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      Ito Jakuchu

      Crabs and Peonies

      Wymiary
      132.0 x 140.0 cm

      Rozwiń treść

      Poznaj Itō Jakuchū (1716-1800), rewolucyjnego japońskiego malarza epoki Edo! Jego wyjątkowe pejzażowe obrazy ptaków i kwiatów oraz wpływ zen inspirował przyszłe pokolenia artystów.
      Rozwiń treść

      Giclée / Wydruk artystyczny

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      Suma całkowita

      zł 274

      Crabs and Peonies

      Giclée / Wydruk artystyczny

      Wymiary reprodukcji

      -

      Cena całkowita

      zł 274

      This double-sided, freestanding screen, known as a tsuitate in Japanese, features a pair of ink paintings by one of early-modern Japan’s most imaginative and celebrated painters, Itō Jakuchū. On the front side of the screen, Jakuchū offers a slow, quiet scene, where three crabs of varying sizes—a large red king crab and a pair of smaller Japanese mitten crabs—seem to pass idly by one another on a grassy beach. The varied textures and colors of the crabs’ bodies serve as a playground for one of Jakuchū’s favorite ink-painting techniques, the so-called boneless method, mokkotsu, where he forgoes contour lines in favor of using carefully gradated and layered ink washes to define form. Jakuchū’s deliberate layering of washes and delineation of the red-tinted gray shell, spiny legs, eyes, and claws of the king crab contrast with his wetter, more exuberant treatment of the smaller crabs’ distinctively furry bodies, described variously by taking advantage of the splitting of hairs at the tip of his brush. On the verso, Jakuchū takes the viewer on an equally playful but profoundly contrasting exploration, this one grounded in his dynamic linework. Spirited and supremely confident, Jakuchū shows a grassy embankment where a clump of peonies is buffeted violently by the wind, its lower leaves and heavy blossoms twisted around a garden rock. His brush dances along the paper, creating repeating arcing shapes so that each ruffled petal and leaf of the peony, each blade of grass, all respond in unison to a strong, whipping wind. Like the crabs, the peony composition exemplifies Jakuchū’s keen sense of tonal balance. Where dark dots and flicks add texture to the crabs, here he anchors his composition with the jet-black contours and stippling of the rock.

      Pytania i odpowiedzi

      Gdzie mogę pobrać „Crabs and Peonies” – Ito Jakuchu?

      Obraz „Crabs and Peonies” – Ito Jakuchu można pobrać na stronie Pobierz plik cyfrowy dzieła: wysokiej rozdzielczości cyfrowe zdjęcie do pobrania.

      Jaki poziom luminancji ma „Crabs and Peonies” – Ito Jakuchu?

      Kolory dzieła "Crabs and Peonies" charakteryzują się luminancją na poziomie Gentle Luminance.

      Jak duży jest kontrast w „Crabs and Peonies” – Ito Jakuchu?

      Kontrast jasności w dziele "Crabs and Peonies" wynosi Balanced. Kontrast określa stopień zróżnicowania między obszarami jasnymi a ciemnymi.

      Biografia artysty

      Ito Jakuchu: A Kyoto Merchant’s Vision of Nature

      Ito Jakuchu (1716 – 1800) stands as a singular figure in Edo period Japanese art, an artist whose unconventional approach and profound connection to Zen Buddhism challenged prevailing artistic conventions. Unlike many of his contemporaries who adhered to established lineages within the Kano school—a dominant force in Kyoto’s artistic landscape—Jakuchu forged his own path, driven by personal conviction and a meticulous observation of the natural world. His legacy resides not merely in his technical prowess but also in his daring spirit, marking him as one of Japan's most original voices during a pivotal era of cultural transformation.
      • Early Life & Family Background: Born into a prosperous Kyoto merchant family—specifically Masuya—Jakuchu’s upbringing instilled in him an awareness of societal shifts and the burgeoning influence of commerce. His father, Ito Genzaemon, was a successful grocer, providing young Jakuchu with considerable financial stability.
      • Zen Influence & Education: Recognizing the importance of spiritual grounding, Jakuchu became a lay brother at Shokoku-ji temple, immersing himself in Zen Buddhist principles. This formative experience profoundly shaped his artistic sensibility, fostering detachment from worldly concerns and prioritizing direct perception.

