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      The Ghost of a Flea

      William Blake's 'The Ghost of a Flea' (c.1820) is a miniature visionary masterpiece, showcasing his unique blend of imagination and skill. Explore its symbolism at Tate Gallery.

      Et kraftfullt vannfargekunstverk av William Blake som illustrerer Revelasjonen og utforsker kampen mellom godt og ondskap gjennom symbolikk og dynamiske komposisjoner.

      Giclée / Kunsttrykk

      Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Bestill håndmalt reproduksjon Gå til digitalt bilde)

      Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P118B Nkr10
      Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P118H Nkr10
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      P118W Nkr10
      Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
      P438Z Nkr10
      Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P508JH Nkr12
      Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P508YH Nkr12
      Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
      P805H Nkr10
      Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
      P805Z Nkr10
      Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919BZ Nkr10
      Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919XJ Nkr10
      Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P959ZH Nkr10
      Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
      P968JZ Nkr12
      Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
      W106C Nkr8
      Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218G Nkr10
      Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218JH Nkr8
      Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218Y Nkr10
      Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
      W307PJ Nkr10
      Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
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      Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
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      W316Y Nkr10
      Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
      W398PJ Nkr8
      Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
      W4111J Nkr10
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      W500HY Nkr15
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      W692G Nkr12
      Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
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      Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
      W940BG Nkr15
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      The Ghost of a Flea

      Giclée / Kunsttrykk

      Format på reproduksjon

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      Totalpris

      Nkr 656

      Kort om verket

      • Artist: William Blake
      • Notable elements or techniques: Visionary art, miniature scale
      • Year: 1820
      • Movement: Romanticism
      • Subject or theme: Mythological/Allegorical creature
      • Medium: Tempera & gold on mahogany

      Kunstquiz

      Det er kun ett riktig svar på hvert spørsmål.

      Spørsmål 1:
      What is the title of the artwork?
      Spørsmål 2:
      Who is the artist who created 'The Ghost of a Flea'?
      Spørsmål 3:
      Approximately when was 'The Ghost of a Flea' painted?
      Spørsmål 4:
      What medium was primarily used to create this artwork?
      Spørsmål 5:
      The artwork is part of a series depicting what type of figures?

      The Ghost of a Flea: A Miniature Vision

      William Blake's "The Ghost of a Flea," painted between 1819 and 1820, is a captivating example of visionary art housed within the prestigious Tate Gallery in London. This small tempera mixture with gold painting on mahogany type tropical hardwood panel (measuring only 21 x 16 cm) offers a profound glimpse into Blake's unique artistic and spiritual world. Commissioned by watercolour artist and astrologer John Varley as part of a series depicting "Visionary Heads," the work transcends its diminutive size to deliver a monumental imaginative experience.

      Historical Context & Inspiration

      The late 18th and early 19th centuries witnessed a surge in popularity for fantastic and spiritual art within Britain. Blake, known for his prophetic works and illuminated printing, often created unearthly panels intended to amuse and amaze his friends. "The Ghost of a Flea" exemplifies this period's fascination with the supernatural and Blake’s ability to blend imagination with technical skill. The painting arose from late-night meetings between Blake and Varley, where Varley attempted to summon spirits, prompting Blake to sketch their likenesses – a process akin to sitting for portraits.

      Artistic Significance & Technique

      Despite its small scale, the artwork exudes immense imaginative power. The tidy dimensions create a striking contrast between the creature's apparent muscular bulk and strength against its depiction as an insect on the panel. This juxtaposition highlights Blake’s mastery in conveying complex ideas through his art. The technique itself is remarkable; the tempera mixture with gold creates a luminous quality, emphasizing the figure's otherworldly nature. The visible brushstrokes add texture and dynamism to the composition, while the use of gold leaf accentuates key areas like the stars and the creature’s hands, contributing to a sense of grandeur despite the unsettling subject matter.

      Symbolism & Emotional Impact

      “The Ghost of a Flea” is rich in symbolism. The flea itself, often associated with uncleanliness and degradation, is transformed into a monstrous figure embodying bloodthirsty instincts. Blake’s depiction suggests themes of fate, imprisonment, and perhaps even divine judgment. The creature's bulging eyes, protruding tongue, and scaly features evoke a sense of unease and primal power. The theatrical setting – the stage with curtains and scattered stars – further enhances the painting's dramatic impact, creating an atmosphere of mystery and suspense. The overall emotional effect is one of unsettling fascination; Blake compels viewers to confront the darker aspects of human nature through this miniature vision.

      Blake’s Legacy & Relevance Today

      William Blake, largely unrecognised during his lifetime, has become a seminal figure in Romantic poetry and visual art. His prophetic works, once considered eccentric, are now celebrated for their expressiveness and creativity. "The Ghost of a Flea" stands as a testament to Blake’s unique style and his ability to capture the essence of his visions. Today, it continues to captivate art enthusiasts and scholars alike, offering a compelling example of visionary art that transcends time.

      Spørsmål og svar

      Kan jeg se "The Ghost of a Flea" av William Blake under ulike lysforhold?

      Røntgenvisningen av "The Ghost of a Flea" av William Blake finnes på verkets Røntgen-side: en interaktiv undersøkelse av bildet gjennom elleve optiske lag.

      Hvor sterk er kontrasten i "The Ghost of a Flea" av William Blake?

      Lys-mørke-kontrasten i "The Ghost of a Flea" er registrert som Gentle. Kontrast beskriver hvor sterkt lyse og mørke områder skiller seg fra hverandre.

