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      Trzy kobiety

      zł 1228

      Ręcznie malowana reprodukcja olejowa

      Ręcznie malowany obraz olejny na płótnie, wykonany na zamówienie przez naszych artystów w wybranym przez Ciebie wymiarze i oprawie. ( Przełącz na wydania drukowane Przejdź do wersji cyfrowej)

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      Finish

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      Corner sample of the WhiteWrap canvas edge finish, stretched on lite drewno bars
      White zł1
      Corner sample of the BlurSideWrap canvas edge finish, stretched on lite drewno bars
      Blurside zł1
      Corner sample of the ExtendedWrap canvas edge finish, stretched on lite drewno bars
      Extended zł1
      Corner sample of the P118B picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P118B zł10
      Corner sample of the P118H picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P118H zł10
      Corner sample of the P118W picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P118W zł10
      Corner sample of the P438Z picture frame: polistyren formowany, 5.5 cm wide and 3.5 cm thick
      P438Z zł10
      Corner sample of the P508JH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P508JH zł12
      Corner sample of the P508YH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P508YH zł12
      Corner sample of the P805H picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
      P805H zł10
      Corner sample of the P805Z picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
      P805Z zł10
      Corner sample of the P919BZ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P919BZ zł10
      Corner sample of the P919G picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P919G zł10
      Corner sample of the P919XJ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P919XJ zł10
      Corner sample of the P959ZH picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P959ZH zł10
      Corner sample of the P968JZ picture frame: polistyren formowany, 6 cm wide and 4 cm thick
      P968JZ zł12
      Corner sample of the W106C picture frame: lite drewno, 5 cm wide and 3 cm thick
      W106C zł8
      Corner sample of the W218G picture frame: lite drewno, 5 cm wide and 3 cm thick
      W218G zł10
      Corner sample of the W218JH picture frame: lite drewno, 5 cm wide and 3 cm thick
      W218JH zł8
      Corner sample of the W218Y picture frame: lite drewno, 5 cm wide and 3 cm thick
      W218Y zł10
      Corner sample of the W307PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
      W307PJ zł10
      Corner sample of the W316G picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316G zł10
      Corner sample of the W316PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316PJ zł8
      Corner sample of the W316Y picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316Y zł10
      Corner sample of the W398PJ picture frame: lite drewno, 5 cm wide and 3 cm thick
      W398PJ zł8
      Corner sample of the W4111J picture frame: lite drewno, 6.5 cm wide and 3.5 cm thick
      W4111J zł10
      Corner sample of the W500HY picture frame: lite drewno, 7 cm wide and 5 cm thick
      W500HY zł15
      Corner sample of the W500JH picture frame: lite drewno, 7 cm wide and 5 cm thick
      W500JH zł15
      Corner sample of the W692G picture frame: lite drewno, 8 cm wide and 4 cm thick
      W692G zł12
      Corner sample of the W849H picture frame: lite drewno, 5 cm wide and 3 cm thick
      W849H zł8
      Corner sample of the W940BG picture frame: lite drewno, 7.5 cm wide and 4.5 cm thick
      W940BG zł15
      Corner sample of the W953PJ picture frame: lite drewno, 6 cm wide and 3.5 cm thick
      W953PJ zł8
      Corner sample of the H24-GOLD picture frame: rzeźbione drewno pokryte gipsem, 10 cm wide and 6 cm thick
      H24-GOLD zł30
      Corner sample of the H24-SILVER picture frame: rzeźbione drewno pokryte gipsem, 10 cm wide and 6 cm thick
      H24-SILVER zł30
      Corner sample of the H36-GOLD picture frame: rzeźbione drewno pokryte gipsem, 15 cm wide and 6.5 cm thick
      H36-GOLD zł45
      Corner sample of the H36-SILVER picture frame: rzeźbione drewno pokryte gipsem, 15 cm wide and 6.5 cm thick
      H36-SILVER zł45

      Shipped in a protective tube, ready for your own framer.

      Above 105 cm the frame is shipped as a kit for a professional framer — read the details.

