Late Medieval, master by master
Among the Late Medieval artists, Simone Martini (1284–1344) holds the first place, celebrated for Zwiastowanie i dwaj święci and Anuncjacja z Świętą Marią Egipską i Świętym Ansanusem. Andriej Rublow, Ambrogio Lorenzetti, Pietro Lorenzetti and Hubert Van Eyck follow. The catalogue spans 99 masters, from Yuan Dynasty (born 1271) to Hubert Van Eyck (born 1366), across 22 countries.
About this catalogue. This catalogue gathers the artists whose works our collection records as Late Medieval, ordered by our fame ranking. Artists born after 1955 with no Wikidata record await verification. Beside each name, the number of our 32 languages in which Wikipedia devotes an article to the artist.
The collection in brief
Master by master
1of 99
Włoch Born in Siena Gotyk międzynarodowy Wikipedia, 28 of 32 languages
Saint Louis of Toulouse Crowning His Brother Robert of Anjou, 1317. W 1342 roku ukończył Odnalezienie Chrystusa w Świątyni – płótno, które możemy podziwiać w Walker Art Gallery w Liverpoolu. Św. Saint Louis of Toulouse Crowning His Brother Robert of Anjou, 1317.
Master of Lippo Memmi #10
2of 99
Rosyjska Born in Wielkie Księstwo Moskiewskie Rosyjska malarska ikona Wikipedia, 31 of 32 languages
W 1405 roku połączył siły z Teofanesem i Prokhoriem z Gorodźca, aby udekorować Sobór Zwiastowania, co stanowiło przełomowy moment w rosyjskim malarstwie ikon. Ikona Trójcy Świętej: Bez wątpienia najsławniejsze dzieło Rubliowa, ikona „Trójcy” (ok. 1420-1428), jest świadectwem jego artystycznego geniuszu.
3of 99
Born in Siena Wikipedia, 29 of 32 languages
Ambrogio Lorencetti, urodzony około 1290 roku w sercu Sieny we Włoszech, wyłonił się jako kluczowa postać w przejściu od średniowiecznych tradycji artystycznych do rozwijającego się renesansu. Choć przez pewne okresy przyćmiony przez takich współczesnych jak Duccio i Simone Martini, a często omawiany obok swojego brata, malarza Pietro Lorencettiego, Ambrogio wytyczył sobie własną ścieżkę – naznaczoną innowacyjnym duchem i głębokim zaangażowaniem w otaczający go świat.
4of 99
Włoska Born in Siena Wczesny renesans Wikipedia, 27 of 32 languages
Pietro Lorenzetti (ok. 1280–1348) jawi się jako postać kluczowa dla sztuki sienieńskiej, wyznaczająca moment głębokiego przejścia od gotyckiego formalizmu ku rodzącym się ideałom humanizmu wczesnego renesansu. Urodzony w tętniącym życiem krajobrazie kulturowym Sieny około 1280 roku, Lorenzetti rozpoczął swoją artystyczną podróż w epoce znaczących przemian intelektualnych i artystycznych w Toskanii.
5of 99
Holenderski Born in Maaseik Wczesnoniemiecki Wikipedia, 20 of 32 languages
W samym sercu tej transformacji stał Hubert van Eyck, postać, której samo nazwisko wyryte jest w fundamentach sztuki Renesansu Północnego. Urodzony w Maasik około 1385 lub 1390 roku, był częścią potężnej dynastii artystycznej; jego więzi rodzinne, obejmujące słynnego brata Jana oraz rodzeństwo Lambert i Margareta, stworzyły tygiel kreatywności, który na zawsze odmienił trajektorię malarstwa europejskiego.
6of 99
Włoska Born in Florencja Wczesny renesans Wikipedia, 23 of 32 languages
W tętniącej życiem, rozkwitającej atmosferze czternastowiecznej Florencji – epoki zdefiniowanej przez przejście od średniowiecza do wczesnego renesansu – Taddeo Gaddi wyłonił się jako mistrz światła, narracji i architektonicznego przepychu. Jako jeden z najwybitniejszych uczniów legendarnego Giotta di Bondone, Gaddi nie tylko odziedziczał styl; on rozszerzył wizualny język swojej epoki.
