Pracownia — Bezpłatna wysyłka na cały świat — Czas dostawy: 2–6 tygodni
      Podgląd w skali 1:1 Podgląd AR Zamów ręcznie malowaną reprodukcję Przejdź do wersji cyfrowej Wyślij jako kartkę
      Szczegóły dzieła Przewodnik Dodaj do ulubionych Pobierz obraz Podobne obiekty RTG Pokaz slajdów Statystyki

      Brama Siena

      Magnificent obraz Susan Isabel Dacre przedstawiający uliczną bramę miasta z zegarem i architektonicznymi budynkami, wierną rekonstrukcję dzieła prezentuje Galeria Sztuki Manchester Art Gallery.

      Susan Isabel Dacre (1844-1933): Brytyjska malarka znana z sugestywnych portretów i krajobrazów włoskich, a także zaangażowaniem w ruch feministyczny. Współzałożycielka Manchester Society of Women Artists.

      Giclée / Wydruk artystyczny

      Wydruki giclée lub płótna o jakości muzealnej, szybka realizacja i szeroki wybór opcji wykończenia. ( Zamów ręcznie malowaną reprodukcję Przejdź do wersji cyfrowej)

      Corner sample of the P118B picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P118B zł10
      Corner sample of the P118H picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P118H zł10
      Corner sample of the P118W picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P118W zł10
      Corner sample of the P438Z picture frame: polistyren formowany, 5.5 cm wide and 3.5 cm thick
      P438Z zł10
      Corner sample of the P508JH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P508JH zł12
      Corner sample of the P508YH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P508YH zł12
      Corner sample of the P805H picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
      P805H zł10
      Corner sample of the P805Z picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
      P805Z zł10
      Corner sample of the P919BZ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P919BZ zł10
      Corner sample of the P919G picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P919G zł10
      Corner sample of the P919XJ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P919XJ zł10
      Corner sample of the P959ZH picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P959ZH zł10
      Corner sample of the P968JZ picture frame: polistyren formowany, 6 cm wide and 4 cm thick
      P968JZ zł12
      Corner sample of the W106C picture frame: lite drewno, 5 cm wide and 3 cm thick
      W106C zł8
      Corner sample of the W218G picture frame: lite drewno, 5 cm wide and 3 cm thick
      W218G zł10
      Corner sample of the W218JH picture frame: lite drewno, 5 cm wide and 3 cm thick
      W218JH zł8
      Corner sample of the W218Y picture frame: lite drewno, 5 cm wide and 3 cm thick
      W218Y zł10
      Corner sample of the W307PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
      W307PJ zł10
      Corner sample of the W316G picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316G zł10
      Corner sample of the W316PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316PJ zł8
      Corner sample of the W316Y picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316Y zł10
      Corner sample of the W398PJ picture frame: lite drewno, 5 cm wide and 3 cm thick
      W398PJ zł8
      Corner sample of the W4111J picture frame: lite drewno, 6.5 cm wide and 3.5 cm thick
      W4111J zł10
      Corner sample of the W500HY picture frame: lite drewno, 7 cm wide and 5 cm thick
      W500HY zł15
      Corner sample of the W500JH picture frame: lite drewno, 7 cm wide and 5 cm thick
      W500JH zł15
      Corner sample of the W692G picture frame: lite drewno, 8 cm wide and 4 cm thick
      W692G zł12
      Corner sample of the W849H picture frame: lite drewno, 5 cm wide and 3 cm thick
      W849H zł8
      Corner sample of the W940BG picture frame: lite drewno, 7.5 cm wide and 4.5 cm thick
      W940BG zł15
      Corner sample of the W953PJ picture frame: lite drewno, 6 cm wide and 3.5 cm thick
      W953PJ zł8

      Standardowy format
      personalizowane
      CM
      INCH

      Wybierz spośród naszych standardowych rozmiarów, które zachowują oryginalne proporcje dzieła sztuki.

      szerokość
      wysokość

      Wpisz wymaganą szerokość i wysokość, aby dopasować grafikę do ramy lub ściany. Wydruk można jedynie przyciąć, nigdy nie powiększając go poza oryginalny obraz, dlatego format o innych proporcjach spowoduje utratę części kompozycji. Przed rozpoczęciem druku prześlemy Ci cyfrowy podgląd do zatwierdzenia. Obraz wyświetlany na tej stronie nie pokazuje rzeczywistego przycięcia — jedynie podgląd oddaje ten efekt.