      Extras

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      Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
      After order, TopImpressionists.com team will email client for instructions and provide a mockup preview

      Dostawa na całym świecie () w ciągu 3–4 tygodni zamiast standardowych 5 tygodni. (30 Październik). Bez kompromisów w kwestii jakości.

      Lakier ochronny

      Etykieta obiektu

      Szczegóły grawerowanej brązowej tabliczki

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Szczegóły przezroczystej tabliczki akrylowej

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Szczegóły czarnej tabliczki akrylowej

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Suma całkowita zł 1228

      Opcja ze szkłem jest dostępna wyłącznie w rozmiarach poniżej 110 cm

      • Bezpłatna ekspresowa wysyłka na cały świat
      • Wysokiej jakości płótno lniane
      • Pełne ubezpieczenie przesyłki
      • Gwarancja zwrotu należności celnych i podatków importowych
      • Gwarancja wiernego odwzorowania kolorów
      • 100-dniowa polityka zwrotów (tylko w przypadku wad)
      • Gwarancja 100% zwrotu pieniędzy
      • Zniżka przy zakupie wielu sztuk

      Opis obiektu

      Umberto Boccioni’s „Trzy kobiety” (1910): Odkryj piękno futurystycznego obrazu inspirowanego divisionizmem i pełnym emocji. Zamów reprodukcję tego arcydzieła sztuki!

      Biografia artysty

      Umberto Boccioni – pionier włoskiego futurizmu! Odkryj dynamiczne obrazy i rzeźby, oddające ruch, nowoczesność i rozszczepione formy. Zobacz 'Dynamizm ciała ludzkiego' i więcej!

      About the painting

      Three Women by Umberto Boccioni – A Symphony of Divisionist Light

      This captivating artwork, “Three Women,” created by the visionary Italian artist Umberto Boccioni in 1910, transcends mere representation; it’s an invitation to contemplate intimacy and a masterful demonstration of Futurism's innovative approach to artistic expression. Held privately, this oil on canvas piece embodies the spirit of Divisionist painting—a technique championed by Boccioni himself—where fragmented brushstrokes coalesce into luminous color palettes that capture the essence of fleeting moments.
      • Subject Matter: The composition centers around three women – Cecilia, Amelia and Ines – portraying a serene tableau of familial connection and quiet reflection. Each figure is rendered with remarkable sensitivity to posture and expression, conveying a palpable sense of melancholy yet profound peace.
      • Style: Boccioni’s stylistic evolution culminates in Divisionism, blending it seamlessly with the dynamism inherent in Futurism. Visible brushstrokes disrupt traditional forms, mirroring the artist's desire to capture movement and energy—a core tenet of the burgeoning Futurist movement.

      Technique – Mastering Light and Color Through Divisionist Illusion

      Boccioni’s mastery shines through in his meticulous application of color and light. The divisionist technique isn’t merely about applying pigment; it's about creating an illusion of depth and luminosity by fracturing color into discrete strokes. These strokes overlap subtly, generating a shimmering effect that mimics the way natural light interacts with surfaces—a deliberate choice reflecting Boccioni’s fascination with technological advancements and their impact on perception. The diffused lighting illuminates the women’s faces, enhancing their warmth and inviting viewers to immerse themselves in the artwork's tranquil atmosphere.
      • Materials: Oil paints were skillfully layered onto canvas, resulting in a textured surface that subtly captures the nuances of light and shadow.
      • Composition: The triangular arrangement symbolizes unity and connection between the figures, guiding the viewer’s gaze across the canvas with graceful precision.

      Historical Context – A Bridge to Futurism's Bold Vision

      “Three Women” marks a pivotal juncture in Boccioni’s artistic journey—a decisive step away from Divisionist conventions toward embracing the radical aesthetic principles of Futurism. Influenced by the groundbreaking writings of Filippo Tommaso Marinetti, the movement’s founder, Boccioni sought to translate his pre-Futurist subjects into a new visual language that mirrored the speed and dynamism of the industrial age. This stylistic shift represents an ambitious attempt to reconcile traditional artistic sensibilities with the revolutionary fervor of the era. Note: The artwork's ethereal quality speaks volumes about Boccioni’s desire to capture not just appearances but also emotional resonance—a hallmark of Symbolist art and a testament to his profound understanding of human psychology.