Master of Agnolo Gaddi #7, Jacopo Del Casentino (Jacopo Landino) #51
7of 99
Włoski Born in Florencja Gothic, Early Renaissance Wikipedia, 20 of 32 languages
The monumental figures, the palpable emotional resonance, and the narrative clarity characteristic of Giotto’s frescoes are unmistakably present in Agnolo’s initial paintings—a testament to his unwavering devotion to Giotto's groundbreaking innovations. This wasn’t to suggest a rejection of naturalism; rather, Gaddi skillfully layered it with stylistic refinements that anticipated the humanist ideals championed by artists like Brunelleschi and Donatello.
Pupil of Taddeo Gaddi #6
8of 99
Grecki Born in Konstantynopol Ikonografia bizantyjska Wikipedia, 22 of 32 languages
Urodzony w Konstantynopolu około 1340 roku, choć często kojarzony z Grecją ze względu na swoją późniejszą działalność, Teofanc był kluczową postacią łączącą ostatni rozkwit sztuki bizantyjskiej z rodzącymiymi się tradycjami Rusi. Około 1395 roku przybył do Nowogrodu, potężnego państwa-miasta na Rusi, wraz z Andriejem Rublowem,อีก jedną ikoniczną postacią sztuki prawosławnej.
9of 99
Włoska Born in Wenecja Wpływy bizantyjskie i sztuka gotycka Wikipedia, 15 of 32 languages
Paolo Veneziano (ok. 1333–1358) jawi się jako monumentalna postać w historii sztuki weneckiej, powszelegnie uznawany za najważniejszego malarza weneckiego XIV wieku. Urodzony w samym sercu Wenecji, w artystycznej linii krwi – jego ojciec był znamienitym twórcą – Veneziano przypadł na czasy przełomowe dla europejskiego malarstwa.
10of 99
Włoski Born in Siena Gotyk Międzynarodowy Wikipedia, 17 of 32 languages
Lippo Memmi, urodzony około 1291 roku w samym sercu Sieny, Włochy, jawi się jako kluczowa postać w przejściu od zakorzenionych w tradycji bizantyjskiej średniowiecznych malarstwa do rozkwitającej elegancji stylu gotyku międzynarodowego. Choć często omawiany w kontekście jego wybitnego szwagra i mentora, Simone Martiniego, współczesna nauka coraz bardziej dostrzega odrębny głos artystyczny Memmiego oraz znaczący wkład w sztukę Sieny XIV wieku.
Pupil of Simone Martini #1
11of 99
Włoska Born in Zevio Sztuka gotycka Wikipedia, 20 of 32 languages
Altichiero Da Zevio, urodzony około 1330 roku w pobliżu cichego miasteczka Zevio w Weronie, nie był jedynie kronikarzem świętych wydarzeń, lecz pionierem weneckiego stylu gotyckiego. Ta więź, prawdopodobnie nawiązana poprzez wnikliwą studię uczniów Giotta, takich jak Taddeo Gaddi, pozwoliła Altichiero Da Zevio tchnąć w swoje dzieła głębokie poczucie objętości, ciężaru i narracyjnej jasności, która była rewolucyjna dla jego czasów.
12of 99
Włoska Born in Arezzo Łącznik między szkołą Giotta a szkołą syenieńską Wikipedia, 16 of 32 languages
W barwnym gobelinie czternastowiecznej Toskanii niewiele nici jest tak misternie splecionych, jak te pozostawione przez Spinello Aretino. Urodzony w rodzinie florenckich złotników, nosił prawdziwe imię Spinello Di Luca Spinelli, lecz historia zapamiętała go pod przydomkiem „Aretino”, co podkreślało jego silną więź z Arezzo. W młodości pracował w tętniących życiem warsztatach Florencji, przyczyniając się do powstania monumentalnych dzieł, takich jak freski w kościołach Carmine i Santa Maria Novella.