      Breaking with Tradition: Style & Subject Matter

      Jakuchu’s distinctive style defied easy categorization, blending meticulous realism with playful experimentation—a hallmark of what Nobuo Tsuji termed “Lineage of Eccentrics.” He eschewed the idealized depictions favored by many Kano artists, opting instead for vibrant colors and dynamic compositions that captured the essence of life itself. His fascination with birds—particularly chickens—became a recurring motif in his oeuvre, elevating them from humble farm animals to subjects worthy of contemplative artistic exploration.
      • Realistic Detail & Color Palette: Jakuchu’s paintings are characterized by an extraordinary attention to detail and a bold use of color. He achieved remarkable effects through layering pigments—a technique known as *doshoku sai-e*—creating luminous surfaces that seemed to pulsate with vitality.
      • Zen Symbolism & Perspective: Beyond mere imitation of nature, Jakuchu employed perspective in ways that subtly conveyed Zen Buddhist ideas about emptiness and interconnectedness. His compositions often presented subjects from unconventional viewpoints, inviting viewers to contemplate their significance.

      Notable Works & Artistic Achievements

      Among Jakuchu’s most celebrated masterpieces are “Five Hundred Arhats,” a monumental depiction of Buddhist monks embodying compassion and enlightenment; “Hanshan and Shide,” capturing the serene beauty of Mount Hanshin—a pilgrimage site revered for its spiritual significance; and “Crabs and Peonies”—a harmonious blend of botanical observation and artistic innovation. His meticulous rendering of chickens, exemplified in “Rooster In The Snow,” remains a testament to his unparalleled skill and dedication.
      • “Five Hundred Arhats”: This ambitious project showcased Jakuchu’s mastery of polychrome painting and demonstrated his ability to convey complex spiritual concepts through visual imagery.
      • "Hanshan and Shide": The painting exemplifies Jakuchu's sensitivity to landscape aesthetics and his capacity for capturing the sublime beauty of nature.

      Rediscovery & Legacy

      Despite remaining largely unknown during his lifetime, Ito Jakuchu experienced a dramatic resurgence in popularity following Nobuo Tsuji’s groundbreaking book *Kisō no Keifu* (Lineage of Eccentrics) in 1970. Tsuji championed Jakuchu as a pivotal figure within the “Lineage of Eccentrics,” initiating a scholarly reassessment that revolutionized perceptions of Edo period art.
      • Tsuji’s Influence & Modern Recognition: Tsuji's scholarship established Jakuchu as one of Japan’s most important artists, sparking renewed interest in his work and cementing his place within the canon of Japanese art history.
      Jakuchu’s unwavering commitment to artistic originality—his willingness to challenge conventions and explore new creative possibilities—continues to inspire artists today. His enduring legacy resides not only in his technical brilliance but also in his profound engagement with Zen Buddhism, securing him a place as a visionary artist who captured the spirit of his time with unparalleled grace.
      Ito Jakuchu

      Ito Jakuchu

      1716 - 1800 , Ιαπωνία

      Krótka nota

      • Artistic Movement Or Style: Styl realizmu z wpływami zen
      • Artists Or Movements Influenced By This Artist: ['Styl Eccentryk']
      • Artists Who Influenced This Artist: ['Ōoka Shunboku']
      • Date Of Birth: 2 marca 1716
      • Date Of Death: 27 października 1800
      • Full Name: Ito Jakuchū
      • Nationality: Japoński
      • Notable Artworks:
        • Pięćset arhatów
        • Hanshan i Shide
        • Krewetki i piwonie
      • Place Of Birth: Kiotō, Japonia
      Ito Jakuchu: Pełna kolekcja
      Odkryj dzieła sztuki uporządkowane według tematów, stylów i cech charakterystycznych.