      Dostawa na cały świat () w ciągu 2 tygodni zamiast standardowych 4/5 tygodni. (27 Październik)

      Bezpłatna ekspresowa wysyłka na cały świat
      Wysokiej jakości płótno lniane
      Pełne ubezpieczenie przesyłki
      Gwarancja zwrotu należności celnych i podatków importowych
      Gwarancja wiernego odwzorowania kolorów
      100-dniowa polityka zwrotów (tylko w przypadku wad)
      Gwarancja 100% zwrotu pieniędzy
      Zniżka przy zakupie wielu sztuk

      Suma całkowita

      zł 265

      Brama Siena

      Giclée / Wydruk artystyczny

      Wymiary reprodukcji

      -

      Cena całkowita

      zł 265

      Najważniejsze informacje

      • Subject or theme: Urbanistyka włoskiego miasta
      • Artist: Susan Isabel Dacre
      • Dimensions: Nieznane
      • Influences: Francuski impresjonizm
      • Medium: Olej na płótnie
      • Title: Gateway at Siena

      Quiz o sztuce

      Do każdego pytania dotyczy tylko jedna poprawna odpowiedź.

      Pytanie 1:
      Jak nazywa się obraz?
      Pytanie 2:
      Kto jest twórcą tego obrazu?
      Pytanie 3:
      Czy obraz przedstawia ulicę miasta?
      Pytanie 4:
      Co znajduje się na archiwum?
      Pytanie 5:
      Jaką atmosferę obraz wywołuje?

      Gateway at Siena – A Window into Victorian Observation

      Susan Isabel Dacre’s “Gateway at Siena” isn't merely a depiction of an Italian cityscape; it’s a carefully crafted snapshot of a moment in time, imbued with the spirit of its era and reflecting Dacre’s profound engagement with social reform. Painted around 1890, this artwork resides within the Manchester Art Gallery’s collection – a testament to its enduring appeal and recognition by discerning curators. The photograph accompanying this description offers a glimpse into the painting's textured surface and vibrant hues, capturing the subtle nuances of Dacre’s artistic vision.
      • Subject Matter: The scene portrays a bustling Siena street corner, dominated by a grand brick archway adorned with a clock – a symbol of precision and timekeeping, reflecting Victorian fascination with scientific advancement and order.
      • Style: Dacre’s style leans towards Impressionism, prioritizing capturing fleeting impressions of light and atmosphere rather than striving for photographic realism. However, unlike many Impressionists of her time, she avoids the purely decorative tendencies prevalent in the movement.

      Technique & Materials

      Dacre employed oil paints on canvas, utilizing layering techniques to achieve depth and luminosity. Her brushstrokes are visible yet blended seamlessly, creating a harmonious blend of color that evokes the warmth of sunlight filtering through the buildings’ facades. The artist meticulously observed the interplay of light and shadow, skillfully rendering the textures of brickwork and cobblestones with remarkable accuracy – demonstrating a dedication to craftsmanship uncommon for women artists during this period.
      • Color Palette: Dominant hues include earthy browns and ochres, complemented by muted reds and yellows, reflecting the Tuscan landscape. These colors contribute to the painting’s tranquil yet lively mood.
      • Composition: The archway serves as a focal point, drawing the viewer's eye inwards while simultaneously establishing a sense of perspective. Figures strolling along the street add dynamism to the scene and invite contemplation about daily life.

