embodies the values of dedication, precision, and collaboration—principles that continue to inspire instrument makers today. His legacy resides not only in the instruments themselves but also in the enduring spirit of excellence he championed within a vibrant artistic landscape.
georges chanot i

georges chanot i

1801 - 1873 , France

Trumpa informacija

  • Artistic Movement Or Style: Classical Violin
  • Artists Or Movements Influenced By This Artist: ['Violin Making Mirecourt']
  • Artists Who Influenced This Artist: ['Jean-Baptiste Vuillaume']
  • Date Of Birth: 1801
  • Full Name: Georges Chanot I
  • Nationality: French
  • Notable Artworks: ['Ergonomic Violin']
  • Place Of Birth: Mirecourt, France
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