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      Self-Portrait

      This 1909 Expressionist oil painting by Max Ernst captures a melancholy mood. Discover this contemplative masterpiece today.

      A German expressionist painter known for his landscapes and portraits. Discover the evocative works of Max Kaus today.

      Kunstverket som vises på denne siden er beskyttet av opphavsretten, noe som betyr at vi ikke har juridisk tillatelse til å lage eller selge identiske reproduksjoner. Denne beskyttelsen håndheves i henhold til internasjonale avtaler som for eksempel Bernerkonvensjonen og av nasjonale lover, inkludert de som er fastsatt i Amerikansk lov om opphavsrett – Tittel 17.

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      Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
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      Totalpris

      Nkr 656

      Self-Portrait

      Giclée / Kunsttrykk

      Størrelse på reproduksjon

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      Totalpris for valgte alternativer

      Nkr 656

      Kort om verket

      • Notable elements or techniques: Brushstroke texture
      • Artistic style: Expressionist
      • Subject or theme: Self-portrait, melancholy mood
      • Medium: Oil on canvas
      • Artist: Max Ernst

      Kunnequiz om kunst

      Det er kun ett riktig svar på hvert spørsmål.

      Spørsmål 1:
      What is the medium of the photograph described in the image description?
      Spørsmål 2:
      In the photograph, where are the three women located?
      Spørsmål 3:
      What is the color palette of the photograph?
      Spørsmål 4:
      What is the activity of the woman on the right in the photograph?
      Spørsmål 5:
      What is the lighting described in the photograph?

      A Glimpse into the Soul

      In 1909, a young Max Ernst turned the gaze inward. This Self-Portrait is a study of the face as a landscape of early psychological inquiry. The oil on canvas captures a melancholy mood, where the brushstroke texture reveals a contemplative figure. It is a moment of quiet introspection, caught before the disruptions of the coming decades. The warm color palette settles over the features, grounding the subject in a soft, emotive light. A sense of solitude resides in the eyes.

      The Weight of Expression

      The work belongs to the early currents of Expressionism, Dadaism, and Surrealism. It captures a transition in the history of modern art. The subject is not a mere likeness but an exploration of the internal self. Through the medium of oil, the artist uses a heavy, tactile application to define the contours of his own identity. The composition focuses on the tension between the physical presence of the man and the invisible weight of his thoughts. A single, steady gaze meets the viewer.

      Spørsmål og svar

      Hvilken kunstner og hvilken stil står bak "Self-Portrait"?

      "Self-Portrait" ble skapt av Max Kaus i Surrealism-stil. Kunstneren og stilen identifiserer verkets tradisjon.

      Hvor plasserer "Self-Portrait" seg blant Max Kaus sine gjentakende motiver?

      Blant Max Kaus sine dokumenterte temaer – picasso, van gogh, gauguin, dada and surrealism, psychological introspection, early expressionist exploration – retter "Self-Portrait" sitt eget fokus mot women, grass, field, notebook, headscarves, meadow.

      Er "Self-Portrait" av Max Kaus et maleri, en tegning eller et trykk?

      "Self-Portrait" av Max Kaus er klassifisert som WallArt. Kategorien beskriver hvilken type kunstverk originalen er.


      Om kunstneren

      The Life and Art of Max Kaus

      Max Kaus was a German painter, printmaker, graphic artist, and lithographer. Born in Berlin, Germany, his early training took place at the Study Institute of the Decorative Arts Museum in Berlin between 1908 and 1913. During the First World War, he served as a medical orderly and ambulance driver in western Flanders. It was during this time in Ostend that he learned to make lithograph prints, utilizing a printing press constructed from timber recovered from a destroyed railway station. Upon returning to Berlin in 1918, he acquired his own lithography equipment, which became a foundation for much of his subsequent artistic output.

      His career saw significant shifts in subject matter and style. While he was widely recognized for his landscape works—drawing inspiration from travels within Germany, Austria, and northern Italy—he also worked extensively on portraiture. His post-war output was characterized by a shift where form began to dominate content. His later creative years included several distinct categories of work:

      Academic Influence and Legacy

      Beyond his personal practice, Kaus was an influential teacher. He held a professorship teaching landscape art at the Kunstgewerbe- und Handwerkerschule in Berlin, and later served as a professor and head of the department for "Freie Kunst" at the Hochschule für Bildende Künste in Berlin. He also served as the deputy director at the academy.

      Kaus was a member of the German Artists' Association, serving on its executive board and as deputy chair. His surviving works are catalogued and indexed, with his literary estate held at the German National Arts Archive in Nuremberg.

      Max Kaus

      Max Kaus

      1891 - 1977 , Germany

      Kort om kunstneren

      • Artistic Movement Or Style: Expressionism
      • Artists Or Movements Influenced By This Artist: ['Sabine Sieler']
      • Artists Who Influenced This Artist:
        • Erich Heckel
        • Ernst Ludwig Kirchner
      • Full Name: Max Kaus
      • Nationality: German
      • Notable Artworks: ['Portrait of a woman in the mirror']
      • Place Of Birth: Berlin, Germany
      • Date Of Birth: 1891
      • Date Of Death: 1977