Se i rommet
Del som digitalt kort
Del
Detaljer
Studentguide
Last ned
Liknende objekter
Røntgen
Lysbildefremvisning
BesøksstatistikkThe Diaries
Thomas Peter Friedl
Explore Thomas Peter Friedl's 'The Diaries,' a monumental installation featuring over 400 handwritten notebooks reflecting on art, history & philosophy—a provocative challenge to dominant narratives.
Les mer
Contemporary Realism master Thomas Peter Friedl explores history in The Diaries. Discover his profound conceptual works today.
Kunstverket som vises på denne siden er beskyttet av opphavsretten, noe som betyr at vi ikke har juridisk tillatelse til å lage eller selge identiske reproduksjoner. Denne beskyttelsen håndheves i henhold til internasjonale avtaler som for eksempel Bernerkonvensjonen og av nasjonale lover, inkludert de som er fastsatt i Amerikansk opphavsrettslov – Tittel 17.
Denne metoden er i fullt samsvar med opphavsrettslige regler, da den ikke innebærer kopiering eller duplisering av det beskyttede kunstverket. I stedet er det snakk om en kreativ nytolkning – et nytt maleri som er inspirert av originalen, men ikke identisk med den.
Giclée / Kunsttrykk
Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. (
Bestill håndmalt reproduksjon Gå til digitalt bilde)
P118B Nkr10
P118H Nkr10
P118W Nkr10
P438Z Nkr10
P508JH Nkr12
P508YH Nkr12
P805H Nkr10
P805Z Nkr10
P919BZ Nkr10
P919G Nkr10
P919XJ Nkr10
P959ZH Nkr10
P968JZ Nkr12
W106C Nkr8
W218G Nkr10
W218JH Nkr8
W218Y Nkr10
W307PJ Nkr10
W316G Nkr10
W316PJ Nkr8
W316Y Nkr10
W398PJ Nkr8
W4111J Nkr10
W500HY Nkr15
W500JH Nkr15
W692G Nkr12
W849H Nkr8
W940BG Nkr15
W953PJ Nkr8
Standardformat
tilpasset
CM
INCH
Velg mellom våre forhåndsdefinerte størrelser som bevarer kunstverkets opprinnelige proporsjoner.
Loading sizes...
bredde
høyde
Skriv inn bredden og høyden du trenger, slik at den passer til din ramme eller vegg. Et trykk kan kun beskjæres, aldri gjøres større enn bildet, så et format med en annen form vil miste en del av motivet. Vi sender deg en digital mockup for godkjenning før vi trykker noe som helst. Bildet som vises på denne siden viser ikke den faktiske beskjæringen — det er kun mockuppen som gjør det.
Verdensomspennende levering () på 2 uker i stedet for standard 4/5 uker. (27 October)
Gratis ekspressfrakt over hele verden
Lerretsduk av høykvalitets lin
Full transportforsikring
Garanti for refusjon av toll og importavgifter
Garantert fargeekthet
100 dagers returrett ved fabrikasjonsfeil
100% pengene tilbake-garanti
Mengderabatt
Glassalternativet er kun tilgjengelig i størrelser under 110 cm
The Diaries
Giclée / Kunsttrykk
Format på reproduksjon
-
Totalpris
Nkr 657
The Diaries: An Exploration of Form and Ideology
Peter Friedl’s *The Diaries* (2015) presents a deceptively simple image—a bookshelf crammed with books—yet it embodies a profound conceptual engagement with art history and the broader anxieties surrounding representation. Born in Munich, Austria, in 1967, Friedl is recognized for his ability to dissect formal conventions while simultaneously interrogating their ideological underpinnings. This artwork exemplifies his signature approach: layering hollowed-out forms against one another to disrupt established hierarchies of power and offering a counterpoint to the modernist project’s promises.Conceptual Framework & Historical Context
Friedl draws inspiration from Mieke Bal's assertion that “nothing goes without saying,” prioritizing visual literacy as a crucial element in interpreting art. His work actively resists passive reception, prompting viewers to confront contradictions inherent within artistic endeavors and historical narratives. Specifically referencing the US Department of Housing and Urban Development’s American Homelessness Prevention and Rapid Re-Housing Program—a project designed to combat homelessness through financial assistance—Friedl utilizes the architectural scale model as a symbolic device. This model isn't merely a depiction of space; it represents a political stance, advocating for a future shaped by confronting societal inequities. The series underscores Friedl’s belief that art can serve as a catalyst for critical reflection and social change.Stylistic Characteristics & Technique
The painting itself is characterized by its deliberate austerity. Presented without contextual framing—a conscious decision to isolate the bookshelf—the sculpture invites contemplation on the history of modernism. Friedl employs a technique rooted in meticulous observation, capturing the textures and variations of light across the books’ surfaces. The arrangement isn't random; it reflects Friedl’s interest in presenting disparate concepts within a unified visual form. This juxtaposition highlights the tension between seemingly incompatible ideas—a core element of Friedl’s artistic philosophy. The use of muted colors contributes to an atmosphere of quiet contemplation, mirroring the contemplative mood conveyed by the subject matter itself.Symbolism & Emotional Resonance
The bookshelf serves as more than just a visual motif; it symbolizes knowledge, memory, and the accumulation of experience—themes central to Friedl’s oeuvre. The books themselves represent diverse voices and perspectives, reflecting the complexities of human history and intellectual discourse. By confronting viewers with this densely populated image, Friedl encourages them to engage in a dialogue about representation and its role in shaping our understanding of the world. Ultimately, *The Diaries* resonates with an emotional depth that transcends mere visual aesthetics—it speaks to the enduring human desire for connection and meaning amidst the uncertainties of contemporary life.Concluding Remarks
Thomas Peter Friedl’s *The Diaries* stands as a testament to his unwavering commitment to artistic innovation and intellectual rigor. It exemplifies his ability to transform seemingly commonplace subjects into vehicles for profound philosophical inquiry, cementing his place among the most influential artists of our time. Its understated elegance and conceptual complexity continue to inspire admiration and provoke discussion within the art world.Spørsmål og svar
Hvilken kunstretning tilhører "The Diaries" av Thomas Peter Friedl?
