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      St Damian

      Wymiary
      110.0 x 83.0 cm
      zł 1046

      Ręcznie malowana reprodukcja olejowa

      Ręcznie malowany obraz olejny na płótnie, wykonany na zamówienie przez naszych artystów w wybranym przez Ciebie wymiarze i oprawie. ( Przełącz na wydania drukowane Przejdź do wersji cyfrowej)

      Size

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      Finish

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      Corner sample of the WhiteWrap canvas edge finish, stretched on lite drewno bars
      White zł1
      Corner sample of the BlurSideWrap canvas edge finish, stretched on lite drewno bars
      Blurside zł1
      Corner sample of the ExtendedWrap canvas edge finish, stretched on lite drewno bars
      Extended zł1
      Corner sample of the P118B picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P118B zł10
      Corner sample of the P118H picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P118H zł10
      Corner sample of the P118W picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P118W zł10
      Corner sample of the P438Z picture frame: polistyren formowany, 5.5 cm wide and 3.5 cm thick
      P438Z zł10
      Corner sample of the P508JH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P508JH zł12
      Corner sample of the P508YH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P508YH zł12
      Corner sample of the P805H picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
      P805H zł10
      Corner sample of the P805Z picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
      P805Z zł10
      Corner sample of the P919BZ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P919BZ zł10
      Corner sample of the P919G picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P919G zł10
      Corner sample of the P919XJ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P919XJ zł10
      Corner sample of the P959ZH picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P959ZH zł10
      Corner sample of the P968JZ picture frame: polistyren formowany, 6 cm wide and 4 cm thick
      P968JZ zł12
      Corner sample of the W106C picture frame: lite drewno, 5 cm wide and 3 cm thick
      W106C zł8
      Corner sample of the W218G picture frame: lite drewno, 5 cm wide and 3 cm thick
      W218G zł10
      Corner sample of the W218JH picture frame: lite drewno, 5 cm wide and 3 cm thick
      W218JH zł8
      Corner sample of the W218Y picture frame: lite drewno, 5 cm wide and 3 cm thick
      W218Y zł10
      Corner sample of the W307PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
      W307PJ zł10
      Corner sample of the W316G picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316G zł10
      Corner sample of the W316PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316PJ zł8
      Corner sample of the W316Y picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316Y zł10
      Corner sample of the W398PJ picture frame: lite drewno, 5 cm wide and 3 cm thick
      W398PJ zł8
      Corner sample of the W4111J picture frame: lite drewno, 6.5 cm wide and 3.5 cm thick
      W4111J zł10
      Corner sample of the W500HY picture frame: lite drewno, 7 cm wide and 5 cm thick
      W500HY zł15
      Corner sample of the W500JH picture frame: lite drewno, 7 cm wide and 5 cm thick
      W500JH zł15
      Corner sample of the W692G picture frame: lite drewno, 8 cm wide and 4 cm thick
      W692G zł12
      Corner sample of the W849H picture frame: lite drewno, 5 cm wide and 3 cm thick
      W849H zł8
      Corner sample of the W940BG picture frame: lite drewno, 7.5 cm wide and 4.5 cm thick
      W940BG zł15
      Corner sample of the W953PJ picture frame: lite drewno, 6 cm wide and 3.5 cm thick
      W953PJ zł8
      Corner sample of the H24-GOLD picture frame: rzeźbione drewno pokryte gipsem, 10 cm wide and 6 cm thick
      H24-GOLD zł30
      Corner sample of the H24-SILVER picture frame: rzeźbione drewno pokryte gipsem, 10 cm wide and 6 cm thick
      H24-SILVER zł30
      Corner sample of the H36-GOLD picture frame: rzeźbione drewno pokryte gipsem, 15 cm wide and 6.5 cm thick
      H36-GOLD zł45
      Corner sample of the H36-SILVER picture frame: rzeźbione drewno pokryte gipsem, 15 cm wide and 6.5 cm thick
      H36-SILVER zł45

      Shipped in a protective tube, ready for your own framer.

      Above 105 cm the frame is shipped as a kit for a professional framer — read the details.

