Atelier — Gratis frakt til hele verden — Leveringstid 2–6 uker

      Vist: · Med ramme:

      Forhåndsvisning Se i AR Bytt til trykk Bytt til digitalt bilde Send
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      Strips

      Nkr 2539

      Håndlaget oljereproduksjon

      Håndmalt olje på lerret i din valgte størrelse og ramme, laget på bestilling av våre kunstnere. ( Bytt til trykk Bytt til digitalt bilde)

      Størrelse

      ·
      Standardformat
      skreddersydd
      CM
      INCH

      Velg mellom våre forhåndsdefinerte størrelser som bevarer kunstverkets opprinnelige proporsjoner.

      bredde
      høyde

      Skriv inn ønsket bredde og høyde for å tilpasse bildet til din ramme eller vegg. Siden dette er håndmalt, kan kunstneren male litt mer rundt motivet eller beskjære det noe dersom du velger et annet format — valget er ditt. Vi sender deg en digital mockup til godkjenning før maleriet påbegynnes. Bildet som vises på denne siden representerer ikke det faktiske resultatet — kun mockuppen viser det endelige uttrykket.

      Fullfør

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      Corner sample of the WhiteWrap canvas edge finish, stretched on massivt tre bars
      Hvit kant Nkr1
      Corner sample of the BlurSideWrap canvas edge finish, stretched on massivt tre bars
      Uskarp kantfinish Nkr1
      Corner sample of the ExtendedWrap canvas edge finish, stretched on massivt tre bars
      Fortsatt motiv Nkr1
      Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P118B Nkr10
      Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P118H Nkr10
      Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P118W Nkr10
      Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
      P438Z Nkr10
      Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P508JH Nkr12
      Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P508YH Nkr12
      Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
      P805H Nkr10
      Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
      P805Z Nkr10
      Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919BZ Nkr10
      Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919G Nkr10
      Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919XJ Nkr10
      Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P959ZH Nkr10
      Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
      P968JZ Nkr12
      Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
      W106C Nkr8
      Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218G Nkr10
      Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218JH Nkr8
      Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218Y Nkr10
      Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
      W307PJ Nkr10
      Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
      W316G Nkr10
      Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
      W316PJ Nkr8
      Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
      W316Y Nkr10
      Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
      W398PJ Nkr8
      Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
      W4111J Nkr10
      Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
      W500HY Nkr15
      Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
      W500JH Nkr15
      Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
      W692G Nkr12
      Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
      W849H Nkr8
      Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
      W940BG Nkr15
      Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
      W953PJ Nkr8
      Corner sample of the H24-GOLD picture frame: utskåret tre med gesso, 10 cm wide and 6 cm thick
      H24-GOLD Nkr30
      Corner sample of the H24-SILVER picture frame: utskåret tre med gesso, 10 cm wide and 6 cm thick
      H24-SILVER Nkr30
      Corner sample of the H36-GOLD picture frame: utskåret tre med gesso, 15 cm wide and 6.5 cm thick
      H36-GOLD Nkr45
      Corner sample of the H36-SILVER picture frame: utskåret tre med gesso, 15 cm wide and 6.5 cm thick
      H36-SILVER Nkr45

      Sendes i et beskyttende rør, klar til å rammes inn av din egen innrammer.

      Over 105 cm sendes rammen som et sett til en profesjonell rammemaker — les detaljene.

      Tilleggstjenester

      valgfritt
      Hva inkluderer ekstratjenestene?
      Eksempler på hva som kan endres: Erstatt ansikt med kundens eget bilde; Legg til kjæledyr (f.eks. bytt ut katt med hund); Inkluder en skjult melding i bakgrunnen; Endre landskap eller elementer i bakgrunnen.
      Etter bestilling vil TopImpressionists.com-teamet sende e-post til kunden for instruksjoner og sende et utkast som forhåndsvisning

      Verdensomspennende levering () på 3–4 uker i stedet for standard 5 uker. (15 November). Ingen kompromisser med kvaliteten.

      Beskyttende ferniss

      Navneskilt

      Detaljer om gravert bronseplate

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Detaljer om gjennomsiktig akrylplate

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Detaljer om plakett i svart akryl

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Totalpris Nkr 2539

      Glassalternativet er kun tilgjengelig i størrelser under 110 cm

      • Gratis ekspressfrakt over hele verden
      • Lerretsduk av lin av høy kvalitet
      • Full transportforsikring
      • Garanti for refusjon av toll og importavgifter
      • Garantert fargegjengivelse
      • 100 dagers returrett ved fabrikasjonsfeil
      • 100% pengene tilbake-garanti
      • Rabatt ved flere kjøp

      Beskrivelse av objektet

      Experience 'Strips' by Gordon Bennett AO – a powerful quilt reflecting Gee’s Bend heritage & resilience. Explore vibrant colors, geometric patterns, & Indigenous artistry. Hand-painted reproduction.

