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      Emo Eve (Two faces)

      zł 1052

      Ręcznie malowana reprodukcja olejowa

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      Corner sample of the WhiteWrap canvas edge finish, stretched on lite drewno bars
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      Corner sample of the P118B picture frame: polistyren formowany, 5 cm wide and 3 cm thick
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      Corner sample of the P118H picture frame: polistyren formowany, 5 cm wide and 3 cm thick
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      Corner sample of the P919BZ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919G picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
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      P959ZH zł10
      Corner sample of the P968JZ picture frame: polistyren formowany, 6 cm wide and 4 cm thick
      P968JZ zł12
      Corner sample of the W106C picture frame: lite drewno, 5 cm wide and 3 cm thick
      W106C zł8
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      W218G zł10
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      W218JH zł8
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      W218Y zł10
      Corner sample of the W307PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
      W307PJ zł10
      Corner sample of the W316G picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316G zł10
      Corner sample of the W316PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316PJ zł8
      Corner sample of the W316Y picture frame: lite drewno, 6 cm wide and 3 cm thick
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      Corner sample of the W398PJ picture frame: lite drewno, 5 cm wide and 3 cm thick
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      Etykieta obiektu

      Szczegóły grawerowanej brązowej tabliczki

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Szczegóły przezroczystej tabliczki akrylowej

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Szczegóły czarnej tabliczki akrylowej

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Suma całkowita zł 1052

      Opcja ze szkłem jest dostępna wyłącznie w rozmiarach poniżej 110 cm

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      • 100-dniowa polityka zwrotów (tylko w przypadku wad)
      • Gwarancja 100% zwrotu pieniędzy
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      Opis obiektu

      Vibrant mixed-media portrait featuring blue hair and scattered papers by Winfred Nana Amoah (2020); discover this contemporary Ghanaian exploration of identity.

      Biografia artysty

      Winfred Nana Amoah is a Ghanaian artist (b. 1996) creating mixed-media art from recycled materials. His work explores identity, community & contemporary Ghana through textiles, plastics & found objects.

      O obrazie

      The Language of the Face: An Encounter with Winfred Nana Amoah's Vision

      To stand before an artwork by Winfred Nana Amoah is to engage in a profound act of co-creation. His series, exemplified here by pieces like Emo Eve (Two faces), does not merely present images; it presents dialogues. The face, as the universal canvas for human expression, becomes the central preoccupation. Amoah invites us into an intimate space where smiles are questioned and stern gazes demand interpretation. He suggests that seeing a face is inherently an act of assumption—we see happiness, we assume joy—and in this very act of assumption lies the fertile ground for artistic inquiry. His work compels the viewer to become an ‘accomplice’ in deciphering the unspoken narratives etched into human features.

      Material Alchemy: Transforming Refuse into Resonance

      What elevates Amoah's practice from mere portraiture to vital commentary is his radical commitment to material transformation. He rejects the pristine confines of traditional art supplies, instead championing a powerful dialogue with waste. From discarded plastics and textiles remnants to old credit cards and newspapers, he gathers objects often relegated to refuse piles in contemporary Ghanaian life. This process is not simply recycling; it is an act of alchemy. By meticulously weaving these found materials into his mixed-media compositions, Amoah imbues the mundane with profound significance. The resulting texture—a collage of history, consumerism, and personal narrative—gives the work a palpable depth that speaks directly to the complexities of modern existence.

      A Portrait in Contemporary Ghanaian Identity

      Rooted deeply in his origins in Hohoe, Ghana, Amoah’s art is inseparable from the pulse of contemporary Ghanaian life. His exploration of identity and community belonging takes on an urgent resonance when viewed through this lens. The faces depicted are not just individuals; they are embodiments of a culture navigating rapid modernization while fiercely holding onto its heritage. When we observe the vibrant depiction—such as the striking image featuring blue hair against a backdrop of scattered papers—we see more than just aesthetic flair. We witness a dialogue between deep-seated tradition and the dazzling, sometimes chaotic, influx of global influences.

      Emotional Echoes for the Modern Collector

      For the collector or designer seeking art that transcends mere decoration, Amoah’s work offers intellectual depth alongside visual splendor. The emotional impact is immediate yet layered; it feels both intensely personal and universally relatable. Reproducing this piece allows one to bring into a space not just a painting, but a conversation starter—a meditation on what we choose to discard and what stories we choose to amplify. It possesses an undeniable energy, making any room feel charged with thoughtful contemplation and vibrant, resilient life.

      Pytania i odpowiedzi

      Z jakiej epoki pochodzi „Emo Eve (Two faces)” – Winfred Nana Amoah?

      "Emo Eve (Two faces)" pochodzi z epoki Contemporary.

      Dla kogo "Emo Eve (Two faces)" jest polecane jako prezent i do jakiego zastosowania?

      „Emo Eve (Two faces)” – Winfred Nana Amoah jest polecane jako prezent dla Birthday, szczególnie na Statement. Reprodukcję dzieła można podarować jako upominek.

