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StatistiekenJames Wilson
Neoclassicism
110.0 x 86.0 cm
Samuel Drummond’s "James Wilson" (c. 1800) is a striking classical portrait in oil on canvas. Explore this formal, detailed piece featuring rich textures & subtle symbolism – a captivating glimpse into 18th-century artistry.
A master of portrait and marine painting known for The Death of Nelson. Discover his powerful historical works today.
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Handgemaakte olieverfreproductie
Met de hand geschilderd in olieverf op canvas in uw gewenste maat en lijst, op bestelling gemaakt door onze kunstenaars. (
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op maat gemaakt
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Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
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breedte
hoogte
Voer de breedte en de hoogte in die u nodig heeft, passend bij uw lijst of uw muur. Dit is handgeschilderd, dus bij een afmeting met een andere vormverhouding kan de kunstenaar iets meer rondom het schilderij schilderen of juist iets meer weglaten — u kiest zelf. Wij sturen u een digitaal mockup ter goedkeuring voordat het schilderwerk begint. De afbeelding die op deze pagina wordt getoond, is niet het uiteindelijke resultaat — alleen de mockup geeft dit weer.
Voorbeelden van wat aangepast kan worden: Vervang het gezicht met een eigen foto; Voeg een huisdier toe (bijv. vervang de kat door een hond); Verwerk een verborgen boodschap in de achtergrond; Wijzig het landschap of andere elementen in de achtergrond.
Na de bestelling zal het team van TopImpressionists.com per e-mail contact opnemen met de klant voor instructies en een mockup-voorbeeld sturen.
Na de bestelling zal het team van TopImpressionists.com per e-mail contact opnemen met de klant voor instructies en een mockup-voorbeeld sturen.
Wereldwijde levering () binnen 3 tot 4 weken in plaats van de standaard 5 weken. (22 oktober). Zonder concessies aan de kwaliteit.
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Korting bij meerdere afnames
De optie voor glas is alleen beschikbaar bij een formaat kleiner dan 110 cm.
James Wilson
Reproductiemethode
Formaat reproductie
-
Totaalprijs
€ 236
Biografie van de kunstenaar
A life shaped by the sea and the brush
Before he ever held a brush in a London studio, Samuel Drummond knew the rhythm of the Baltic trade routes. At thirteen, his world was defined by the salt and wood of ships, spending six or seven years in the sea service. This early time on the water left its mark on his later work, where the movement of waves and the weight of naval history became central themes. After leaving the navy, he worked briefly as a clerk, but the pull of the Royal Academy Schools in 1791 eventually led him away from ledgers and back to the visual arts.
His training began with crayons and oil, a path that saw him exhibit over three hundred works at the Royal Academy. He moved through the ranks of the artistic community, becoming an associate of both the Royal Academy and the British Institution by 1808. His hands were accustomed to the precision required for portraits, yet he found a particular gravity in larger oil paintings that documented the maritime history of the United Kingdom.
The faces and the waves
Drummond had a way of rendering a likeness with speed, a quality that brought him frequent commissions. He sat many notable figures before him, capturing the presence of people such as Walter Scott, Elizabeth Fry, and Marc Isambard Brunel. His work for The European Magazine under James Asperne allowed him to document the leading personalities of the day, including Sir John Soane and Friedrich Accum. In these portraits, one can see a focus on the textures of clothing—the crispness of a white collar or the heavy drape of a coat—and the steady gaze of the sitter.
Beyond the individual portrait, his attention turned to the sea. He used oil on canvas to capture the chaos and weight of naval conflict. His paintings often focused on specific historical moments, such as:
- The Battle of the Nile, 1st August 1798
- Captain William Rogers Capturing the Jeune Richard, 1 October 1807
- Admiral Duncan at the Battle of Camperdown, 11 October 1797
- The Death of Nelson
In these maritime scenes, the brushwork carries the energy of a naval clash. He documented the death of Admiral Horatio Nelson through several works, including a scene on the deck of HMS Victory, where the focus remains on the gathered crowd and the heavy atmosphere of the moment.
A family of artists
The practice of painting was a shared language within his household. Drummond’s life was marked by three marriages, and the creative impulse seemed to pass directly to his children. His daughters, including Rose Emma, Ellen, Eliza Ann, Jane, Rose Hudson, and Rosa Myra, all became artists themselves. Rose Emma, in particular, found her own way as a portrait miniaturist, known for her depictions of theatre actresses.
Despite the professional success of his children and his own standing within the Royal Academy, the later years brought financial difficulties. He often relied on support from the funds of the Royal Academy to sustain his craft until his death in London in 1844. His legacy remains held in collections such as the National Portrait Gallery, the National Maritime Museum, and the Walker Art Gallery.
Samuel Drummond
1766 - 1844
Snelle feiten
- Artistic Movement Or Style:
- Portrait
- Marine
- History painting
- Artists Or Movements Influenced By This Artist:
- Rose Emma Drummond
- Thomas Musgrave Joy
- Full Name: Samuel Drummond
- Nationality: British
- Notable Artworks:
- The Death of Nelson
- Battle of Trafalgar
- Sir John Soane
- James Wilson
- Place Of Birth: London, England
- Date Of Birth: 1766
- Date Of Death: 1844
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