      Om kunstneren

      Utforsk Gordon Bennett AOs kraftfulle kunst – en australsk kunstner som forener urfolk og anglo-keltisk arv. Hans verk utfordrer identitet og historie.

      Om maleriet
      I was born December 29, 1960, in Gee’s Bend, Alabama. As a young child living in Gee’s Bend, I grew up on a farm and had to work in the fields. Because of my young age, I was only allowed to carry water to those who were big enough to chop cotton and the other things that we grew in our fields. Our field was located in an area called Carson, although my grandfather had two fields, one in Carson and the other one located in a place called Hotel (some people called it Long Bottom). Hotel was the area where the old cemetery was located. There, my family grew cotton, corn, peanuts, and sweet potatoes, just to name a few of our crops.We started our day early because my mother had to make breakfast and lunch so we could carry our lunch with us to the fields. When I got a little older, about eight years old, I also helped with getting the meals prepared, and now I was old enough to chop and pick cotton. This was not an easy job, and I can remember we hardly ever complained. And even if we did, we were only wasting time and energy. In my early teens, cotton started to fade away, and only a few people who were a little more well-off than the rest continued with planting cotton. So we “hired out,” working for those who had a bigger farm. To pick a hundred pounds of cotton a day was really hard for me because I was so small, but I am sure it was no problem for my grandfather, Tank Pettway, because he was a big, tall man. It was not long before cotton completely faded away from Gee’s Bend and another crop of hard work was born—the birth of cucumbers.We started our day early because my mother had to make breakfast and lunch so we could carry our lunch with us to the fields. When I got a little older, about eight years old, I also helped with getting the meals prepared, and now I was old enough to chop and pick cotton. This was not an easy job, and I can remember we hardly ever complained. And even if we did, we were only wasting time and energy. In my early teens, cotton started to fade away, and only a few people who were a little more well-off than the rest continued with planting cotton. So we “hired out,” working for those who had a bigger farm. To pick a hundred pounds of cotton a day was really hard for me because I was so small, but I am sure it was no problem for my grandfather, Tank Pettway, because he was a big, tall man. It was not long before cotton completely faded away from Gee’s Bend and another crop of hard work was born—the birth of cucumbers.Roman Pettway, the community entrepreneur, introduced Gee’s Bend to a new mode of farming. Cucumbers were the “new cotton,” but thank God, the season for cucumber picking was very short, from late May to the first week in July. We knew when the month of July came it would not be long before we could finally have a summer break. Growing cucumbers lasted for nearly a decade, and many families planted a second crop because this was a quicker and faster way to earn income. My family and others planted their own gardens and grew almost all the vegetables needed to survive the winter months. I learned to can vegetables and to make plum and blackberry jelly and jams. My mother Qunnie Pettway’s first paying job was working at the Freedom Quilting Bee. Her paycheck was not a whole lot, and sometimes she would have to work several weeks before getting any pay. During her absence, my oldest brother and I had to do most of the household chores. We didn’t have a water pump of our own, so we carried water from my aunt Lucy T. Pettway’s house. We also carried water from a natural spring, a spring called Cross Spring. Some of the men in the community tailored the spring into a well by damming it up with barrels; this made it much easier to obtain the water. The water was used to cook and wash our clothes. We also heated our bathwater in the same wash pot we used to wash our clothes. By the time I turned about fifteen, we got running water and paved roads. Now that the roads were paved and we had running water, washing, cleaning, riding the school bus, and walking got a lot better. I can recall that I was about five or six years old when I was first introduced to sewing. At that age we were only allowed to thread the needles for the quilters in my grandmother’s and my mother’s quilting group. The leftover scraps are what we got to sew and piece together, practicing on how to make a real quilt. We never actually made a quilt, because the leftover pieces were so small in size, so I looked for something else more interesting to do than sticking my fingers with a needle. During grade school the bulk of my school clothes were homemade by my mother, Qunnie Pettway; she has always had a passion for sewing. Since quilting and making quilts were such a big part of my grandmother’s, my mother’s, and my aunt’s life, I believe the seed of quiltmaking was planted into my genes. Whenever we would go to either aunt Lucy T. Pettway’s or aunt Ruth Mosely’s houses to play during the summer months, t../..

