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      Self-Portrait with Vanitas Symbols

      Dimensjoner
      65.0 x 97.0 cm
      Nkr 2576

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      Corner sample of the WhiteWrap canvas edge finish, stretched on massivt tre bars
      Hvit kant Nkr1
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      Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P118B Nkr10
      Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P118H Nkr10
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      P118W Nkr10
      Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
      P438Z Nkr10
      Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P508JH Nkr12
      Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P508YH Nkr12
      Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
      P805H Nkr10
      Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
      P805Z Nkr10
      Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919BZ Nkr10
      Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919G Nkr10
      Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919XJ Nkr10
      Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P959ZH Nkr10
      Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
      P968JZ Nkr12
      Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
      W106C Nkr8
      Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218G Nkr10
      Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218JH Nkr8
      Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218Y Nkr10
      Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
      W307PJ Nkr10
      Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
      W316G Nkr10
      Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
      W316PJ Nkr8
      Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
      W316Y Nkr10
      Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
      W398PJ Nkr8
      Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
      W4111J Nkr10
      Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
      W500HY Nkr15
      Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
      W500JH Nkr15
      Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
      W692G Nkr12
      Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
      W849H Nkr8
      Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
      W940BG Nkr15
      Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
      W953PJ Nkr8
      Corner sample of the H24-GOLD picture frame: utskåret tre med gesso, 10 cm wide and 6 cm thick
      H24-GOLD Nkr30
      Corner sample of the H24-SILVER picture frame: utskåret tre med gesso, 10 cm wide and 6 cm thick
      H24-SILVER Nkr30
      Corner sample of the H36-GOLD picture frame: utskåret tre med gesso, 15 cm wide and 6.5 cm thick
      H36-GOLD Nkr45
      Corner sample of the H36-SILVER picture frame: utskåret tre med gesso, 15 cm wide and 6.5 cm thick
      H36-SILVER Nkr45

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      Detaljer om gravert bronseplate

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Detaljer om gjennomsiktig akrylplate

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Detaljer om plakett i svart akryl

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Totalpris Nkr 2576

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      Beskrivelse av objektet

      Admire David Bailly's masterful 'Self-Portrait with Vanitas Symbols,' a poignant Baroque masterpiece housed at Stedelijk Museum De Lakenhal, Leiden. Explore symbolism & technique!

      Om kunstneren

      David Bailly (1584-1657): Dutch Golden Age painter of realistic portraits, still lifes & poignant vanitas works exploring life's transience. Explore his art!

      Om maleriet

      David Bailly’s “Self-Portrait with Vanitas Symbols”: A Meditation on Mortality in Baroque Leiden

      The Stedelijk Museum De Lakenhal in Leiden, Netherlands, houses a remarkable oil painting by David Bailly—a cornerstone of Dutch Golden Age art and a poignant exploration of the human condition. Completed in 1651, “Self-Portrait with Vanitas Symbols” transcends mere representation; it’s an immersive experience into Baroque aesthetics and philosophical contemplation. Measuring 65 x 97 cm, this artwork immediately draws the eye with Bailly's masterful use of chiaroscuro—a dramatic interplay of light and dark—creating a palpable sense of depth and emotion that continues to resonate centuries later.

      A Portrait Steeped in Symbolism

      Bailly’s self-portrait isn’t simply a depiction of his likeness; it’s a carefully constructed visual statement laden with symbolic elements characteristic of the vanitas genre. The central figure, dressed in black attire and adorned with a white collar, gazes directly at the viewer through a mirror reflecting another man—a subtle duality that speaks to themes of introspection and mortality. Crucially positioned on his lap is a skull, a ubiquitous symbol of death and decay within Baroque art. This isn’t merely an ornamental detail; it serves as a forceful reminder of the inevitability of human demise and prompts viewers to confront their own mortality.

      Technique and Artistic Style: Mastery of Oil Painting

      David Bailly's technical prowess is evident in every brushstroke. He employed meticulous observation and painstaking layering techniques—typical of Baroque painting—to achieve an astonishing level of realism and textural detail. The artist skillfully utilized chiaroscuro to sculpt the figure’s form, highlighting musculature and conveying a sense of solemn seriousness. Furthermore, Bailly's palette was restrained yet impactful, favoring muted tones that contribute to the overall melancholic mood. The meticulous rendering of surfaces—from the fabric of his coat to the polished surface of the mirror—demonstrates Bailly’s dedication to capturing the nuances of visual perception.

      Historical Context: Leiden and the Baroque Spirit

      “Self-Portrait with Vanitas Symbols” emerged during a period of significant intellectual ferment in Leiden, where humanist ideas mingled with religious anxieties. The Baroque style flourished across Europe, prioritizing grandeur, emotion, and dramatic expression—often reflecting upon spiritual matters and confronting existential questions. Bailly’s painting aligns perfectly with this artistic ethos, embodying the Baroque preoccupation with contemplating death as an inevitable part of life's journey. It reflects a broader cultural trend toward acknowledging human vulnerability and accepting the transient nature of earthly existence.

