Zobacz w skali 1:1
Wyślij
Udostępnij
Szczegóły
Przewodnik
Pobierz plik obrazu
Podobne obiekty
RTG
Pokaz slajdów
StatystykiSpring
Romanticism
1876
76.0 x 25.0 cm
Guildhall Art Gallery
Discover 'Spring' by Alfred Stevens: a serene 1876 oil painting of a woman amidst blossoming trees. Romantic realism & subtle beauty – explore Belgian art!
Alfred Stevens (1823-1906): Belgian Realist painter of elegant Parisian women & 'la vie moderne'. Influenced by Dutch Masters, his art captures 19thC society with refined detail.
Czytaj więcej
Giclée / Wydruk artystyczny
Wydruki giclée lub płótna o jakości muzealnej, szybka realizacja i szeroki wybór opcji wykończenia. (
Kup ręcznie malowany obraz Przełącz na wersję cyfrową)
Standardowy
na zamówienie
CM
INCH
Wybierz spośród naszych standardowych rozmiarów, które zachowują oryginalne proporcje dzieła sztuki.
Loading sizes...
szerokość
wysokość
Wpisz wymaganą szerokość i wysokość, aby dopasować grafikę do ramy lub ściany. Wydruk można jedynie przyciąć, nigdy nie powiększając go poza oryginalny obraz, dlatego format o innym proporcji spowoduje utratę części kompozycji. Przed rozpoczęciem druku prześlemy Ci cyfrowy podgląd do zatwierdzenia. Obraz wyświetlany na tej stronie nie pokazuje rzeczywistego przycięcia — jedynie podgląd oddaje ten efekt.
Dostawa na cały świat () w ciągu 2 tygodni zamiast standardowych 4/5 tygodni. (24 Październik)
Bezpłatna ekspresowa wysyłka na cały świat
Wysokiej jakości płótno lniane
Pełne ubezpieczenie transportowe
Gwarancja zwrotu należności celnych i podatków importowych
Gwarancja idealnego odwzorowania barw
100-dniowy okres na zwrot dzieła w przypadku wykrycia wad produkcyjnych
Gwarancja 100% zwrotu pieniędzy
Oferta przy zakupie wielu sztuk
Opcja ze szkłem jest dostępna wyłącznie w rozmiarach poniżej 110 cm
Spring
Giclée / Wydruk artystyczny
Rozmiar reprodukcji
-
Suma do zapłaty
zł 266
Podobne dzieła
Biografia artysty
Alfred Émile Léopold Stevens: A Life in Art
Alfred Émile Léopold Stevens (1823-1906) was a Belgian painter celebrated for his realistic depictions of elegant modern women and Parisian life. He skillfully captured the essence of la vie moderne with refined detail and subtle social commentary, establishing himself as a prominent figure in 19th-century art.
Early Life and Education
Born in Brussels in 1823 into a family deeply connected to the visual arts, Stevens benefited from a stimulating environment. His older brother Joseph (also a painter), his son Léopold, and another brother Arthur (an art dealer and critic) all contributed to the family’s artistic legacy. His father, a veteran of the Napoleonic Wars, was an avid art collector, while his maternal grandparents ran a popular café frequented by intellectuals and artists.
- After his father's death in 1837, Stevens began his formal training at the Académie Royale des Beaux-Arts in Brussels.
- He studied under François Navez, a Neo-Classical painter and former student of Jacques-Louis David.
- In 1843, he moved to Paris to join his brother Joseph and enrolled at the École des Beaux-Arts.
Artistic Development and Influences
Stevens’s early work demonstrated a mastery of conventional naturalistic style, heavily influenced by 17th-century Dutch genre painting. He meticulously studied the works of artists like Gerard ter Borch and Gabriel Metsu, absorbing their techniques for depicting domestic interiors and everyday life.
- His initial success came with paintings exhibiting this influence, such as “The Pardon or Absolution” (1849).
- He gradually transitioned towards portraying contemporary subjects – "la vie moderne" – focusing on the lives of fashionable women in Parisian society.
- Stevens was an early enthusiast of Japonisme, incorporating Japanese objects and aesthetics into his compositions, as seen in “La Dame en Rose” (1866).
Major Achievements and Recognition
Stevens achieved significant recognition throughout his career, exhibiting regularly at the Salons in Paris and Brussels. His paintings garnered critical acclaim and attracted a loyal clientele.
- He received third-class medals at the Paris Salon (1853) and second-class medal at the Universal Exposition (1855).
- His painting “Ce qu'on appelle le vagabondage” (1855) prompted Napoleon III to address the issue of poverty in Paris.
- He was awarded the Legion of Honor (Chevalier, 1863; Officer, 1867; Commander, 1878).
- Stevens won a first-class medal at the Universal Exposition in Paris (1867).
Social Circle and Artistic Connections
Stevens was an active participant in the Parisian art world, cultivating friendships with prominent figures such as the Goncourt brothers, Théophile Gautier, Alexandre Dumas, Édouard Manet, Edgar Degas, Berthe Morisot, and James Abbott McNeill Whistler. He regularly frequented the Café Guerbois, a hub for avant-garde artists.
Later Life and Legacy
Stevens continued to paint successfully throughout his later life, capturing the changing fashions and social dynamics of Parisian society. He served in the French army during the Franco-Prussian War but returned to Belgium with his family before the Paris Commune. He died in 1906, leaving behind a rich artistic legacy.
Historical Significance
Alfred Stevens’s work provides valuable insights into the social and cultural life of 19th-century France. His paintings offer a glimpse into the world of the upper middle class, showcasing their elegance, leisure activities, and evolving tastes. He is remembered as a master of realistic portraiture and genre painting, skillfully capturing the spirit of his time.
Alfred Émile Léopold Stevens
1823 - 1906
Najważniejsze informacje
- Name: Alfred Émile Léopold Stevens
- Movement: Realism, La Vie Moderne
- Birth_Date: 1823
- Death_Date: 1906
- Birth_Place: Brussels
- Nationality: Belgian
- Date Of Birth: 1823
- Date Of Death: 1906
- Influenced_By:
- 17th-century Dutch genre painting
- Gerard ter Borch
- Gabriel Metsu
- Notable_Works:
- The Pardon or Absolution
- Ce qu'on appelle le vagabondage
- La Dame en Rose
- Hesitation (Madam Morteaux)
Zobacz także powiązane artykuły
The Soul of Impressionism: Why Oil on Canvas Captures Eternal Light and Timeless Emotion
Discover the enchanting alchemy of Impressionism. Explore how the mastery of oil on canvas, through glazing and impasto, captures eternal light and emotion. Perfect for lovers of Monet and Van Gogh seeking the profound depth of hand-painted fine art.
The Timeless Charm of Oil on Board: Reimagining Texture and Light through the Impressionist Lens
Discover the profound intimacy of oil on panel. Explore how Impressionist masters used rigid supports to capture light, texture, and impasto depth through exquisite, handmade oil reproductions for discerning collectors.