      Extras

      optional
      What do the extras include?
      Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
      After order, TopImpressionists.com team will email client for instructions and provide a mockup preview

      Dostawa na całym świecie () w ciągu 3–4 tygodni zamiast standardowych 5 tygodni. (1 Listopad). Bez kompromisów w kwestii jakości.

      Lakier ochronny

      Etykieta obiektu

      Szczegóły grawerowanej brązowej tabliczki

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Szczegóły przezroczystej tabliczki akrylowej

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Szczegóły czarnej tabliczki akrylowej

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Suma całkowita zł 1046

      Opcja ze szkłem jest dostępna wyłącznie w rozmiarach poniżej 110 cm

      • Bezpłatna ekspresowa wysyłka na cały świat
      • Wysokiej jakości płótno lniane
      • Pełne ubezpieczenie przesyłki
      • Gwarancja zwrotu należności celnych i podatków importowych
      • Gwarancja wiernego odwzorowania kolorów
      • 100-dniowa polityka zwrotów (tylko w przypadku wad)
      • Gwarancja 100% zwrotu pieniędzy
      • Zniżka przy zakupie wielu sztuk

      Opis obiektu

      Explore Juan Carreño de Miranda’s ‘St Damian’ (1670). A stunning Baroque oil painting featuring a contemplative saint & angelic visitation. Rich textures, dramatic lighting & masterful technique – a captivating piece of Spanish art history.

      Biografia artysty

      "meta_description": "Juan Carreño de Miranda (1614-1685) – wybitny malarz barokowy znany z eleganckich portretów królewskich, mistrzowskiego użycia światła i wpływu Velazqueza, uchwycił istotny okres w historii sztuki hiszpańskiej."

      About the painting

      A Moment of Grace: Unveiling Juan Carreño de Miranda’s ‘St Damian’

      Juan Carreño de Miranda's “St Damian,” painted in 1670, is more than just a portrait; it’s a carefully constructed tableau of faith, piety, and divine intervention. This vertical oil painting transports the viewer to a serene yet profoundly moving scene, capturing a pivotal moment between a young man – traditionally identified as Saint Sebastian – and an angelic visitation. The work, executed in the heart of the Spanish Baroque period, exemplifies the era’s dramatic use of light, rich textures, and emotional intensity, offering a glimpse into the spiritual life of 17th-century Spain.

      Carreño's skill lies not merely in his technical mastery but in his ability to imbue the scene with palpable emotion. The central figure, rendered with remarkable detail, embodies quiet contemplation and vulnerability. His posture, slightly bowed, suggests a deep inner struggle – perhaps reflecting the suffering associated with Saint Sebastian’s martyrdom. The angel hovering above, bathed in ethereal light, represents grace and protection, its outstretched hand offering solace and reassurance. The inclusion of the book held by the saint is symbolic, representing knowledge, faith, and the pursuit of spiritual understanding.

      Baroque Drama: Light, Composition, and Technique

      The painting’s Baroque style is immediately evident in its dramatic use of light – a powerful beam originating from above and behind the figure, casting long shadows that sculpt his form and create a halo effect around his head. This chiaroscuro technique, borrowed from Caravaggio, intensifies the scene's emotional impact, drawing attention to the saint’s face and highlighting the angel’s radiant presence. The composition is carefully balanced, with the central figure dominating the canvas while maintaining a sense of spaciousness through the arched celestial background. Carreño masterfully employs layering techniques – glazing—to build up rich colors and textures, creating a sense of depth and volume that invites the viewer to step into the scene.

      The artist’s attention to detail is remarkable. The folds of the drapery are rendered with meticulous precision, conveying both weight and movement. The subtle modeling of the face, combined with the delicate brushstrokes in the hair, imbue the figure with a sense of realism and humanity. Even the background foliage—lush and vibrant—is painted with an almost photographic accuracy, contributing to the overall impression of authenticity.

      Symbolism and Historical Context

      Beyond its aesthetic beauty, “St Damian” is rich in symbolism. The arrows piercing Saint Sebastian’s body are a potent reminder of his martyrdom, representing suffering and sacrifice for faith. The angel, a common motif in religious art, symbolizes divine grace and the promise of salvation. The book held by the saint speaks to the importance of knowledge and spiritual contemplation within the Christian tradition. Painted in 1670, during a period of intense religious fervor in Spain, the work reflects the deep piety and devotion that characterized the era.

