Forhåndsvisning
Send
Del
Vis detaljer
Utskriftsvennlig guide
Last ned bilde
Liknende objekter
Røntgenundersøkelse
Lysbildefremvisning
Spørsmål og svar
StatistikkKilliecrankie
A pioneer of Scottish landscape painting known for Coire-na-Faireamh. Discover the atmospheric beauty of his Highland scenes today.
Vis hele teksten
Giclée / Kunsttrykk
Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. (
Kjøp håndmalt maleri Bytt til digitalt bilde)
Standardformat
skreddersydd
CM
INCH
Velg mellom våre forhåndsdefinerte størrelser som bevarer kunstverkets opprinnelige proporsjoner.
Loading sizes...
bredde
høyde
Skriv inn ønsket bredde og høyde for å tilpasse trykket til din ramme eller vegg. Et trykk kan kun beskjæres, aldri skaleres opp utover motivets opprinnelige størrelse, noe som betyr at et format med andre proporsjoner vil føre til tap av deler av bildet. Vi sender deg en digital mockup for godkjenning før vi starter trykkeprosessen. Bildet som vises på denne siden viser ikke den faktiske beskjæringen — det er kun mockuppen som viser dette.
Verdensomspennende levering () på 2 uker i stedet for standard 4/5 uker. (9 November)
Gratis ekspressfrakt over hele verden
Lerretsduk av lin av høy kvalitet
Full transportforsikring
Garanti for refusjon av toll og importavgifter
Garantert fargegjengivelse
100 dagers returrett ved fabrikasjonsfeil
100% pengene tilbake-garanti
Rabatt ved flere kjøp
Glassalternativet er kun tilgjengelig i størrelser under 110 cm
Killiecrankie
Giclée / Kunsttrykk
Størrelse på reproduksjon
-
Totalpris for valgte alternativer
Nkr 669
Om kunstneren
The Realism of the Highland Wild
To look at the work of William Beattie Brown is to encounter the Scottish landscape without the usual romantic distortions. He was not interested in mere sentiment; he was a pioneer of the out-of-door movement, a practice that demanded he complete his paintings directly from nature. This method stripped away the artifice often found in 19th-century landscapes, replacing it with a heavy focus on technical excellence and realistic line. His canvases do not rely on vague atmospheres to impress; instead, they present the rugged truth of mossy grass, roughly hewn rocks, and the energetic movement of highland water.
His approach was grounded in a rigorous training that began far from the easel. Before entering the Trustees' Art Academy, Brown served an apprenticeship as a glass-stainer for the firm of Messrs. Ballantine. This early exposure to the precision required for stained glass likely informed the accuracy of his draughtsmanship. Under the instruction of Robert Scott Lauder in Edinburgh, he refined this skill, eventually moving toward oil and watercolour to capture the specific light of the Scottish Lowlands and Highlands.
Technical Precision and Subject Matter
Brown’s repertoire was defined by a geographical specificity. While he found subjects in the English counties of Surrey, Kent, and Yorkshire, his most significant contributions lie in his depictions of Scotland. His work captures the shifting weather and dramatic light of the Highlands with a directness that avoids unnecessary flourish. He utilized oil as his primary medium for these larger, more structural works, though his time studying in Belgium saw him utilize watercolour to explore different levels of transparency and atmosphere.
The breadth of his subject matter included:
- Highland scenery characterized by heavy textures and naturalistic detail.
- The Scottish Lowlands, including scenes near Edinburgh and the River Leith.
- Specific landmarks such as Loch Katrine, Kilchurn Castle, and the River Dochart.
- Atmospheric studies of weather, from showery days at Loch Insh to sunrises over meadows.
Professional Standing and Legacy
His career was marked by steady institutional recognition. He did not merely participate in the art scene; he was a fixture of it, exhibiting annually at the Royal Scottish Academy from his early years through to his death. His ascent within the Academy was documented by his election as an Associate in 1871 and his attainment of full Academician status in 1884. This professional stability allowed him to maintain a presence in major London exhibitions, including the Royal Academy and the New Watercolour Society.
Beyond the gallery walls, Brown maintained a diverse professional life. He applied his draughtsmanship to the illustration of medical works and worked as an art restorer for the Edinburgh dealer Henry Doig. This practical engagement with the physical reality of art—restoring and documenting—complemented his identity as a painter who sought to capture the world exactly as it appeared. His diploma work, Coire-na-Faireamh, remains held in the Scottish National Gallery, serving as a permanent record of his ability to translate the Highland terrain into a lasting visual record.
William Beattie Brown
1831 - 1909 , United Kingdom
Kort om kunstneren
- Artistic Movement Or Style: Scottish landscape painter
- Artists Who Influenced This Artist: ['Robert Scott Lauder']
- Full Name: William Beattie Brown
- Nationality: Scottish
- Notable Artworks:
- Killiecrankie
- On the Water of Leith
- On the Forth
- Sunrise—The Carrier's Cart
- Coire-na-Faireamh
- Place Of Birth: Haddington, United Kingdom
- Date Of Birth: 1831
- Date Of Death: 1909