Pupil of Jacopo Del Casentino (Jacopo Landino) #51 · Master of Lorenzo di Bicci #32
13of 99
Włoska Born in Florencja Wczesny renesans Wikipedia, 17 of 32 languages
Bernardo Daddi, urodzony we Florencji około 1290 roku i zmarły w 1348 roku, jawi się jako postać kluczowa dla okresu przejścia od późnego gotyku do rodzącego się włoskiego renesansu. Poza tymi ikonicznymi dziełami, wpływ Daddiego można dostrzec w licznych pracach rozproszonych w takich instytucjach jak National Gallery of Art czy Walters Art Museum.
14of 99
Włoch Born in Pontecorvo Gotyk
Andrea Pisano (ok. 1290 – 1348 Orvieto) jawi się jako monumentalna postać włoskiej rzeźby renesansowej, choć jego artystyczne dziedzictwo jest nierozerwalnie związane z poprzedzającą go epoką gotyku i zostało głęboko ukształtowane przez rewolucyjny wpływ Giotta di Bondone. Urodzony w Pontecorvo, w regionie Lazio, wczesne lata Pisana pozostają spowite tajemnicą, choć początkowo szlifował swój kunszt jako złotnik, zanim około 1300 roku całkowicie poświęcił się rzeźbiarstwu pod okiem Mino di Giovanni.
Principal works · The hundred celebrated works
15of 99
Italian Born in Florence Early Renaissance
Niccolò di Tommaso's art is characterized by a compelling synthesis of influences. The Madonna del Parto within the church of San Lorenzo, Florence, further exemplifies his sensitivity to maternal tenderness and spiritual devotion.
16of 99
Chińska Born in Wuxi Czterej Mistrzowie Dynastii Yuan Wikipedia, 15 of 32 languages
Ni Zan, znamienity chiński malarz, przyszedł na świat w 1301 roku w zamożnej rodzinie w Wuxi. Choć urodził się już po śmierci Kublaj-chana, rodzina Ni Zana mogła zapewnić mu rygorystyczne wykształcenie konfucjańskie, które ukształtowało jego intelekt i wrażliwość. Wypracowany po 1345 roku, unikalny styl Ni Zana był świadomą formą autoekspresji, nasyconą głęboką introspekcją.
17of 99
Italian Born in Florence Gothic-Late Gothic
This ambitious project represents arguably the pinnacle of Late Gothic art in Italy, showcasing Orcagna’s mastery of sculptural technique alongside his exceptional painting prowess.
18of 99
Italian Born in Florence Gothic-Late Gothic Wikipedia, 20 of 32 languages
However, Orcagna’s artistic trajectory quickly diverged from his master's, developing a distinctly Florentine style characterized by dramatic figures, vibrant colors, and an innovative approach to composition. He was formally admitted into the painter’s guild in 1343-44 and later joined the stonemasons’ guild in 1352, demonstrating his versatility and ambition across multiple artistic disciplines. His work served as an inspiration to many of Florence’s leading painters, including Jacopo di Cione, his brother, who continued Orcagna's artistic legacy after his death in 1368.
Pupil of Andrea Pisano #14
19of 99
Born in Lombardia
Urodzony jako Giovanni di Jacopo di Guido da Caversaccio w Lombardii około 1346 roku, jego artystyczna podróż rozwinęła się głównie we wspaniałej kulturalnej scenerii Florencji, w czasach ogromnych zmian i innowacji.
20of 99
Italian Born in Siena Gothic Art Wikipedia, 14 of 32 languages
The historical significance of Barna da Siena extends far beyond the walls of a single Tuscan town.
21of 99
Chinese Born in Huzhou Yuan Dynasty Landscape Painting Wikipedia, 14 of 32 languages
Unlike the more restrained approaches of his contemporaries, Wang Meng’s paintings are characterized by an extraordinary density and dynamism. His brushstrokes—often described as “ropy” or “layered”—were meticulously applied in thick, overlapping patterns, creating a palpable sense of texture and movement. Wang Meng’s style was profoundly influenced by the landscape painters who preceded him – Wang Wei, Dong Yuan, and Juran – but he developed his own distinctive voice through his innovative use of brushwork and composition.
22of 99
Spanish Born in Palma de Mallorca Nautical cartography
Arabic Influence: The cartographic traditions of the Islamic world likely influenced Cresques' work, particularly in terms of astronomical knowledge and map projections.
