Zobacz w skali 1:1
Wyślij
Udostępnij
Szczegóły
Przewodnik
Pobierz plik obrazu
Podobne obiekty
RTG
Pokaz slajdów
StatystykiOmochae
50.0 x 36.0 cm
Tobacco and Salt Museum
Discover Utagawa Yoshiiku, a renowned Japanese artist of the Edo period! Explore his vibrant bijin-ga & musha-e prints, including 'Yoshiwara 12 Months'. Master of ukiyo-e art.
Czytaj więcej
Giclée / Wydruk artystyczny
Wydruki giclée lub płótna o jakości muzealnej, szybka realizacja i szeroki wybór opcji wykończenia. (
Kup ręcznie malowany obraz Przełącz na wersję cyfrową)
Standardowy
na zamówienie
CM
INCH
Wybierz spośród naszych standardowych rozmiarów, które zachowują oryginalne proporcje dzieła sztuki.
Loading sizes...
szerokość
wysokość
Wpisz wymaganą szerokość i wysokość, aby dopasować grafikę do ramy lub ściany. Wydruk można jedynie przyciąć, nigdy nie powiększając go poza oryginalny obraz, dlatego format o innym proporcji spowoduje utratę części kompozycji. Przed rozpoczęciem druku prześlemy Ci cyfrowy podgląd do zatwierdzenia. Obraz wyświetlany na tej stronie nie pokazuje rzeczywistego przycięcia — jedynie podgląd oddaje ten efekt.
Dostawa na cały świat () w ciągu 2 tygodni zamiast standardowych 4/5 tygodni. (24 Październik)
Bezpłatna ekspresowa wysyłka na cały świat
Wysokiej jakości płótno lniane
Pełne ubezpieczenie transportowe
Gwarancja zwrotu należności celnych i podatków importowych
Gwarancja idealnego odwzorowania barw
100-dniowy okres na zwrot dzieła w przypadku wykrycia wad produkcyjnych
Gwarancja 100% zwrotu pieniędzy
Oferta przy zakupie wielu sztuk
Opcja ze szkłem jest dostępna wyłącznie w rozmiarach poniżej 110 cm
Omochae
Giclée / Wydruk artystyczny
Rozmiar reprodukcji
-
Suma do zapłaty
zł 266
Biografia artysty
The Legacy of Utagawa Yoshiiku: A Master of the Floating World
In the vibrant, shifting landscape of late Edo-period Japan, few artists captured the pulse of urban life as vividly as Utagawa Yoshiiku. Born in 1833 to a teahouse proprietor in Asakusa, Yoshiiku was destined to be immersed in the very heart of the "floating world." His artistic journey began under the tutelage of the legendary Utagawa Kuniyoshi, a master whose dramatic energy and narrative prowess left an indelible mark on his pupil. During the late 1840s, as an apprentice, Yoshiiku learned the meticulous discipline of woodblock printing—a craft where every line carved into cherry wood and every layer of pigment applied must harmonize to tell a story. By 1852, he was already contributing to the legacy of his master, providing intricate backgrounds for actor prints that hinted at the profound talent emerging from the Utagawa school.
As the era of the Shogunate transitioned into the Meiji period, Yoshiiku’s work evolved alongside the changing social fabric of Japan. While he remained deeply rooted in the classical genres of ukiyo-e, his vision expanded to meet the demands of a modernizing nation. He became a master of several distinct styles, ranging from the delicate grace of bijin-ga (portraits of beautiful women) to the heroic intensity of musha-e (warrior prints). His ability to capture the ephemeral beauty of courtesans in the Yoshiwara district—documenting their exquisite kimonos and the atmospheric allure of the pleasure quarters—offered a window into a world that was both celebrated and disappearing. Yet, he was equally adept at the satirical and the grotesque, following Kuniyoshi’s footsteps into humorous pieces and even collaborating on the hauntingly beautiful muzan-e, or "cruel pictures," which explored the darker, more visceral aspects of human experience.
Innovation and the Illustrated Press
Beyond the traditional confines of the woodblock print, Yoshiiku demonstrated a remarkable versatility that allowed him to bridge the gap between fine art and journalism. In an era where visual storytelling was becoming increasingly intertwined with news, he took on the role of an illustrator for the Tokyo Nichi Nichi Shimbun (Tokyo Daily News) between 1874 and 1876. This period marked a significant shift in his career, as he helped pioneer the concept of the illustrated news, eventually co-founding the Tokyo E-iri Shinbun (Tokyo Illustrated News). Through these publications, Yoshiiku’s art became a medium for documenting contemporary events, bringing the drama of real-world happenings to the masses through the evocative power of printmaking.
His later works often reflected a complex blend of historical reverence and contemporary commentary. One notable achievement was his Kokkei Wanisshi-ki (Comical Record of Japanese History), where he utilized the traditional Hyakki Yagyō theme to comment on modern military actions in China. This ability to weave historical motifs with current political realities showcased a sophisticated intellectual depth. Despite the struggles of his final years and the decline of the traditional print market, Yoshiiku’s influence remained profound. He stood as a bridge between the classical traditions of the Edo period and the burgeoning modernity of Meiji Japan, ensuring that the aesthetic language of the Utagawa school would resonate long after the last block was inked.
Utagawa Yoshiiku
1833 - 1904 , Japan
Najważniejsze informacje
- Full Name: Utagawa Yoshiiku
- Nationality: Japanese
- Date Of Birth: 1833
- Date Of Death: 1904
- Place Of Birth: Japan
- Notable Artworks: ['Yoshiwara 12 Months']
- Artistic Movement Or Style: Ukiyo-e
- Artists Who Influenced This Artist: Utagawa Kuniyoshi
- Artists Or Movements Influenced By This Artist: HASEGAWA SADANOBU II