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BesøksstatistikkKneehole Desk
1777
78.0 x 147.0 cm
The Frick Collection
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Kneehole Desk
Reproduksjonsmetode
Format på reproduksjon
-
Totalpris
Nkr 2563
Originally, this desk was twenty inches longer and five inches deeper, and its eight legs were linked with stretchers (four together on each side). André-Charles Boulle invented the model in the early 1690s, producing only a few pieces with turtle shell and brass marquetry. The decorative pattern here—in turtle shell with brass background—is known as contre-partie marquetry. Boulle’s furniture continued to be appreciated throughout the eighteenth century. In the early 1770s, the cabinetmaker Etienne Levasseur modified the desk for its new owner, probably the famous art dealer Claude Julliot, who owned the altered version by 1777. The alteration included cutting the marquetry panels, therefore removing an important part of Boulle’s work. However, Levasseur retained Boulle’s large gilt-bronze mounts in the shape of Indian heads.Source: Vignon, Charlotte. The Frick Collection Decorative Arts Handbook. New York: The Frick Collection/Scala, 2015.
Spørsmål og svar
Bruker "Kneehole Desk" av André-Charles Boulle sterke kontraster eller myke harmonier?
Fargeanalysen av "Kneehole Desk" av André-Charles Boulle viser en Bold kontrast og en Unified Palette harmoni.
Hva er reproduksjonsrettighetene til "Kneehole Desk" hos The Frick Collection?
"Kneehole Desk" av André-Charles Boulle, som befinner seg i The Frick Collection, er i det frie domene – opphavsretten har utløpt. Denne statusen avgjør om det er tillatt å lage reproduksjoner av bildet.
Er "Kneehole Desk" tilgjengelig som et kunsttrykk?
For å bestille et trykk av "Kneehole Desk" av André-Charles Boulle, kan du enkelt gjøre det på siden for Kunsttrykk i høy kvalitet: et kunsttrykk på bomullslerret eller arkivbestandig lerretspapir.
Kunstnerbiografi
The Architect of Louis XIV Style
André-Charles Boulle (1642 – 1732) stands as a titan amongst French cabinetmakers, his name synonymous with opulent craftsmanship and the very embodiment of Louis XIV’s grandeur. More than just a furniture maker, Boulle was an innovator who fundamentally reshaped European taste, establishing a distinctive style—the ‘Boulle’ marquetry—that captivated royalty and aristocrats alike for decades to come. His legacy continues to inspire artisans today, cementing his place as one of the most influential figures in 17th-century decorative arts.
Born in Paris around 1642, he descended from a family steeped in artisanal tradition; his father, Jean Boulle, was himself a respected cabinetmaker. This familial connection provided him with an invaluable grounding in the craft, instilling within him not merely skill but also a deep appreciation for meticulous detail and artistic vision. While biographical details of his early years remain shrouded in the mists of time, his training undoubtedly prepared him for the extraordinary achievements that would follow, allowing him to rise to the prestigious position of ébéniste du roi.
The Revolution of Marquetry
Boulle’s genius resided primarily in his mastery of marquetry—a technique involving inlaying decorative materials like tortoiseshell, brass, pewter, and ivory into ebony or walnut veneers. Unlike previous methods which relied on simpler carving techniques, Boulle perfected a revolutionary process that achieved unparalleled levels of intricacy and realism. He meticulously hammered thin sheets of metal – primarily brass – onto the surface of the wood veneer, creating a raised relief effect that mimicked natural textures like foliage and stone.
This painstaking labor demanded exceptional precision and patience, resulting in furniture pieces that possessed breathtaking beauty and technical complexity. His work often featured:
- Intricate Brass Inlay: The use of fine metalwork to create shimmering, light-catching patterns.
- Tortoiseshell Elegance: The incorporation of organic, translucent materials to add depth and warmth.
- Royal Symbolism: Designs that reflected the power, prestige, and absolute authority of the French monarchy.
A Legacy of Opulence and Innovation
The impact of Boulle's work extended far beyond the borders of France, influencing the decorative arts of entire continents. His ability to blend neoclassical design with the emerging flourishes of the Rococo period allowed his pieces to remain relevant through shifting aesthetic tides. Whether it was a Barômetre en ébène et bronze doré reflecting the scientific curiosity of the age, or an opulent Cabinet from 1675 showcasing royal grandeur, each piece served as a testament to his unparalleled skill.
Even in smaller, more delicate works like his 1715 clock faces, one can observe the breathtaking detail of gilded gold and cherubs that defined his era. His mastery of gilded bronze and complex patterns created a visual language of luxury that remains the benchmark for fine cabinetry. Today, when we look upon the intricate layers of brass and ebony, we are not merely looking at furniture, but witnessing the enduring spirit of an artist who turned wood and metal into eternal poetry.
André-Charles Boulle
1642 - 1732 , France
Kort om kunstneren
- Full Name: André-Charles Boulle
- Nationality: French
- Date Of Birth: 1642
- Date Of Death: 1732
- Place Of Birth: Paris, France
- Notable Artworks:
- Barometer Clock
- Writing Table
- Wardrobe and Clock
- Artistic Movement Or Style: Louis XIV Style / Boulle Marquetry
- Artists Who Influenced This Artist: ['Jean Boulle']
- Artists Or Movements Influenced By This Artist: ['Rococo']
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