23of 99
French Medieval Art, Religious Paintings
He was born around 1330 in Paris, likely as the son of an architect, a profession that may have instilled within him an appreciation for structure and design. The recurring motif of dragons – often interpreted as representing Satan or evil forces – dominates several tapestries, symbolizing the struggle between good and evil.
24of 99
Włoska Born in Wenecja Sztuka bizantyjska Wikipedia, 11 of 32 languages
Rok 1336 rezonuje w artystycznym krajobrazie Włoch, nierozerwalnie związany z postacią spowitą intrygującą tajemnicą – Mistrzem z roku 1336. Bardziej precyzyjnie znany jako Giovanni Lipini, artysta ten, którego imię wywodzi się od cudownego fresku przedstawiającego Matkę Bożą w Santa Maria delle Grazie w Pistoii, oferuje kuszący wgląd w jego pochodzenie i trwały wpływ na sztukę.
25of 99
Italian Trecento
Segna's artistic journey is believed to have begun under the tutelage of his uncle, Duccio di Buoninsegna, a towering figure in Sienese painting. It’s believed that Segna spent time in Florence during this period, absorbing influences from the burgeoning Florentine school, which was beginning to experiment with linear perspective and naturalistic representation.
26of 99
Italian Born in Colle di Val d'Elsa Late Gothic Wikipedia, 18 of 32 languages
While many painters of his era are remembered only by the fragments of their altarpieces, Cennino Cennini achieved immortality through the written word.
Pupil of Agnolo Gaddi #7
Principal works · The hundred celebrated works
27of 99
Włoska Born in Siena Malarstwo sieneńskie Wikipedia, 13 of 32 languages
Urodzony około 1280 roku w rodzinie malarzy – jego ojcem był Guido, a rodzeństwem Muccio i Ugolino – wyłonił się jako niezależny mistrz, pozostawiając po sobie dziedzictwo poruszających dzieł, które stały się pomostem między sztywną formalnością tradycji italo-bizantyjskiej a rodzącym się duchem naturalizmu w malarstwie syeneńskim.
28of 99
Italian Born in Siena Early Renaissance Wikipedia, 13 of 32 languages
His mastery of the fresco technique allowed him to command vast architectural spaces, most notably in his breathtaking works within the Cappella Nuova in San Francesco di Assisi. His compositions often feature: Luminous Pigments: A palette rich in ultramarine, vermilion, and gold leaf that reflects the divine splendor of his subjects. As the Renaissance began to shift its center of gravity toward Florence, Taddeo ensured that Siena maintained its distinct, sophisticated voice—one characterized by grace, decorative splendor, and a deep, spiritual lyricism.
29of 99
Italian Born in Florence Early Quattrocento
Despite the paucity of surviving paintings attributed to Lippo di Benivieni, his influence is palpable in several significant frescoes adorning churches throughout Siena and San Gimignano. Santa Maria di Campagna Frescoes: These frescoes showcase Lippo's dedication to capturing religious narratives with profound emotional depth and visual splendor. Furthermore, his work serves as an exemplar of early Quattrocento painting—a transitional phase between Gothic formalism and Renaissance naturalism —demonstrating Lippo’s willingness to embrace new stylistic approaches while retaining core aesthetic principles.
Principal works · The hundred celebrated works
30of 99
Chinese Landscape painting
However, while Wang Meng often imbued his landscapes with a sense of dramatic power and spiritual intensity, Zhao Yuan’s work tends towards a more refined elegance and lyrical quality. His most significant debt is undoubtedly to Wang Meng (1308-1383), one of the last great masters of the Yuan dynasty.
31of 99
Italian Born in Siena Sienese School Wikipedia, 12 of 32 languages
Working alongside luminaries such as Luca di Tommè, he contributed to significant communal works, including an altarpiece for the shoemaker's guild in the cathedral of Siena, marking his first documented presence in the annals of art history.
