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      Self-Portrait

      Dimensjoner
      183.0 x 137.0 cm
      Nkr 2576

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      Størrelse

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      Corner sample of the WhiteWrap canvas edge finish, stretched on massivt tre bars
      Hvit kant Nkr1
      Corner sample of the BlurSideWrap canvas edge finish, stretched on massivt tre bars
      Uskarp kantfinish Nkr1
      Corner sample of the ExtendedWrap canvas edge finish, stretched on massivt tre bars
      Fortsatt motiv Nkr1
      Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P118B Nkr10
      Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P118H Nkr10
      Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P118W Nkr10
      Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
      P438Z Nkr10
      Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P508JH Nkr12
      Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P508YH Nkr12
      Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
      P805H Nkr10
      Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
      P805Z Nkr10
      Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919BZ Nkr10
      Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919G Nkr10
      Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919XJ Nkr10
      Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P959ZH Nkr10
      Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
      P968JZ Nkr12
      Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
      W106C Nkr8
      Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218G Nkr10
      Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218JH Nkr8
      Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218Y Nkr10
      Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
      W307PJ Nkr10
      Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
      W316G Nkr10
      Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
      W316PJ Nkr8
      Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
      W316Y Nkr10
      Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
      W398PJ Nkr8
      Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
      W4111J Nkr10
      Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
      W500HY Nkr15
      Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
      W500JH Nkr15
      Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
      W692G Nkr12
      Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
      W849H Nkr8
      Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
      W940BG Nkr15
      Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
      W953PJ Nkr8
      Corner sample of the H24-GOLD picture frame: utskåret tre med gesso, 10 cm wide and 6 cm thick
      H24-GOLD Nkr30
      Corner sample of the H24-SILVER picture frame: utskåret tre med gesso, 10 cm wide and 6 cm thick
      H24-SILVER Nkr30
      Corner sample of the H36-GOLD picture frame: utskåret tre med gesso, 15 cm wide and 6.5 cm thick
      H36-GOLD Nkr45
      Corner sample of the H36-SILVER picture frame: utskåret tre med gesso, 15 cm wide and 6.5 cm thick
      H36-SILVER Nkr45

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      Detaljer om gravert bronseplate

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Detaljer om gjennomsiktig akrylplate

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Detaljer om plakett i svart akryl

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Totalpris Nkr 2576

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      Beskrivelse av objektet

      Discover David Bailly's 'Self-Portrait,' a captivating Baroque masterpiece brimming with detail and vanitas symbolism. Explore the life & artistry of this Dutch Golden Age painter.

      Om kunstneren

      David Bailly (1584-1657): Dutch Golden Age painter of realistic portraits, still lifes & poignant vanitas works exploring life's transience. Explore his art!

      Om maleriet

      David Bailly’s “Self-Portrait” – A Window into Dutch Golden Age Soul

      David Bailly's "Self-Portrait," painted in 1625, isn’t merely a likeness; it’s a carefully constructed meditation on identity, artistry, and the fleeting nature of existence—a quintessential example of the introspective spirit flourishing during the Netherlands’ Golden Age. This remarkable work, rendered in meticulous pen and ink on light brown paper, offers a rare glimpse into the mind of an artist deeply engaged with his craft and the world around him. The painting immediately draws the viewer in with Bailly's direct gaze, a subtle challenge and invitation to contemplate the scene before them.

      The composition is deceptively simple yet profoundly layered. Bailly presents himself in a three-quarter pose, seated at a wooden table cluttered with the tools of his trade: brushes, scissors, and a rolled-up sheet of paper—each element whispering tales of creative process and intellectual pursuit. The stark contrast between the dark, densely hatched areas of his clothing and the lighter, more open spaces around him immediately establishes a sense of depth and texture. Bailly’s face is rendered with an astonishing level of detail; the delicate lines defining his curly hair, the prominent nose, and the expressive eyes all contribute to a portrait that feels remarkably alive. The inclusion of a white collar, a fashionable accessory of the period, adds a touch of formality while simultaneously highlighting the artist's self-awareness.

      The Baroque Influence & Vanitas Symbolism

      Bailly’s style firmly resides within the Baroque tradition, though tempered by his distinctly Dutch sensibility. The influence is evident in the dramatic lighting—a diffused quality that casts subtle shadows and highlights—and the intricate detailing of every element within the composition. However, unlike the grandiosity often associated with Baroque art, Bailly's work possesses a quiet intimacy. He masterfully employs hatching and cross-hatching to build up tonal values, creating a sense of volume and texture without resorting to heavy brushstrokes or vibrant colors. This technique is particularly evident in the depiction of his jacket, where the meticulous lines create a complex pattern that suggests both skill and patience.

      Crucially, “Self-Portrait” incorporates elements of *vanitas*, a symbolic genre popular during the Baroque period. The inclusion of tools like scissors and the rolled-up paper serves as reminders of the ephemeral nature of artistic creation—a fleeting moment captured on paper. The table itself is laden with objects that speak to mortality: a partially consumed candle, suggesting the passage of time; and the very act of painting, an endeavor requiring sustained effort and ultimately leading to the artist’s own eventual demise. These subtle yet potent symbols invite contemplation on themes of life, death, and the transient beauty of the world.

      A Window into a Dutch Master's Life

      Beyond its artistic merits, “Self-Portrait” offers valuable insights into the life of David Bailly himself. Born in Leiden in 1584, Bailly’s early training involved apprenticeships with skilled craftsmen—a testament to the importance of practical experience in the Netherlands’ burgeoning art scene. His travels throughout Europe, particularly his sojourn in Rome, exposed him to the artistic innovations of the Renaissance and Baroque periods, which undoubtedly influenced his style. The painting can be seen as a reflection of this journey – a distillation of experiences and influences into a single, powerful image.