      Historical Context & Societal Significance

      “Gateway at Siena” emerged during a period marked by significant social upheaval – the burgeoning feminist movement championed the pursuit of equal rights for women, challenging traditional roles and expectations. Susan Isabel Dacre herself was a vocal advocate for artistic freedom and recognized the importance of portraying women’s experiences authentically. Her involvement with the Manchester Society of Women Artists underscores this commitment to empowering female creatives and promoting inclusivity within the art world. The painting's inclusion in the Manchester Art Gallery speaks volumes about its recognition as an exemplar of Victorian observation and artistic integrity – qualities that continue to resonate with audiences today.

      Symbolism & Emotional Resonance

      Beyond its visual beauty, “Gateway at Siena” carries symbolic weight. The clock represents not just time but also progress and rationality—values central to Victorian ideals. Simultaneously, the figures walking along the street embody everyday life and human connection, reminding us of the importance of appreciating simple pleasures. Dacre’s masterful depiction captures a moment of serenity amidst urban activity, conveying a feeling of quiet contemplation and understated elegance.

      Pytania i odpowiedzi

      Jaki poziom kontrastu prezentuje „Brama Siena” – Susan Isabel Dacre?

      Poziom kontrastu dzieła „Brama Siena” – Susan Isabel Dacre wynosi Delikatny.

      Do którego okresu twórczości Susan Isabel Dacre należy dzieło "Brama Siena"?

      „Brama Siena” pochodzi z okresu Mature Period w twórczości Susan Isabel Dacre. Klasyfikacja ta wiąże dzieło z rozwojem artysty.

      Czy dostępny jest plik do pobrania w wysokiej rozdzielczości dla "Brama Siena"?

      „Brama Siena” jest dostępny jako wysokiej rozdzielczości cyfrowe zdjęcie do pobrania; można go nabyć bezpośrednio na stronie Cyfrowy obraz.


      Biografia artysty

      A Life Painted in Resilience: The Story of Susan Isabel Dacre

      Susan Isabel Dacre, born in 1844 amidst the vibrant yet restrictive atmosphere of Victorian England, was far more than simply a painter; she embodied a quiet revolution – a testament to the burgeoning spirit of women challenging societal expectations and forging their own paths. Her life, spanning nearly nine decades into the early 20th century, mirrored the shifting landscapes of artistic expression and the passionate struggle for female emancipation. Born in Leamington Spa, a town renowned for its elegant Regency architecture and thriving arts scene, Dacre’s journey was not one paved with privilege or immediate recognition. Instead, it was meticulously crafted through keen observation, unwavering dedication to her craft, and an indomitable spirit that refused to be confined by the limitations imposed upon women of her era. Her early years were marked by a series of experiences – from attending convent schooling to serving as a governess – each contributing to a profound understanding of human nature and the complexities of the world around her. Notably, she witnessed firsthand the tumultuous events of the Franco-Prussian War during a period spent in Paris, an experience that undoubtedly shaped her perspective and instilled within her a heightened awareness of social injustice.

      Artistic Development and Influences: A Journey from Realism to Impressionism

      Dacre’s formal artistic training began in 1871 when she enrolled at the Manchester School of Art, a progressive institution known for its emphasis on realism and technical skill. It was there that her talent quickly became apparent, culminating in a remarkable achievement – winning the prestigious Queen’s Prize in 1875. This victory served as a crucial validation of her abilities and solidified her commitment to pursuing painting as a profession—a bold decision considering the prevailing social norms that discouraged women from engaging in such endeavors. Her early style was characterized by meticulous realism, reflecting the dominant artistic trends of the Victorian period. However, Dacre’s artistic vision quickly evolved beyond mere imitation. She demonstrated an openness to contemporary movements, particularly those emerging from France, absorbing elements of Impressionism—notably in her landscape paintings—which introduced a greater sensitivity to light and color. The influence of Lord Leighton, a prominent Pre-Raphaelite painter known for his evocative landscapes and masterful use of color, is also discernible in her work. During a brief sojourn in Capri, he provided invaluable guidance on painting techniques, fostering a deeper understanding of composition and tonal harmony. Dacre’s portraits, however, remained central to her artistic practice, allowing her to explore the nuances of character and individuality with remarkable depth and empathy.