32of 99
Italian Florentine School
This preference for light is not merely aesthetic; it reflects a deeper philosophical shift – a move towards celebrating the beauty and dignity of human life. He skillfully employed perspective, though not with the mathematically precise rigor of later Renaissance artists, creating a sense of depth and spatial awareness through subtle variations in scale and detail. He is considered a crucial link between the late Gothic style of his predecessors and the groundbreaking innovations of artists like Masaccio and Botticelli.
33of 99
Belgian Born in Ypres Early Netherlandish Painting Wikipedia, 15 of 32 languages
By integrating the sculptural solidity learned from masters like Claus Sluter with the fluid grace of the International Gothic style, Broederlam helped forge a new visual vocabulary. The court at Dijon was a crucible of talent, attracting the finest goldsmiths, sculptors, and painters of Europe, and within this vibrant atmosphere, Broederlam refined a style that was both regal and deeply spiritual.
34of 99
Włoski Born in Florencja Florencka Szkoła Wikipedia, 8 of 32 languages
Lorenzo di Bicci, urodzony około 1373 roku we Florencji, jest postacią kluczową w rozwijającej się florenckiej szkole malarstwa w drugiej połowie XIV i na początku XV wieku. Wczesne Życie i Szkolenie: Formatywne lata Lorenza spędził w warsztacie swojego ojca, Jacopo di Bicci—rzemieślnika, którego własne dzieła artystyczne zapowiadały wyrazisty styl Lorenza.
35of 99
Italian Born in Florence Venetian Renaissance Wikipedia, 12 of 32 languages
Historical Continuity: Serving as a crucial link between the late Gothic tradition and the dawn of the High Renaissance.
36of 99
French Early Gothic painting
Jean Pucelle remains one of the most captivating enigmas in the annals of medieval art, a figure whose name is whispered with reverence by those who study the delicate transition from the rigid structures of the Middle Ages to the burgeoning humanism of the Renaissance.
37of 99
Włoska Born in Florencja Malarstwo toskańskie Wikipedia, 12 of 32 languages
Połowa czternastego wieku we Florencji była czasem niezwykłego rozkwitu talentów artystycznych, a wśród jego najznamienitszych postaci wyróżniał się Andrea Orcagna – malarz, rzeźbiarz, architekt i administrator, którego wieloaspektowa kariera odcisnęła niezatarte piętno na wizualnym krajobrazie miasta.
38of 99
Italian Born in Piove di Sacco Early Renaissance; Venetian painting; Gothic art Wikipedia, 12 of 32 languages
Guariento di Arpo (c. 1310–1370) stands as a monumental figure of the Trecento, acting as the essential bridge between the grounded, volumetric realism of Florence and the ethereal, ornamental splendor of the Venetian Gothic tradition.
39of 99
Italian Born in Pratovecchio Gothic & Early Renaissance Wikipedia, 10 of 32 languages
The true significance of Giovanni del Biondo lies in his ability to maintain a distinctive, recognizable style amidst a sea of changing influences.
40of 99
Holender Born in Haarlem Realizm Północny
Claus Sluter (ok. 1350–1406) jawi się jako jeden z najbardziej wpływowych rzeźbiarzy swojej epoki, stanowiąc kluczowy punkt zwrotny między gotyckimi a renesansowymi tradycjami artystycznymi w Europie Północnej. Wpis jego nazwiska do rejestru cechu kamieniarzy w Brukseli około roku 1379/1380 potwierdza jego aktywność zawodową i podkreśla znaczenie kunsztu rzemieśliczego w średniowiecznej kulturze artystycznej.
41of 99
Japanese Born in Kyoto Rinzai Zen, Gozan Bungaku
Kokan Shiren (虎関師錬; 9 May 1278 – 11 August 1347), a pivotal figure in 14th-century Japan, stands as a unique confluence of artistic expression, philosophical depth, and historical scholarship.
42of 99
Italian Born in Florence Gothic Wikipedia, 7 of 32 languages
Jacopo's dedication extended beyond commissions; he actively participated in shaping Florence’s cultural landscape through his involvement with the cathedral workshop and his role as consul of the Arte dei Medici e Speziali (1384, 1387, 1392). His commitment to procuring marble for the cathedral underscored his understanding of artistic grandeur and civic responsibility. The dispersed predella depicting scenes from Saint Peter’s life – a collaborative effort with Niccolò di Pietro Gerini – remains a poignant reminder of Jacopo's artistic legacy and the enduring power of Florentine Gothic art.
