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StatistiekenSpring
Romanticism
1876
76.0 x 25.0 cm
Guildhall Art Gallery
Discover 'Spring' by Alfred Stevens: a serene 1876 oil painting of a woman amidst blossoming trees. Romantic realism & subtle beauty – explore Belgian art!
Alfred Stevens (1823-1906): Belgian Realist painter of elegant Parisian women & 'la vie moderne'. Influenced by Dutch Masters, his art captures 19thC society with refined detail.
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Handgemaakte olieverfreproductie
Met de hand geschilderd in olieverf op canvas in uw gewenste maat en lijst, op bestelling gemaakt door onze kunstenaars. (
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hoogte
Voer de breedte en de hoogte in die u nodig heeft, passend bij uw lijst of uw muur. Dit is handgeschilderd, dus bij een afmeting met een andere vormverhouding kan de kunstenaar iets meer rondom het schilderij schilderen of juist iets meer weglaten — u kiest zelf. Wij sturen u een digitaal mockup ter goedkeuring voordat het schilderwerk begint. De afbeelding die op deze pagina wordt getoond, is niet het uiteindelijke resultaat — alleen de mockup geeft dit weer.
Voorbeelden van wat aangepast kan worden: Vervang het gezicht met een eigen foto; Voeg een huisdier toe (bijv. vervang de kat door een hond); Verwerk een verborgen boodschap in de achtergrond; Wijzig het landschap of andere elementen in de achtergrond.
Na de bestelling zal het team van TopImpressionists.com per e-mail contact opnemen met de klant voor instructies en een mockup-voorbeeld sturen.
Na de bestelling zal het team van TopImpressionists.com per e-mail contact opnemen met de klant voor instructies en een mockup-voorbeeld sturen.
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Korting bij meerdere afnames
De optie voor glas is alleen beschikbaar bij een formaat kleiner dan 110 cm.
Spring
Reproductiemethode
Formaat reproductie
-
Totaalprijs
€ 236
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Biografie van de kunstenaar
Alfred Émile Léopold Stevens: A Life in Art
Alfred Émile Léopold Stevens (1823-1906) was a Belgian painter celebrated for his realistic depictions of elegant modern women and Parisian life. He skillfully captured the essence of la vie moderne with refined detail and subtle social commentary, establishing himself as a prominent figure in 19th-century art.
Early Life and Education
Born in Brussels in 1823 into a family deeply connected to the visual arts, Stevens benefited from a stimulating environment. His older brother Joseph (also a painter), his son Léopold, and another brother Arthur (an art dealer and critic) all contributed to the family’s artistic legacy. His father, a veteran of the Napoleonic Wars, was an avid art collector, while his maternal grandparents ran a popular café frequented by intellectuals and artists.
- After his father's death in 1837, Stevens began his formal training at the Académie Royale des Beaux-Arts in Brussels.
- He studied under François Navez, a Neo-Classical painter and former student of Jacques-Louis David.
- In 1843, he moved to Paris to join his brother Joseph and enrolled at the École des Beaux-Arts.
Artistic Development and Influences
Stevens’s early work demonstrated a mastery of conventional naturalistic style, heavily influenced by 17th-century Dutch genre painting. He meticulously studied the works of artists like Gerard ter Borch and Gabriel Metsu, absorbing their techniques for depicting domestic interiors and everyday life.
- His initial success came with paintings exhibiting this influence, such as “The Pardon or Absolution” (1849).
- He gradually transitioned towards portraying contemporary subjects – "la vie moderne" – focusing on the lives of fashionable women in Parisian society.
- Stevens was an early enthusiast of Japonisme, incorporating Japanese objects and aesthetics into his compositions, as seen in “La Dame en Rose” (1866).
Major Achievements and Recognition
Stevens achieved significant recognition throughout his career, exhibiting regularly at the Salons in Paris and Brussels. His paintings garnered critical acclaim and attracted a loyal clientele.
- He received third-class medals at the Paris Salon (1853) and second-class medal at the Universal Exposition (1855).
- His painting “Ce qu'on appelle le vagabondage” (1855) prompted Napoleon III to address the issue of poverty in Paris.
- He was awarded the Legion of Honor (Chevalier, 1863; Officer, 1867; Commander, 1878).
- Stevens won a first-class medal at the Universal Exposition in Paris (1867).
Social Circle and Artistic Connections
Stevens was an active participant in the Parisian art world, cultivating friendships with prominent figures such as the Goncourt brothers, Théophile Gautier, Alexandre Dumas, Édouard Manet, Edgar Degas, Berthe Morisot, and James Abbott McNeill Whistler. He regularly frequented the Café Guerbois, a hub for avant-garde artists.
Later Life and Legacy
Stevens continued to paint successfully throughout his later life, capturing the changing fashions and social dynamics of Parisian society. He served in the French army during the Franco-Prussian War but returned to Belgium with his family before the Paris Commune. He died in 1906, leaving behind a rich artistic legacy.
Historical Significance
Alfred Stevens’s work provides valuable insights into the social and cultural life of 19th-century France. His paintings offer a glimpse into the world of the upper middle class, showcasing their elegance, leisure activities, and evolving tastes. He is remembered as a master of realistic portraiture and genre painting, skillfully capturing the spirit of his time.
Alfred Émile Léopold Stevens
1823 - 1906
Snelle feiten
- Name: Alfred Émile Léopold Stevens
- Movement: Realism, La Vie Moderne
- Birth_Date: 1823
- Death_Date: 1906
- Birth_Place: Brussels
- Nationality: Belgian
- Date Of Birth: 1823
- Date Of Death: 1906
- Influenced_By:
- 17th-century Dutch genre painting
- Gerard ter Borch
- Gabriel Metsu
- Notable_Works:
- The Pardon or Absolution
- Ce qu'on appelle le vagabondage
- La Dame en Rose
- Hesitation (Madam Morteaux)
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