      Bailly’s legacy extends beyond his portraits and still lifes. He was also a respected teacher, passing on his knowledge and techniques to subsequent generations of artists. “Self-Portrait” stands as a poignant reminder of the artist's dedication to both his craft and his students, solidifying his place as a pivotal figure in Dutch Golden Age art. It’s a work that continues to resonate with viewers today, offering a glimpse into the soul of an extraordinary man and the enduring power of artistic self-expression.

      Further Exploration & Reproduction Details

      For those seeking deeper understanding, resources like WikiArt (https://www.wikiart.org/en/david-bailly/self-portrait-1625) and Wikipedia (https://en.wikipedia.org/wiki/David_Bailly) offer extensive biographical information and critical analyses of Bailly’s work. The painting itself is a remarkable example of 17th-century artistry, showcasing the precision and skill of pen and ink techniques.

      TopImpressionists offers high-quality reproductions of “Self-Portrait,” meticulously crafted to capture the essence of Bailly's original masterpiece. These reproductions are ideal for interior design, art collecting, or simply as a beautiful reminder of this iconic work of Dutch Golden Age art. Consider commissioning a hand-painted reproduction – a truly unique and authentic addition to any collection.

      Spørsmål og svar

      Hvor gammel var David Bailly da "Self-Portrait" ble skapt?

      Da "Self-Portrait" ble skapt i 1625, var David Bailly – født i 1584 – 41 år gammel.

      Er "Self-Portrait" overordnet sett mest lys eller mørk?

      De registrerte verdiene for "Self-Portrait" av David Bailly er: brilliant lysstyrke, Gentle Luminance luminans.

      Hvilke farger dominerer "Self-Portrait" av David Bailly?

      "Self-Portrait" er definert av en Neutrals-palett med Putty (#cfcfcf) som den dominerende fargen.

      Kort om verket og kunstquiz

      Kort om verket

      • Year: 1625
      • Artist: David Bailly
      • Medium: Pen & Ink
      • Notable elements: Intricate lines
      • Title: Self-Portrait
      Om David Bailly
      David Bailly

      David Bailly

      1584 - 1657, Netherlands

      Om kunstneren

      David Bailly: A Life in Dutch Golden Age Art

      Early Life and Training (1584-1608)

      • Birth and Family: David Bailly was born in Leiden, Netherlands, in 1584. His father, Peter Bailly, was a Flemish immigrant who worked as a calligrapher and fencing master.
      • Early Artistic Education: He initially received drawing instruction from his father and the copper engraver Jacques de Gheyn. This foundational training instilled in him a strong draftsmanship.
      • Apprenticeships: Bailly further honed his skills through apprenticeships with Adriaan Verburg, a surgeon-painter in Leiden, and Cornelius van der Voort, a portrait painter in Amsterdam. These experiences exposed him to different artistic techniques and subject matter.

      The Grand Tour and Early Career (1608-1613)

      • Continental Travels: In the winter of 1608, Bailly embarked on a ‘Grand Tour,’ traveling through Frankfurt, Nuremberg, Augsburg, Hamburg, Tyrol, and Venice before reaching Rome. This journey was crucial for his artistic development.
      • Italian Influence: He spent five months in Venice working as a journeyman, absorbing the influences of Italian Renaissance and Venetian art. His return voyage included commissions from German princes, including the Duke of Brunswick.

      Artistic Development and Style (1613-1657)

      • Diverse Subject Matter: Upon returning to the Netherlands in 1613, Bailly began painting a variety of subjects, including still lifes and portraits. He became known for his self-portraits and depictions of students and professors at the University of Leiden.
      • Vanitas Paintings: A significant portion of his oeuvre consists of *vanitas* paintings – symbolic works that reflect on the transience of life, often featuring flowers, candles, and other ephemeral objects. These paintings demonstrate a philosophical depth alongside artistic skill.
      • Portraiture Style: His portrait style is characterized by realism and attention to detail, capturing the likenesses and personalities of his sitters with sensitivity.

      Major Achievements and Guild Membership

      • Guild Leadership: In 1648, Bailly was elected headman of the Leiden Guild of St. Luke, a testament to his standing within the artistic community.
      • Teaching Legacy: He served as a teacher and mentor to his nephews, Harmen and Pieter Steenwijck, passing on his knowledge and skills to the next generation.

      Influences and Historical Significance

      • Artistic Influences: Bailly was influenced by the Italian masters he encountered during his Grand Tour, as well as by Dutch predecessors in portraiture and still life painting.
      • Impact on Dutch Art: He contributed to the flourishing of art during the Dutch Golden Age, particularly through his insightful *vanitas* paintings that reflected the era’s preoccupation with mortality and spirituality.
      • Legacy: While not as widely recognized today as some of his contemporaries, David Bailly remains an important figure in the history of Dutch art, representing a blend of technical skill, intellectual depth, and artistic innovation.

      Kort om David Bailly

      • Name: David Bailly
      • Movement: Dutch Golden Age painting
      • Birth Date: 1584
      • Death Date: 1657
      • Influenced:
        • Harmen Steenwijck
        • Pieter Steenwijck
      • Birth Place: Leiden, Netherlands
      • Nationality: Dutch
      • Date Of Birth: 1584
      • Date Of Death: 1657
      • Influenced By:
        • Adriaan Verburg
        • Cornelius van der Voort
        • Jacques de Gheyn
      • Notable Works:
        • Self-Portrait with Vanitas Symbols
        • Portrait of Anthony de Wale
      • Place Of Birth: Leiden, Netherlands
      David Bailly Self-Portrait () · Med ramme: · Håndmalt med olje på lin

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