      Czy dzieło "Emo Eve (Two faces)" pozostało w ojczyźnie swojego artysty?

      Tak – dzieło znajduje się w kraju pochodzenia artysty. Winfred Nana Amoah urodził(a) się w Ghana, a oryginał dzieła „Emo Eve (Two faces)” znajduje się w muzeum w Ghana.

      Najważniejsze informacje i quiz o sztuce

      Najważniejsze informacje

      • Artistic style: Contemporary Ghanaian art
      • Title: Emo Eve (Two faces)
      • Artist: Winfred Nana Amoah
      • Subject or theme: Personal identities and community belonging

      Quiz o sztuce

      Do każdego pytania dotyczy tylko jedna poprawna odpowiedź.

      Pytanie 1:
      What is the primary medium used by Winfred Nana Amoah in his artwork?
      Pytanie 2:
      The series 'Emo Eve (Two faces)' primarily depicts what subject matter?
      Pytanie 3:
      According to the photo description, what distinctive feature is noted about the woman in the painting?
      Pytanie 4:
      What concept does the artist explore through the faces depicted in his work?
      Pytanie 5:
      What is the geographical origin of the artist, Winfred Nana Amoah?
      O Winfred Nana Amoah
      Winfred Nana Amoah

      Winfred Nana Amoah

      1996 - , Ghana

      Biografia artysty

      Winfred Nana Amoah: Transforming Waste into Vision

      Winfred Nana Amoah’s artistic journey began in Hohoe, Ghana, a region steeped in tradition and increasingly shaped by the complexities of modern life. Born in 1996, he possesses an innate understanding of both heritage and contemporary concerns—a duality that profoundly informs his distinctive approach to artmaking. Rather than relying on conventional mediums like paintbrushes and canvases, Amoah champions a radical reimagining of artistic expression through repurposed materials. He meticulously gathers discarded plastics, textiles remnants, old credit cards, research articles, and newspapers – objects often overlooked as refuse – transforming them into sculptural forms that resonate with layered meanings.
      • Early Influences: Amoah’s formative years were marked by exposure to the vibrant cultural landscape of Ghana, fostering a deep appreciation for storytelling and visual representation within indigenous traditions.
      • Material Exploration: His fascination with recycled materials stems from a desire to confront issues of sustainability and resource consumption while simultaneously honoring the beauty inherent in discarded objects. He sees potential where others perceive waste.
      • Technique & Process: Amoah’s technique is characterized by painstaking assemblage and manipulation, combining sculptural carving with textile weaving and collage methods. This deliberate process underscores his commitment to transforming ordinary items into extraordinary artworks.
      His artistic output centers around exploring themes of identity and belonging—particularly within the context of contemporary Ghana. Pieces like “Emo Eve (Two faces)” and “Dumevi (A native of the town)” exemplify this preoccupation, presenting fragmented figures constructed from plastic and textile fragments that simultaneously convey vulnerability and resilience. These artworks aren’t merely decorative; they are statements about cultural heritage and personal experience interwoven into a broader critique of societal narratives. Amoah's work speaks to the challenges faced by individuals navigating shifting social landscapes while retaining connection to their roots.

      Notable Achievements & Recognition

      Though relatively young, Amoah’s artistic endeavors have garnered considerable attention within Ghana’s burgeoning art scene. Exhibitions showcasing his sculptures and textile installations have been praised for their conceptual depth and skillful execution. Furthermore, collaborations with local organizations promoting environmental awareness demonstrate Amoah's commitment to using his art as a vehicle for social commentary.

      Symbolism & Conceptual Depth

      Amoah’s artistic vision transcends mere aesthetic appeal; it operates on multiple levels of symbolic significance. The selection of recycled materials isn’t arbitrary but deliberate—a conscious act of reclaiming discarded objects and repurposing them to communicate powerful ideas about consumption, memory, and transformation. Each piece embodies a narrative that invites contemplation regarding our relationship with the environment and the stories embedded within everyday life.

      Historical Significance & Future Directions

      Winfred Nana Amoah’s contribution to Ghanaian art is significant in its refusal of established conventions and its embrace of innovative approaches rooted in ecological consciousness. He represents a new generation of artists actively engaging with pressing social issues while simultaneously honoring artistic traditions. As he continues to develop his practice, Amoah promises to further enrich the dialogue surrounding identity, sustainability, and visual storytelling—solidifying his place as a compelling voice within the evolving landscape of contemporary African art.

      Krótkie informacje o Winfred Nana Amoah

      • Full Name: Winfred Nana Amoah
      • Nationality: Ghanaian
      • Date Of Birth: 1996
      • Place Of Birth: Hohoe, Ghana
      • Notable Artworks:
        • Emo Eve (Two faces)
        • Dumevi (A native of the town)
      • Artistic Movement Or Style: Mixed media
      Winfred Nana Amoah Emo Eve (Two faces) () · Wraz z ramą: · Ręcznie malowane farbami olejnymi na płótnie lnianym

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