      Hvor og til hvilket formål anbefales "The Ghost of a Flea"?

      "The Ghost of a Flea" anbefales til Statement, og det anbefalte rommet er et Living Room.


      Kunstnerbiografi

      A Visionary’s Journey: The Life and Art of William Blake

      William Blake, born in London on November 28, 1757, was a figure perpetually out of step with his time, yet destined to become one of the most celebrated artists and poets of the Romantic Age. His life unfolded against the backdrop of a rapidly changing England—a world grappling with industrialization, political upheaval, and shifting spiritual beliefs. From humble beginnings as the son of a hosier, Blake’s early years were marked by an intensely vivid imagination and a propensity for visionary experiences that would profoundly shape his artistic trajectory. Though largely self-taught in formal academics, he received drawing instruction at a young age, quickly revealing a talent that hinted at the extraordinary path ahead. His apprenticeship with engraver James Basire proved pivotal, providing him not only with technical mastery but also an understanding of printmaking techniques he would later revolutionize. These early influences—the Gothic grandeur of Westminster Abbey, the classical forms of Raphael and Michelangelo—served as foundational elements in his developing aesthetic, though Blake was never one to remain bound by convention.

      The Early Years: A Spark of Imagination

      Blake’s formative years instilled within him a remarkable sensitivity to beauty and an unwavering belief in the power of imagination. Growing up in Soho, London, he absorbed the artistic currents of his era—particularly the ornate style of Gothic architecture—which fostered a fascination with elaborate ornamentation and storytelling. Despite lacking formal training, Blake possessed an innate aptitude for drawing, honing his skills through self-directed study and experimentation. His apprenticeship under James Basire, a respected engraver, provided invaluable experience in printmaking, equipping him with the technical tools necessary to realize his ambitious artistic visions. This early exposure to craftsmanship combined with a burgeoning inner life would become central to Blake’s distinctive creative process.

      Illuminated Printing: A Revolutionary Technique

      Blake’s artistic innovation wasn't merely about subject matter; it resided fundamentally in *how* he created. Dissatisfied with conventional engraving methods—which he considered sterile and incapable of conveying the full richness of his imagination—he developed a unique process known as “illuminated printing.” This involved etching both text and illustrations onto copper plates, then painstakingly hand-coloring the resulting prints—a laborious but deeply personal undertaking that allowed for complete artistic control. It wasn’t simply illustration accompanying poetry; it was an integrated art form where image and verse were inextricably linked, each enhancing the meaning of the other. Blake's breakthrough came from a profound spiritual experience following his brother’s death—an event that spurred him to explore visionary techniques rooted in alchemy and symbolism. This method allowed for unparalleled textural depth and color vibrancy, elevating printmaking beyond mere reproduction into a form of artistic expression akin to painting.

      Major Works: Visions of Innocence and Experience

      Blake's oeuvre encompasses a vast range of poetic and visual works—each imbued with symbolic significance and reflecting his unwavering commitment to exploring the complexities of human consciousness. Among his most celebrated achievements are *Songs of Innocence and of Experience* (1794), a dual collection that presents contrasting depictions of childhood—one characterized by purity and joy, the other marred by corruption and disillusionment. These poems are accompanied by exquisitely detailed engravings that amplify their emotional impact and reinforce their thematic unity. Equally remarkable is *The Marriage of Heaven & Hell* (1793)—a provocative prose poem that challenges conventional morality and celebrates energy, desire, and rebellion against restrictive doctrines. Blake’s illustrations for Dante's *Divine Comedy*, commissioned by John Flaxman, demonstrate his mastery of dramatic composition and his ability to translate complex narratives into powerful visual imagery—works that continue to captivate audiences today. Furthermore, *Jerusalem* (1804-1820), a sprawling epic poem exploring themes of prophecy, redemption, and the struggle between good and evil, stands as testament to Blake’s enduring imaginative power.

      Legacy: An Influence That Endures

      Blake's artistic vision profoundly impacted subsequent generations of artists and writers—particularly the Pre-Raphaelites, who embraced his style and symbolism as inspiration for their own creative endeavors. His rejection of academic conventions and his insistence on subjective experience paved the way for movements like Symbolism and Modernism, which recognized him as a precursor to avant-garde artistic expression. Blake’s enduring influence can be seen in contemporary artists who grapple with themes of mythology, spirituality, and social critique—artists who strive to capture the essence of human emotion and imagination through unconventional mediums. William Blake remains an artist whose work continues to provoke contemplation and inspire awe—a beacon of visionary creativity in a world increasingly dominated by rational thought. He died August 12, 1827, leaving behind a legacy that transcends time and borders, securing his place as one of the most important figures in British Romanticism.
      William Blake

      William Blake

      1757 - 1827 , Storbritannia

      Kort om kunstneren

      • Artistic Movement Or Style: Romantikk
      • Artists Who Influenced This Artist:
        • Rafael
        • Michelangelo
      • Date Of Birth: 1757
      • Date Of Death: 1827
      • Full Name: William Blake
      • Nationality: Britisk
      • Notable Artworks:
        • Lieder eines Innocents und einer Erfahrenen
        • Die Hochzeit von Himmel und Erde
        • Der Tiger
        • Jerusalem
      • Place Of Birth: London, UK
      Utforsk kunstverk organisert etter temaer, stiler og kjennetegn.
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