      Symbolism – Reflections of Time and Remembrance

      The hazy atmosphere surrounding the figures serves as a poignant reminder of the passage of time and the elusive nature of memory. It encourages contemplation on themes of familial bonds, inner peace, and the beauty found in quiet solitude—elements that resonate deeply with viewers seeking artistic inspiration. The subtle tonal variations contribute to an overall mood of nostalgia and serenity, elevating “Three Women” beyond a mere portrait into a meditation on human experience.

      Concluding Impression – An Artistic Legacy Illuminated

      “Three Women” stands as a beacon of Italian Futurism’s innovative spirit—a testament to Umberto Boccioni's unwavering belief in progress and his ability to translate complex ideas into breathtaking visual artistry. Its enduring appeal lies not only in its technical brilliance but also in its capacity to evoke profound emotions and invite viewers on a journey of contemplation.

      Pytania i odpowiedzi

      Do którego okresu twórczości Umberto Boccioni należy dzieło "Trzy kobiety"?

      "Trzy kobiety" reprezentuje Futurist Transition twórczości Umberto Boccioni.

      Jaki nastrój oddaje dzieło "Trzy kobiety" należące do nurtu Futurist Divisionism?

      "Trzy kobiety" emanuje Refleksyjny emocjonalnym ładunkiem, wpisując się w nurt Futurist Divisionism.

      Czy mogę zobaczyć „Trzy kobiety” – Umberto Boccioni na własnej ścianie przed zakupem?

      Strona Podgląd w AR dzieła „Trzy kobiety” – Umberto Boccioni wykorzystuje rozszerzoną rzeczywistość, aby dzięki kompatybilnemu urządzeniu pokazać obraz w Twojej własnej przestrzeni.

      Quick facts and art quiz

      Najważniejsze informacje

      • Medium: Oleje na płótnie
      • Location: prywatna kolekcja
      • Influences: Giacomo Balla
      • Movement: Futurizm
      • Dimensions: 180 x 132 cm
      • Notable elements or techniques: Techniki dzielenia kolorów

      Quiz o sztuce

      Do każdego pytania dotyczy tylko jedna poprawna odpowiedź.

      Pytanie 1:
      Jak nazywa się obraz Umberto Boccioni?
      Pytanie 2:
      W której technice wykonano obraz "Trzy kobiety"?
      Pytanie 3:
      Kto jest główną postacią obrazu?
      Pytanie 4:
      Czy obraz wykorzystuje elementy Futurizmu?
      Pytanie 5:
      Jaki jest główny efekt zastosowanej metody iluminacji?
      About Umberto Boccioni
      Umberto Boccioni

      Umberto Boccioni

      1882 - 1916, Włochy

      Biografia artysty

      A Life Forged in Motion: The Revolutionary Vision of Umberto Boccioni

      Umberto Boccioni, born in Reggio Calabria in 1882, was a figurehead of the Italian Futurist movement—a force that sought to shatter artistic conventions and embrace the dynamism of the modern world. His life, though tragically cut short at just thirty-three, became a testament to this fervent belief in progress, speed, and the intoxicating energy of the machine age. Boccioni’s early years were marked by constant relocation due to his father's civil service position, an upbringing that exposed him to diverse landscapes and instilled within him a restless spirit. This nomadic existence eventually led him to Rome, where he initially pursued studies in decorative arts before gravitating towards painting, absorbing influences from the Liberty style poster artists of the time. However, it was his encounter with Futurism, ignited by the writings of Filippo Tommaso Marinetti, that truly set his artistic trajectory ablaze.