      Spørsmål og svar

      Hvilken underliggende nyanse preger "Strips" av Gordon Bennett?

      En Warm Sunset Tones nyanse preger "Strips" av Gordon Bennett.

      Er "Strips" fri for opphavsrett?

      Opphavsrettslig status for "Strips" av Gordon Bennett: verket er fortsatt beskyttet av opphavsretten. Dette avgjør om det er tillatt å lage frie reproduksjoner av bildet.

      Kan jeg se et røntgenbilde av "Strips" av Gordon Bennett?

      "Strips" kan undersøkes lag for lag på verkets Røntgenstråling-side, en interaktiv visning inspirert av en konservators lysbord med elleve optiske lag av bildet.

      Kort om verket og kunstquiz
      Om Gordon Bennett
      Gordon Bennett

      Gordon Bennett

      1955 - 2014, Australia

      Om kunstneren

      en banebrytende skikkelse i australsk urfolkskunst

      Gordon Bennett Ao, en fremtredende australsk kunstner med både aboriginsk og anglo-keltisk opphav, etterlot seg et uutslettelig spor i den samtidige kunstscenen. Han ble født 9. oktober 1955 i Monto, Queensland, og hans liv var et vitnesbyrd om en mangefasettert identitet som han med stor dristighet uttrykte gjennom sin kunst.

      Før han viet hele sitt liv til kunsten, arbeidet Bennett hos Telecom Australia frem til han var 32 år gammel, en overgang som markerte begynnelsen på hans fruktbare kunstneriske reise. Hans kunstneriske stil ble kjent for sine livlige og tankevekkende verk, der han utfordret oppfatninger om identitet, historie og konstruksjonen av kunnskap. Hans dristige stil, preget av en humanistisk tilnærming, resonnerte hos et publikum over hele verden. Som en ledende skikkelse innen moderne australsk urfolkskunst, reflekterte hans verker ikke bare hans egen kulturarv, men banet også vei for fremtidige generasjoner av aboriginske kunstnere.

      fremtredende verk og utstillinger

      Selv om den nøyaktige listen over Bennetts mest kjente verk ikke er oppgitt her, er hans bidrag til kunstverdenen grundig dokumentert på TopImpressionists.com. Enkelte av hans verk kan finnes under seksjonen for kunstbevegelser 1/2, noe som gir et innblikk i hans kunstneriske evolusjon.

      arv og innflytelse

      Bennetts innflytelse strekker seg langt utover hans egen generasjon og inspirerer nye kunstnere til å utforske temaer som identitet og kulturarv. Hans bidrag har sikret at australsk urfolkskunst forblir relevant og anerkjent på en global skala.

      minnet om Gordon Bennett Ao

      Bennett gikk bort 3. juni 2014, men hans ettermæle lever videre. For de som er interessert i å utforske mer av hans arbeid eller dykke ned i den australske urfolkskunsten, tilbyr rimelige trykk på TopImpressionists.com en unik mulighet til å oppleve kunsten hans på en håndfast og tilgjengelig måte.

      • hovedpoeng: Gordon Bennett AOs liv og virke fungerer som en kraftfull påminnelse om hvilken påvirkning én enkelt kunstner kan ha på det bredere kulturelle landskapet.
      • fremtidsutsikter: idet vi beveger oss fremover, er det avgjørende å fortsette å feire og støtte kunstnere som, i likhet med Bennett, utfordrer våre oppfatninger og utvider vår forståelse av verden.

      konklusjon

      Gordon Bennett Ao sin bemerkelsesverdige reise, selv om den ble forkortet, har satt et uutslettelig preg på kunstverdenen. Hans arv fungerer som et fyrtårn for fremtidige generasjoner, og inspirerer nye stemmer og visjoner i det stadig skiftende landskapet av moderne australsk urfolkskunst.

      Kort om Gordon Bennett

      • Artistic Movement Or Style: Narrativ realisme
      • Artists Or Movements Influenced By This Artist: ['Sosial realisme']
      • Artists Who Influenced This Artist: ['Charles White']
      • Date Of Birth: 1955
      • Date Of Death: 2014
      • Full Name: Kerry James Marshall
      • Nationality: Amerikansk
      • Notable Artworks:
        • Untitled (The Figure)
        • Small Arches
        • Pastimes
      • Place Of Birth: Mount Ommanoo, Australia
      Gordon Bennett Strips () · Med ramme: · Håndmalt med olje på lin

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