Retningen knyttet til "The Diaries" av Thomas Peter Friedl er Contemporary Realism. Denne klassifiseringen plasserer verket blant relaterte kunstnere og kunstverk.
Hvor kan jeg kjøpe et trykk av "The Diaries" av Thomas Peter Friedl?
"The Diaries" er tilgjengelig som et kunsttrykk på bomullslerret eller arkivbestandig lerretspapir. Bestillinger legges inn på siden for Kunsttrykk i høy kvalitet, i den størrelsen du selv velger.
Hvor anbefales det å stille ut Landscape-formatet av "The Diaries"?
Med sin Landscape form, anbefales en reproduksjon av "The Diaries" for et Living Room.
Kunstnerbiografi
The Architect of Memory
In the quiet corners of Munich, where his story began in 1967, a mind was forming that would eventually seek to dismantle the very structures we use to understand history. Before he became an interlocutor of representational forms, he moved through the world with a different kind of lens, working as a theater critic. This early immersion in drama and linguistics shaped his later ability to treat the visual field as a stage where power and identity are constantly being reenacted. He did not merely observe; he learned how the placement of a prop or the cadence of a line could alter the perception of truth.
As he moved toward Berlin, his practice began to expand into a multidisciplinary exploration that refused to be pinned down by a single medium. He turned to photography, painting, video, and even architectural scale models to investigate how we construct our political and aesthetic consciousness. His work often functions through a strategy of radical neutrality, where the artist avoids arguing for a specific reading but instead exposes the conditions underging the creation of meaning itself. By using hollowed-out forms and layering disparate elements, he sought to resolve the contradictions found within modernism.
The Weight of the Model
Much of his most profound inquiry resides in the physical presence of the model. In his series known as Rehousing, which spanned from 2012 to 2019, he utilized architectural scale models to reflect on history and ideology. These were not mere miniatures but case studies for a mental geography. He reconstructed the childhood home of his parents in Austria alongside much more politically charged spaces, such as the cabin of Martin Heidegger in the Black Forest, the residence of Ho Chi Minh in Hanoi, and even a slave hut from a plantation in Louisiana. Each structure carried the weight of its own history, acting as a vessel for the ideologies that built them.
This fascination with the intersection of text and image led to monumental installations like The Diaries in 2015. In this work, a bookshelf crammed with over 400 handwritten notebooks presented a deceptively simple image that actually interrogated the anxieties of representation. He used these objects to explore themes of knowledge, memory, and experience, forcing a confrontation with the textures of light and the accumulation of human thought. Through such meticulous observation, he demonstrated that nothing goes without saying.
A Stage for Social Critique
His later explorations often turned toward the theatricality of social struggle. In works like Teatro Popular and his video installations, he utilized techniques from puppet theater and tableaux vivant to highlight the mechanisms of historiography. He was particularly drawn to the permeability of language and the boundaries of identity. His video work Report, created for documenta 14, examined how language can both connect and divide, using the empty stage of a national theater to let actors recite texts in their own mother tongues.
Even when dealing with heavy themes of racial bias and colonial legacies, his approach remained rooted in a piercing dramaturgy. In Liberty City, he staged a reversal of a violent historical event in Miami, using the blurry, uncut quality of footage to mimic an amateur recording. This method allowed him to walk the line between documentation and fiction, challenging the viewer's compassion and their preconceived notions of justice. His career remains a continuous effort to use the tools of art to question the very aesthetics of cultural memory.
Thomas Peter Friedl
1967 - , Germany
Kort om kunstneren
- Full Name: Thomas Peter Friedl
- Notable Artworks:
- The Diaries
- German Village
- Installation View
- Place Of Birth: Munich, Germany
- Date Of Birth: 1967
Relaterte artikler
From Vision to Wall: The Interior Designer’s Definitive Guide to Commissioning Bespoke Large-Scale Murals
Master the art of large-scale mural commissioning with our expert guide for hotel designers. Discover how to transform architectural spaces through bespoke hand-painted frescoes, custom fine art reproductions, and professional curation tailored for luxury hospitality environments.