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      Study for Kites

      A lively watercolor scene of people flying colorful kites captures a sense of joyful movement in this 1966 masterpiece by British artist William Roberts, inviting you to bring this vibrant moment into your collection.

      Discover William Roberts, a pivotal Australian Impressionist artist. Explore his evocative landscapes & 'national narratives' – Shearing the Rams & more! A key figure in the Heidelberg School.

      Dzieło sztuki prezentowane na tej stronie podlega ochronie prawem autorskim, co oznacza, że nie mamy prawa do tworzenia ani sprzedaży jego identycznej reprodukcji. Ochrona ta jest egzekwowana na mocy umów międzynarodowych, takich jak Konwencja berneńska oraz przez przepisy prawa krajowego, w tym te określone w Prawo autorskie USA – Tytuł 17.

      Metoda ta jest w pełni zgodna z przepisami prawa autorskiego, ponieważ nie polega na kopiowaniu ani powielaniu chronionego dzieła. Stanowi ona kreatywną reinterpretację – nowy obraz, który czerpie inspirację z oryginału, ale nie jest z nim tożsamy.

      Giclée / Wydruk artystyczny

      Wydruki giclée lub płótna o jakości muzealnej, szybka realizacja i szeroki wybór opcji wykończenia. ( Zamów ręcznie malowaną reprodukcję Przejdź do wersji cyfrowej)

      Corner sample of the P118B picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P118B zł10
      Corner sample of the P118H picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P118H zł10
      Corner sample of the P118W picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P118W zł10
      Corner sample of the P438Z picture frame: polistyren formowany, 5.5 cm wide and 3.5 cm thick
      P438Z zł10
      Corner sample of the P508JH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P508JH zł12
      Corner sample of the P508YH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P508YH zł12
      Corner sample of the P805H picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
      P805H zł10
      Corner sample of the P805Z picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
      P805Z zł10
      Corner sample of the P919BZ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P919BZ zł10
      Corner sample of the P919G picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P919G zł10
      Corner sample of the P919XJ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P919XJ zł10
      Corner sample of the P959ZH picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P959ZH zł10
      Corner sample of the P968JZ picture frame: polistyren formowany, 6 cm wide and 4 cm thick
      P968JZ zł12
      Corner sample of the W106C picture frame: lite drewno, 5 cm wide and 3 cm thick
      W106C zł8
      Corner sample of the W218G picture frame: lite drewno, 5 cm wide and 3 cm thick
      W218G zł10
      Corner sample of the W218JH picture frame: lite drewno, 5 cm wide and 3 cm thick
      W218JH zł8
      Corner sample of the W218Y picture frame: lite drewno, 5 cm wide and 3 cm thick
      W218Y zł10
      Corner sample of the W307PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
      W307PJ zł10
      Corner sample of the W316G picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316G zł10
      Corner sample of the W316PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316PJ zł8
      Corner sample of the W316Y picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316Y zł10
      Corner sample of the W398PJ picture frame: lite drewno, 5 cm wide and 3 cm thick
      W398PJ zł8
      Corner sample of the W4111J picture frame: lite drewno, 6.5 cm wide and 3.5 cm thick
      W4111J zł10
      Corner sample of the W500HY picture frame: lite drewno, 7 cm wide and 5 cm thick
      W500HY zł15
      Corner sample of the W500JH picture frame: lite drewno, 7 cm wide and 5 cm thick
      W500JH zł15
      Corner sample of the W692G picture frame: lite drewno, 8 cm wide and 4 cm thick
      W692G zł12
      Corner sample of the W849H picture frame: lite drewno, 5 cm wide and 3 cm thick
      W849H zł8
      Corner sample of the W940BG picture frame: lite drewno, 7.5 cm wide and 4.5 cm thick
      W940BG zł15
      Corner sample of the W953PJ picture frame: lite drewno, 6 cm wide and 3.5 cm thick
      W953PJ zł8

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      Dostawa na cały świat () w ciągu 2 tygodni zamiast standardowych 4/5 tygodni. (28 Październik)

      Bezpłatna ekspresowa wysyłka na cały świat
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      Suma całkowita

      zł 266

      Study for Kites

      Giclée / Wydruk artystyczny

      Wymiary reprodukcji

      -

      Cena całkowita

      zł 266

      Najważniejsze informacje

      • Movement: Vorticism / English Cubism
      • Artistic style: English Cubism
      • Notable elements or techniques: Grid transfer method, geometric shapes
      • Artist: William Roberts
      William Roberts is a British painter of figure compositions and portraits. He was a pioneer of abstract art before the First World War. Roberts worked outside the mainstream. Later in his career he would describe himself as an English Cubist. In 1914 Roberts joined the short-lived art movement the Vorticists, founded by the artist and writer Wyndam Lewis. The Vorticists believed that British art at this time was in a decayed state. Their aesthetic combined the geometrical fragmentation of Cubism with Futurist machine-like imagery. During the First World War, Roberts was a gunner on the Western Front. Later he became a war artist, a position he held in both world wars. He is best remembered for his large complex and colourful compositions.Roberts has marked this reference picture with a grid to help him to transfer it to canvas. The canvas is marked with a corresponding grid allowing the picture to be enlarged and transferred one square at a time.