      Juan Carreño de Miranda was a leading figure in the Spanish Baroque movement, known for his elegant royal portraits and his ability to capture the psychological depth of his subjects. His works often explored themes of faith, morality, and human experience, reflecting the intellectual and spiritual currents of his time. The rediscovery of Caravaggio’s techniques during this period profoundly influenced Carreño's style, contributing to the dramatic lighting and emotional intensity that define “St Damian.”

      A Timeless Masterpiece: Reproduction and Beyond

      Reproductions of “St Damian” offer a remarkable opportunity to bring this captivating work into your home or office. The meticulous detail and rich colors of the original are faithfully reproduced, capturing the essence of Carreño’s artistic vision. Whether displayed as a statement piece in a grand salon or as a subtle accent in a more intimate setting, “St Damian” continues to inspire contemplation and evoke a sense of serenity and spiritual grace.

      Pytania i odpowiedzi

      Jaki klimat wnosi „St Damian” – Juan De Miranda do wnętrza?

      „St Damian” – Juan De Miranda ma Dramatic atmosferę i jest polecane do Living Room. Nastrój to to, co dzieło wnosi do otaczającej je przestrzeni.

      Co wyjaśnia sytuację prawną dotyczącą praw autorskich do „St Damian” – Juan De Miranda?

      „St Damian” – Juan De Miranda jest należy do domeny publicznej – autorskie prawa majątkowe wygasły. Okres ochrony praw autorskich liczony jest od śmierci artysty, która nastąpiła w 1685.

      Jak zbudowana jest kompozycja kolorystyczna „St Damian” – Juan De Miranda?

      Kompozycja kolorystyczna „St Damian” – Juan De Miranda łączy w sobie Gentle kontrast z Strong Color Unity harmonią.

      Quick facts and art quiz

      Najważniejsze informacje

      • Dimensions: 110 x 83 cm
      • Movement: Baroque
      • Title: St Damian
      • Medium: Oil on canvas
      • Notable elements: Angelic visitation
      About Juan De Miranda
      Juan De Miranda

      Juan De Miranda

      1614 - 1685, Hiszpania

      Biografia artysty

      Juan Carreño de Miranda: A Master of Royal Likenesses

      Juan Carreño de Miranda, born in Avilés in 1614 and passing away in Madrid in 1685, stands as a towering figure in the Spanish Baroque art world. More than just a painter, he was a keen observer of human nature, a master of light and shadow, and a dedicated student of Velázquez’s revolutionary approach to portraiture. His journey from a humble upbringing to becoming *pintor de cámara* – court painter to the Queen – is a testament to his talent, perseverance, and fortunate circumstances within the intricate world of Spanish royal patronage. His legacy isn't simply defined by beautiful paintings; it lies in his ability to capture not just outward appearances but also the very essence of those he depicted, offering a remarkably intimate window into the lives of Spain’s most influential figures.
      • Early Life and Training: Born into a family already connected to the artistic world – his father was himself a painter – Carreño's early exposure undoubtedly nurtured his innate talent. Moving to Madrid in 1623 provided him with access to formal training under the esteemed Pedro de las Cuevas and Bartolomé Román, masters who instilled in him not only technical proficiency but also an understanding of composition and aesthetic principles that would shape his future work.
      • The Influence of Velázquez: A pivotal moment arrived through his association with Diego Velázquez, then a rising star within the royal court. Carreño’s early commissions – adorning the cloister of Doña María de Aragón and the Iglesia de la Virgen del Rosario in Marlofa (La Joyosa) – showcased a burgeoning talent and hinted at the mastery to come. Velázquez recognized his potential and took him under his wing, providing invaluable guidance and shaping his artistic vision.