      Emotional Resonance: A Timeless Reflection on Existence

      More than just a beautiful artwork, Bailly’s “Self-Portrait with Vanitas Symbols” compels viewers to pause and consider profound questions about life's purpose and legacy. The inclusion of books symbolizes knowledge and learning—yet their presence alongside the skull underscores the futility of pursuing worldly ambitions in the face of death. Similarly, the vase represents beauty and abundance, juxtaposed against decay, highlighting the ephemeral quality of earthly pleasures. Ultimately, Bailly’s masterpiece invites contemplation on the human condition, prompting us to grapple with our own mortality and appreciate the preciousness of each passing moment—a message that remains powerfully relevant today.
      • Artist: David Bailly
      • Year: 1651
      • Size: 65 x 97 cm
      • Location: Stedelijk Museum De Lakenhal, Leiden, Netherlands

      Visit /art/list/?Filter=8Y32CF-David-Bailly-Self-Portrait-with-Vanitas-Symbols to explore more about David Bailly's artwork. Discover the Stedelijk Museum De Lakenhal and its impressive collection of Dutch art on /art/list/?Filter=A@D3AFUT-The-Museum-Pieterskerk-(Leiden-Netherlands)-A-Comprehensive-Guide. Learn more about the vanitas theme and its significance in art on https://en.wikipedia.org/wiki/Vanitas.

      For those interested in owning a piece of art history, handmade oil painting reproductions are available on https://Al

      Spørsmål og svar

      Er "Self-Portrait with Vanitas Symbols" av David Bailly et maleri, en tegning eller et trykk?

      "Self-Portrait with Vanitas Symbols" av David Bailly er klassifisert som WallArt. Kategorien beskriver hvilken type kunstverk originalen er.

      Hva er den dominerende fargetonen i "Self-Portrait with Vanitas Symbols" av David Bailly?

      "Self-Portrait with Vanitas Symbols" har en tendens til en Ochre to Sepia tone.

      Hvilken fase av David Bailly sin karriere tilhører "Self-Portrait with Vanitas Symbols" (1651)?

      "Self-Portrait with Vanitas Symbols", skapt i 1651, tilhører Mature Period i David Bailly sin karriere.

      Kort om verket og kunstquiz

      Kort om verket

      • Influences: Dutch Baroque
      • Notable elements or techniques: Chiaroscuro; Skull; Books; Vase
      • Dimensions: 65 x 97 cm
      • Artistic style: Dramatic lighting; Intense emotions
      • Location: Stedelijk Museum De Lakenhal, Leiden
      • Medium: Oil on wood
      Om David Bailly
      David Bailly

      David Bailly

      1584 - 1657, Netherlands

      Om kunstneren

      David Bailly: A Life in Dutch Golden Age Art

      Early Life and Training (1584-1608)

      • Birth and Family: David Bailly was born in Leiden, Netherlands, in 1584. His father, Peter Bailly, was a Flemish immigrant who worked as a calligrapher and fencing master.
      • Early Artistic Education: He initially received drawing instruction from his father and the copper engraver Jacques de Gheyn. This foundational training instilled in him a strong draftsmanship.
      • Apprenticeships: Bailly further honed his skills through apprenticeships with Adriaan Verburg, a surgeon-painter in Leiden, and Cornelius van der Voort, a portrait painter in Amsterdam. These experiences exposed him to different artistic techniques and subject matter.

      The Grand Tour and Early Career (1608-1613)

      • Continental Travels: In the winter of 1608, Bailly embarked on a ‘Grand Tour,’ traveling through Frankfurt, Nuremberg, Augsburg, Hamburg, Tyrol, and Venice before reaching Rome. This journey was crucial for his artistic development.
      • Italian Influence: He spent five months in Venice working as a journeyman, absorbing the influences of Italian Renaissance and Venetian art. His return voyage included commissions from German princes, including the Duke of Brunswick.

      Artistic Development and Style (1613-1657)

      • Diverse Subject Matter: Upon returning to the Netherlands in 1613, Bailly began painting a variety of subjects, including still lifes and portraits. He became known for his self-portraits and depictions of students and professors at the University of Leiden.
      • Vanitas Paintings: A significant portion of his oeuvre consists of *vanitas* paintings – symbolic works that reflect on the transience of life, often featuring flowers, candles, and other ephemeral objects. These paintings demonstrate a philosophical depth alongside artistic skill.
      • Portraiture Style: His portrait style is characterized by realism and attention to detail, capturing the likenesses and personalities of his sitters with sensitivity.

      Major Achievements and Guild Membership

      • Guild Leadership: In 1648, Bailly was elected headman of the Leiden Guild of St. Luke, a testament to his standing within the artistic community.
      • Teaching Legacy: He served as a teacher and mentor to his nephews, Harmen and Pieter Steenwijck, passing on his knowledge and skills to the next generation.

      Influences and Historical Significance

      • Artistic Influences: Bailly was influenced by the Italian masters he encountered during his Grand Tour, as well as by Dutch predecessors in portraiture and still life painting.
      • Impact on Dutch Art: He contributed to the flourishing of art during the Dutch Golden Age, particularly through his insightful *vanitas* paintings that reflected the era’s preoccupation with mortality and spirituality.
      • Legacy: While not as widely recognized today as some of his contemporaries, David Bailly remains an important figure in the history of Dutch art, representing a blend of technical skill, intellectual depth, and artistic innovation.

      Kort om David Bailly

      • Name: David Bailly
      • Movement: Dutch Golden Age painting
      • Birth Date: 1584
      • Death Date: 1657
      • Influenced:
        • Harmen Steenwijck
        • Pieter Steenwijck
      • Birth Place: Leiden, Netherlands
      • Nationality: Dutch
      • Date Of Birth: 1584
      • Date Of Death: 1657
      • Influenced By:
        • Adriaan Verburg
        • Cornelius van der Voort
        • Jacques de Gheyn
      • Notable Works:
        • Self-Portrait with Vanitas Symbols
        • Portrait of Anthony de Wale
      • Place Of Birth: Leiden, Netherlands
      David Bailly Self-Portrait with Vanitas Symbols () · Med ramme: · Håndmalt med olje på lin

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