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      Urbino

      A whimsical and surreal depiction of a dinosaur at a desk featuring birds and cats by Ellen Lanyon invites you to explore the enchanting details of this unique contemporary painting for your private collection.

      Explore the dreamlike worlds of Ellen Lanyon – surrealist painter & printmaker known for fantastical animal motifs & 'dreamscapes'. Major museum collections.

      Kunstverket som vises på denne siden er beskyttet av opphavsretten, noe som betyr at vi ikke har juridisk tillatelse til å lage eller selge identiske reproduksjoner. Denne beskyttelsen håndheves i henhold til internasjonale avtaler som for eksempel Bernerkonvensjonen og av nasjonale lover, inkludert de som er fastsatt i Amerikansk opphavsrettslov – Tittel 17.

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      Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
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      P805H Nkr10
      Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
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      Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
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      Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
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      Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
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      Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
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      Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
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      Totalpris

      Nkr 2557

      Urbino

      Reproduksjonsmetode

      Format på reproduksjon

      -

      Totalpris

      Nkr 2557

      Kort om verket

      • Subject or theme: Contrast of natural and man-made elements
      • Year: 2010
      • Title: Urbino
      • Notable elements: Dinosaur, birds, cats, and desk objects

      Kunstquiz

      Det er kun ett riktig svar på hvert spørsmål.

      Spørsmål 1:
      What is the central figure depicted in the painting 'Urbino'?
      Spørsmål 2:
      Which accessory is the main subject wearing around its neck?
      Spørsmål 3:
      How many cats are present in the painting?
      Spørsmål 4:
      Which of these man-made objects is specifically mentioned as being on the desk?
      Spørsmål 5:
      In what year was the artwork 'Urbino' created?

      A Surreal Encounter: The Whimsical World of Ellen Lanyon

      In the captivating painting Urbino, created in 2010, the viewer is transported into a dreamscape where the boundaries between the prehistoric and the domestic dissolve into a singular, enchanting vision. Ellen Lanyon, an artist renowned for her ability to bridge the gap between reality and the subconscious, presents us with a scene that feels both deeply intimate and expansively strange. At the heart of this composition sits a dinosaur, rendered with a meticulousness that recalls the industrial precision of Lanyon’s early life. Yet, this creature is far from menacing; draped in a soft scarf, it occupies a space of quiet contemplation, seated before a desk as if caught in a moment of scholarly repose. This juxtaposition of the ancient, reptilian form with the mundane artifacts of human life creates an immediate sense of wonder, inviting the observer to question the stability of our own perceived reality.

      The composition is a masterclass in narrative layering, where every element serves as a character in a silent, surrealist play. As your eyes wander across the canvas, you encounter a delicate ecosystem of unexpected companions: birds perched precariously at the edges of the frame and cats that navigate the scene with feline grace. The desk itself becomes a stage for a still life of domesticity, cluttered with three cups, two bowls, and a solitary knife. These man-made objects, rendered with careful attention to form, provide a grounding contrast to the fantastical presence of the dinosaur. This interplay between the organic and the manufactured is a hallmark of Lanyon’s technique, where the precision of line meets the fluidity of imagination, creating a tension that keeps the viewer perpetually engaged.

      For the discerning collector or interior designer, Urbino offers more than just visual interest; it provides a profound emotional resonance. The painting evokes a sense of nostalgia for the "uncanny"—that feeling of something being simultaneously familiar and deeply strange. The vibrant colors and intricate details make this piece an extraordinary focal point for any sophisticated space, whether it be a contemporary gallery setting or a curated private study. It is a work that demands slow looking, rewarding the observer with new discoveries upon every encounter. To possess a reproduction of such a piece is to bring a fragment of a dream into the physical world, offering a constant source of inspiration and a window into a realm where the impossible becomes beautifully tangible.

      Spørsmål og svar

      Hvilken fargepalett bruker "Urbino"?

      Fargepaletten i "Urbino" av Ellen Lanyon beskrives som Earthy. Det er en kortfattet beskrivelse av verkets farger.

      Hvilken palett og hvilken hovedfarge definerer "Urbino"?

      "Urbino" er definert av en Earthy-palett med Driftwood (#c79c4c) som dominerende farge.

      Er fargene i "Urbino" av Ellen Lanyon livlige eller dempede?

      Fargen i "Urbino" har en metning på Clear Color Presence og en intensitet på Vivid.