      Ascension to Court Painter: A Royal Appointment

      Carreño’s rise through the ranks of Spanish art was marked by a combination of artistic merit and strategic timing. The devastating fire of 1734, which consumed the frescoes in the Alcázar of Madrid, created an unprecedented opportunity for Carreño. He was appointed as an assistant on the monumental royal commission to recreate these elaborate works, providing him with invaluable experience working within the scale and demanding expectations of royal patronage. However, it was the death of Sebastián de Herrera in 1671 that truly cemented his position. Herrera’s passing opened the door for Carreño to be appointed *pintor de cámara*, or court painter to the Queen – a role he would hold for decades. This appointment wasn't merely a title; it represented an immersion into the very heart of Spanish power and prestige, granting him unparalleled access to the royal family and their inner circle.
      • A Unique Perspective: Unlike many artists who relied solely on formal commissions, Carreño cultivated a deep understanding of the court’s dynamics – its intrigues, personalities, and subtle nuances. He meticulously observed his subjects, not just capturing their physical likenesses but also attempting to convey their status, character, and psychological state.
      • Refusing Knighthood: A testament to his dedication to his craft, Carreño famously refused the title of knight in the Order of Santiago, stating that painting itself bestowed honor upon the world – a declaration reflecting his unwavering commitment to his art.

      The Art of Character: Style and Influences

      Carreño de Miranda’s artistic style is a captivating blend of Spanish Baroque tradition and innovative techniques influenced by masters like Velázquez and Van Dyck. He wasn't simply replicating existing styles; he was building upon them, forging his own distinctive approach to portraiture. His paintings are characterized by an unwavering commitment to realism – a meticulous depiction of physical features, opulent clothing, and the surrounding environment. However, beyond mere likeness, Carreño possessed a remarkable ability to capture the *inner* character of his subjects, their status, and even their psychological state. This wasn’t achieved through dramatic gestures or exaggerated expressions but rather through subtle details: a carefully rendered hand, a knowing glance, the precise fall of light across a face.
      • Chiaroscuro Mastery: Like Velázquez, Carreño was a master of *chiaroscuro* – the skillful manipulation of light and shadow to create depth, drama, and emotional impact. This technique is particularly evident in his portraits, where it draws the viewer’s eye to key features and enhances the overall sense of realism.
      • Van Dyck's Influence: Carreño also drew inspiration from Flemish masters like Anthony van Dyck, incorporating elements of aristocratic elegance and refined detail into his compositions – a subtle nod to the influence of Northern European portraiture on Spanish art.

      Masterworks and Enduring Significance

      While Carreño produced religious altarpieces early in his career, it is for his portraits that he is most celebrated today. Among his most renowned works are *Charles II as Grandmaster of the Golden Fleece*, a striking depiction of the young king embodying regal authority; *Portrait of Queen Mariana of Austria*, capturing her austere grace and political power; and *Portrait of the Duke of Pastrana*, showcasing the nobleman’s wealth and status. These paintings, along with countless others depicting members of the Spanish royal family and court, offer an invaluable glimpse into a pivotal period in Spanish history. They are not merely portraits but historical documents—testaments to the lives, personalities, and power dynamics of those who shaped Spain's destiny. Carreño’s legacy extends beyond his own artistic achievements; he was also a dedicated teacher, nurturing a generation of talented pupils including Mateo Cerezo, Cabezalero, Donoso, Ledesma, and Sotomayor, ensuring the continuation of his style and influence long after his death in 1685. His ability to document the royal family with such unprecedented realism cemented his place as a key figure in Spanish Baroque art—a master of likeness who captured not just *what* they looked like, but *who* they were.

      Quick facts about Juan De Miranda

      • Artistic Movement Or Style: Barok hiszpański
      • Artists Or Movements Influenced By This Artist: ['Pedro de las Cuevas']
      • Artists Who Influenced This Artist: ['Diego Velázquez']
      • Date Of Birth: 25 marca 1614
      • Date Of Death: 3 października 1685
      • Full Name: Juan Carreño de Miranda
      • Nationality: Hiszpański
      • Notable Artworks:
        • Portret Karola II
        • Portret Marii I
        • Duch Święty
      • Place Of Birth: Avilés, Hiszpania
      Juan De Miranda St Damian () · With its frame: · Hand-painted in oil on linen

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