      Pytania i odpowiedzi

      Jak nasycona jest paleta kolorystyczna dzieła "Study for Kites"?

      Paleta dzieła "Study for Kites" charakteryzuje się Balanced Soft nasyceniem kolorów.

      Jakie są prawa do reprodukcji dzieła "Study for Kites" znajdującego się w Royal Albert Memorial Museum - Art Gallery?

      Status praw autorskich do dzieła „Study for Kites” – William Roberts jest jasny: utwór znajduje się w nadal objęte ochroną prawa autorskiego. Jego obecność w Royal Albert Memorial Museum - Art Gallery nie zmienia tego stanu rzeczy.

      Jak mogę podejrzeć reprodukcję dzieła „Study for Kites” – William Roberts?

      Strona Podgląd w pomieszczeniu dzieła „Study for Kites” pozwala na podgląd obrazu przed złożeniem zamówienia.


      Biografia artysty

      William Roberts (painter) – A Pioneer of British Impressionism

      William Patrick Roberts (5 June 1895 – 20 January 1980) was a British artist who stands as one of the most significant figures in the Heidelberg School, an Australian Impressionist movement that profoundly shaped the visual landscape of the early 20th century. Born into a working-class family in London’s East End, Roberts possessed an innate talent for drawing from a young age—a passion nurtured by his parents and educators—that would propel him to become a celebrated painter and a pivotal voice in British art history. His artistic journey began with formal training at Saint Martin's School of Art and the Slade School of Art, where he absorbed the stylistic innovations championed by Henry Tonks and Wilson Steer, establishing a foundation for his distinctive approach to painting.
      • Early Influences: Roberts’s formative years were marked by exposure to Impressionist ideas circulating in Europe, particularly through his travels in France and Italy. These experiences instilled within him an appreciation for capturing fleeting moments of light and color—a core principle that would underpin his artistic endeavors throughout his career.
      • The Heidelberg School: Roberts joined the Heidelberg School in 1914, alongside fellow artists like Frank Auerbach, Karel Appel, Cedric Vivian, and Roger Fry, establishing a collaborative environment dedicated to exploring expressive abstraction. This group sought to liberate painting from representational constraints, prioritizing emotional intensity and textural richness over precise depiction.
      • Cubist Explorations: Embracing the influence of Cubism—particularly championed by Picasso and Braque—Roberts experimented with geometric forms and multiple perspectives in his paintings during World War I. His work reflected a fascination with intellectual rigor alongside an impulse toward artistic innovation, resulting in canvases that challenged conventional notions of visual perception.

      Major Works & Artistic Style

      Roberts’s oeuvre is characterized by monumental canvases imbued with vibrant hues and textured surfaces—a hallmark of his Heidelberg School style. His most iconic paintings include “Shearing the Rams” (1936), a depiction of rural Australian life rendered in bold brushstrokes and layered pigments, and “National Narratives” (1937), which captures the spirit of the British Isles with evocative color palettes and dynamic compositions. These works exemplify Roberts’s commitment to conveying emotion through visual language—a stylistic decision that distinguishes him from many of his contemporaries. His technique involved applying paint thickly onto canvas, creating palpable impasto textures that heighten the impact of color and form. He deliberately avoided blending colors, preferring instead to juxtapose them in ways that created optical illusions and stimulated the viewer’s imagination.
      • “Shearing the Rams” – This monumental painting exemplifies Roberts's masterful use of color and texture to convey a sense of immediacy and vitality. The depiction of shepherds tending their flocks is rendered with sweeping brushstrokes and luminous hues, capturing the essence of rural Australian life.
      • “National Narratives” – Roberts’s exploration of British landscape and folklore—particularly evident in this painting—demonstrates his ability to distill complex ideas into visually arresting images. The canvas pulsates with color and movement, reflecting Roberts's conviction that art should engage the viewer emotionally and intellectually.

      Legacy & Influence

      William Roberts’s artistic legacy extends far beyond his own lifetime—inspiring subsequent generations of painters and cementing his place as a cornerstone of British Impressionism. His pioneering approach to abstraction—characterized by geometric forms, textural richness, and expressive color palettes—influenced artists across Europe and solidified the Heidelberg School's reputation as a vanguard of modernist art. Roberts’s unwavering dedication to artistic integrity and his profound engagement with the visual world continue to resonate today, ensuring that his work remains a testament to the transformative power of painting. His retrospective at Tate Gallery in 1965 served as a pivotal moment in recognizing his contribution to British art history, establishing him as an artist whose vision transcended stylistic trends and cemented his enduring significance within the canon of modern art.

      Krótka nota

      • Artistic Movement Or Style: Heidelberg School
      • Artists Or Movements Influenced By This Artist: ['Cubism']
      • Artists Who Influenced This Artist: ['Tom Roberts']
      • Date Of Birth: June 5, 1895
      • Date Of Death: January 20, 1980
      • Full Name: William Patrick Roberts
      • Nationality: British
      • Notable Artworks:
        • Shearing the Rams
        • National Narratives
      • Place Of Birth: London, England
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