      Embracing the Whirlwind: The Rise of a Futurist

      The year 1910 proved pivotal for Boccioni. He signed the *Manifesto dei Pittori Futuristi*, solidifying his commitment to a movement that celebrated technology, velocity, and even violence as emblems of modernity. This wasn’t merely an aesthetic choice; it was a philosophical rebellion against the weight of tradition, a desire to capture the very essence of a world hurtling towards an uncertain future. Boccioni quickly became one of Futurism's most articulate theorists, expanding upon Marinetti’s initial pronouncements and applying them to the visual arts. He argued for a complete break from representational accuracy, advocating instead for paintings that conveyed not just *what* things looked like, but *how* they felt in motion—the sensation of speed, the fragmentation of form, the overwhelming energy of urban life. His early works, while still hinting at Impressionist and Divisionist influences, began to demonstrate this burgeoning obsession with dynamism. Paintings such as *The City Rises* (1910-1911) are monumental in scale and ambition, depicting the chaotic construction of a modern metropolis—a swirling vortex of human figures, buildings, and machinery that embodies the Futurist ideal. The painting’s composition is deliberately unsettling, conveying a sense of overwhelming movement and transformation.

      Deconstructing Reality: Technique and Themes

      Boccioni’s artistic development was characterized by an increasingly radical approach to form. He moved away from traditional notions of perspective and composition, embracing fragmentation as a means of conveying movement and energy. Objects were broken down into their constituent parts, lines of force radiated outwards, and colors blended in swirling patterns—all designed to create a sense of visual vibration. This deconstruction wasn’t merely stylistic; it was rooted in Boccioni's belief that reality itself was fluid and constantly changing. He sought to represent not the static appearance of things, but their dynamic essence. Key themes emerged throughout his oeuvre: dynamism, the celebration of modernity, and a fascination with the human body as a vehicle for expressing energy and motion. This is powerfully illustrated in works like *Dynamism of a Human Body* (1913), where a figure is depicted not as a solid form but as a series of fragmented shapes suggesting movement through space. The painting captures the sensation of a runner in full stride, conveying both power and vulnerability simultaneously. His sculpture *Unique Forms of Continuity in Space* (1913) further exemplifies this approach—a bronze figure that appears to be caught mid-stride, its limbs and torso elongated and distorted, conveying a sense of unstoppable momentum. The work’s innovative use of materials and techniques pushed the boundaries of sculptural representation.

      Influences and Artistic Connections

      Boccioni's artistic journey was shaped by a diverse range of influences. Early exposure to the landscapes of Southern Italy instilled in him a deep appreciation for nature, which he later sought to capture through dynamic compositions. His studies with Giacomo Balla at the Roman art academy introduced him to techniques like pointillism and divisionism, providing a foundation for his exploration of color and light. However, it was his encounter with Filippo Marinetti and the Futurist movement that truly transformed his artistic vision. He collaborated closely with Marinetti on theoretical works, contributing significantly to the development of Futurism’s core principles. Furthermore, Boccioni maintained friendships with other prominent artists of the era, including Gino Severini and Carlo Carrà, exchanging ideas and influencing each other's work. The shared ambition to break free from traditional artistic conventions fostered a vibrant creative environment within the Futurist circle.

      Legacy and Lasting Impact

      Boccioni’s untimely death in 1916, during World War I, tragically cut short a brilliant career. Despite his brief life, his ideas and artworks had a profound impact on the development of modern art. He profoundly influenced not only subsequent Futurist artists but also movements like Constructivism and Abstract Expressionism. His exploration of motion, dynamism, and the representation of modern life paved the way for new forms of artistic expression, challenging traditional notions of beauty and representation. His work continues to be exhibited in major museums around the world, serving as a testament to his revolutionary vision and enduring legacy. His paintings are not merely depictions of reality; they are embodiments of its relentless energy.

      Quick facts about Umberto Boccioni

      • Artistic Movement Or Style: Futurismo
      • Artists Or Movements Influenced By This Artist:
        • Konstrukcjonizm
        • Ekspresionizm abstrakcyjny
      • Artists Who Influenced This Artist:
        • Giacomo Balla
        • Cubismo
      • Date Of Birth: 1882-10-19
      • Date Of Death: 1916-08-17
      • Full Name: Umberto Boccioni
      • Nationality: Włoski
      • Notable Artworks:
        • Dynamizm ciała ludzkiego
        • Formy ciągłości w przestrzeni
        • Miasto rośnie
      • Place Of Birth: Reggio Calabria, Italia
      Umberto Boccioni Trzy kobiety () · With its frame: · Hand-painted in oil on linen

      Total

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