      Kunstnerbiografi

      A World Between Dreams and Reality: The Art of Ellen Lanyon

      Ellen Lanyon’s paintings are portals, inviting viewers into a realm where the familiar tilts on its axis and the subconscious takes visible form. Born in Chicago in 1948, her artistic journey began not within the hallowed halls of academia, though she would later attend both the School of the Art Institute of Chicago, the University of Iowa, and even undertake postgraduate studies at the Courtauld Institute in London on a Fulbright fellowship, but amidst the industrial landscape of her father’s foundry. This early exposure to the precise rendering of machine parts instilled in her a meticulous attention to line – a characteristic that would become a hallmark of her distinctive style. But it was a childhood visit to the “Midget Village” at the 1933 Chicago World's Fair, an undeniably surreal spectacle, that left a deeper, more lasting impression, seeding within her imagination a fascination with the uncanny and the disquieting juxtaposition of realities.

      From Portraits to Dreamscapes: The Evolution of a Vision

      Lanyon’s early work focused on intimate portraits of relatives and the spaces they inhabited – quiet studies imbued with a sense of psychological depth. These paintings, created in the late 1950s and 60s, reveal her burgeoning talent for capturing not just likeness but also the atmosphere and emotional weight of domestic life. However, this focus gradually shifted towards more fantastical compositions, populated by animal, vegetal, and floral motifs arranged in dreamlike scenarios. She herself often described these works as “dreamscapes,” a fitting term for paintings that seem to exist on the threshold between waking consciousness and the realm of sleep. This transition wasn’t abrupt; rather, it was a natural unfolding of her artistic concerns – a move away from external representation towards an exploration of inner landscapes. Her art began to embrace surrealism, though she resisted easy categorization, preferring instead to create a unique visual language that blended elements of magical realism with a distinctly personal iconography.

      Influences and Affiliations: A Chicago Voice

      While Lanyon’s style is undeniably singular, it wasn't formed in isolation. During her formative years in Chicago, she became associated with the city’s vibrant Imagist movement – a group of artists known for their rebellious spirit and rejection of conventional artistic norms. Though not strictly aligned with all of their tenets, she shared their interest in exploring the subconscious and challenging traditional notions of beauty. Beyond this local influence, Lanyon's work resonates with the metaphysical art of the 1910s and ‘20s – artists like Giorgio de Chirico whose paintings often featured unsettling juxtapositions of everyday objects and a palpable sense of alienation. Her meticulous technique also owes a debt to earlier masters of realism, though she always employed it in service of her own highly imaginative vision. In the 1970s, Lanyon’s move to New York brought her into contact with the feminist art collective *Heresies*, further broadening her intellectual and artistic horizons.

      Environmental Awakening: A Shift in Focus

      A pivotal moment in Lanyon's career came in 1976 when she received a commission from the Department of the Interior to work in the Everglades National Park. This experience proved transformative, awakening within her a profound awareness of the environmental crisis and inspiring a new direction in her art. Her paintings began to reflect a deeper engagement with flora and fauna – not merely as decorative motifs but as symbols of vulnerability and resilience. Everyday objects also took on increased significance, imbued with both domestic familiarity and a sense of impending menace. This later work is characterized by a haunting beauty, a delicate balance between the alluring and the unsettling. She began depicting objects from her collection, transforming them into potent emblems of our relationship to the natural world and the fragility of existence.

      Legacy and Significance: A Lasting Impression

      Ellen Lanyon’s art occupies a unique space within the landscape of contemporary painting. Her dreamscapes – meticulously rendered yet profoundly evocative – continue to captivate viewers with their enigmatic beauty and psychological depth. Her works are held in the permanent collections of major American museums, testament to her enduring influence and artistic merit. More than just a surrealist painter or a magical realist, Lanyon was a visionary artist who dared to explore the hidden realms of the subconscious, challenging our perceptions of reality and reminding us of the power of imagination. Her legacy lies not only in the exquisite beauty of her paintings but also in her ability to create worlds that are both deeply personal and universally resonant – worlds that invite us to question, to dream, and to see beyond the surface of things. Her art remains a powerful testament to the enduring human need for meaning and connection in an increasingly fragmented world. Lanyon’s ability to blend meticulous technique with fantastical imagery has cemented her place as a significant figure in American art history.

      Kort om kunstneren

      • Place Of Birth: WahooArt
      • Notable Artworks: ['Various works featured in The World Goes Pop exhibition']
      • Artistic Movement Or Style: World Goes Pop
      • Artists Who Influenced This Artist: ['Influenced by diverse artists within the World Goes Pop movement']
      • Artists Or Movements Influenced By This Artist: ['Influenced by pop art and contemporary social commentary']
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