      Themes and Notable Works: Echoes of Italy and the Human Spirit

      Dacre's oeuvre is remarkably diverse, encompassing a wide range of subjects—evocative landscapes, intimate genre scenes depicting everyday life, and compelling portraits that capture the essence of her subjects. Italian Women in Church stands as a particularly poignant example of her ability to convey emotional resonance through subtle details and atmospheric composition. The painting captures a moment of quiet contemplation within a religious setting, hinting at the spiritual lives of women in Victorian society. Her fascination with Italy is vividly expressed in works such as Assisi from Perugia and Assisi from the City Walls, where she masterfully employs soft brushstrokes and muted tones to evoke the beauty and tranquility of the Italian countryside—a landscape that clearly held a special significance for her. Perhaps one of her most touching pieces is The Artist’s Mother, a deeply personal portrait that showcases Dacre's exceptional skill in portraying familial bonds with sensitivity and grace. Recurring themes throughout her work include a celebration of female strength and individuality – often subtly conveyed through the expressions and postures of her subjects – alongside an enduring appreciation for the beauty of nature and glimpses into the rhythms of Victorian life. These weren’t merely aesthetic choices; they were reflections of her own values, beliefs, and a quiet resistance to the restrictive societal expectations placed upon women.

      A Champion of Women Artists and Suffrage: Breaking Barriers in a Male-Dominated World

      Beyond her artistic achievements, Susan Isabel Dacre played a pivotal role in advocating for opportunities for female artists and championing the cause of women’s suffrage. In 1876, alongside Annie Louise Swynnerton, she co-founded the Manchester Society of Women Artists—a landmark achievement that provided a crucial platform for female artists to exhibit their work, network with peers, and gain recognition within an art world largely dominated by men. Serving as its president for several years, Dacre demonstrated her leadership qualities and unwavering commitment to fostering a supportive community for aspiring female artists. Her activism extended beyond the artistic realm; she was also a dedicated member of the executive committee of the Manchester National Society for Women’s Suffrage, tirelessly campaigning for women's right to vote. Her involvement in this movement reflected a deep-seated belief in social justice and equality—a conviction that fueled her efforts both within the art world and beyond. After years of persistent advocacy, she successfully became a member of the council of the Manchester Academy of Fine Arts in 1897 – a significant milestone that symbolized a broader shift towards greater inclusivity within established artistic institutions.

      Enduring Significance: A Legacy of Resilience and Inspiration

      Susan Isabel Dacre passed away peacefully in 1933, leaving behind a legacy that continues to inspire and resonate today. Her significance transcends the purely aesthetic—her paintings offer valuable insights into Victorian society, gender roles, and the burgeoning feminist movement. More importantly, she embodied resilience, courage, and an unwavering commitment to her beliefs. She challenged societal norms, defied expectations, and actively worked to create opportunities for women in both the art world and beyond. Dacre’s life serves as a powerful reminder of the importance of perseverance, artistic vision, and the enduring need to fight for equality and justice—a legacy that ensures her place as a pioneering figure in British art history. Her paintings are not simply beautiful works of art; they are windows into a remarkable woman's life and a testament to her unwavering spirit.
      Susan Isabel Dacre

      Susan Isabel Dacre

      1844 - 1933 , Wielka Brytania

      Krótka nota

      • Artistic Movement Or Style: Realizm, Romantyzm
      • Date Of Birth: 1844
      • Date Of Death: 1933
      • Full Name: Susan Isabel Dacre
      • Nationality: Brytyjka
      • Notable Artworks:
        • W kobiety w kościele
        • Widok z Assisi
        • Matka artysty
      • Place Of Birth: Leamington Spa, UK
      Odkryj dzieła sztuki uporządkowane według tematów, stylów i cech charakterystycznych.
      © TopImpressionists.com — Wszelkie prawa zastrzeżone  ·  100% Ręcznie malowane · Gwarancja satysfakcji · Darmowa wysyłka na cały świat
      VISA MASTERCARD