43of 99
Italian Born in Siena Sienese School Wikipedia, 13 of 32 languages
W samym sercu czternastowiecznej Toskanii, w epoce zdefiniowanej przez przejście od eterycznej łagodności gotyku do rodzącego się humanizmu renesansu, Bartolo di Fredi wyłonił się jako mistrz światła i narracji. Urodzony w Sienie około 1330 roku, był kimś więcej niż tylko malarzem; był pomostem między dwoma światami.
44of 99
German Born in Dortmund International Gothic soft style Wikipedia, 13 of 32 languages
In the twilight of the fourteenth century, a transformative artistic energy began to pulse through the prosperous Hanseatic city of Dortmund, finding its most profound expression in the hands of Conrad von Soest. Completed around 1420, this monumental triptych stands as a pinnacle of the International Gothic style.
45of 99
Egyptian Born in Amarna Amarna art style
He primarily worked with fine-grained limestone, a material readily available in the quarries surrounding Amarna. The use of sgraffito, a technique involving scratching designs into the surface of the stone with pointed tools, allowed for intricate detailing and patterns – a hallmark of Amarna art. The Amarna period, largely due to the work of artists like Tuthmosis, marked a significant departure from traditional artistic conventions, paving the way for subsequent developments in sculpture and portraiture.
46of 99
Italian Born in Valmorea Italian Gothic Wikipedia, 13 of 32 languages
In the bustling streets of Florence, where the air was thick with the scent of fresh pigment and the echoes of a changing era, a painter named Giovanni di Jacopo di Guido da Caversaccio began to make his mark. Hailing from Lombardy, he arrived in Tuscany as a man seeking his fortune, appearing in the city's records as Johannes Jacobi de Commo.
47of 99
German Born in Minden International Gothic Wikipedia, 13 of 32 languages
While sharing similarities with other artists of the period, such as Master Francke (another prominent Hamburg painter), Bertram's work possesses a distinct character—a subtle restraint in emotional expression compared to Francke’s more overtly dramatic approach. It is believed that Bertram was influenced by both French and Netherlandish artistic trends prevalent during his time.
48of 99
Italian Born in Siena Gothic architecture/sculpture
Agostino di Siena, born around 1285 in the heart of Tuscany, emerged as a pivotal figure in the transition from late Gothic to early Renaissance sculpture. Giorgio Vasari, the celebrated Renaissance art historian, initially placed Agostino within the orbit of Giovanni Pisano’s workshop, suggesting a formative apprenticeship under this master sculptor. His exact date of death remains unknown, though records indicate he was no longer living as of June 27, 1347—a period marked by the devastating impact of the Black Death.
49of 99
Born in Kyoto
He employed elaborate rituals, symbolic imagery, and monumental architecture – like Kitayama-dono – to portray himself as a universal monarch or dharma king, mirroring rulers in Southeast Asia. His posthumous name was Rokuon'in (鹿苑院), further cementing his place in Japanese history.
Principal works · The hundred celebrated works
50of 99
Netherlandish Born in Valenciennes Pucellian revival
His technical achievements are best observed in the following areas: Illuminated Manuscripts: In works such as the Psalter of Jean de Berry and his depictions of figures like King David, Beauneveu demonstrated an extraordinary ability to use light and shadow to create a sense of three-dimensional volume on parchment. While contemporary chroniclers like Jean Froissart hinted at potential travels to England—suggesting a possible collaboration with artists like Jean de Liege—Beauneveu's primary impact remained rooted in the French and Low Countries territories.
Principal works · The hundred celebrated works
51of 99
Italian Born in Florence Renaissance
To study the works of Jacopo del Casentino is to witness the evolution of the human spirit through paint. Technical Innovation: Early mastery of light, shadow, and the illusion of volume. Often known to history through the mistaken identity of Jacopo Landino —a nomenclature born from the historical errors of Giorgio Vasari—this Florentine master navigated the delicate transition between the late Gothic tradition and the burgeoning sensibilities of the early Renaissance.
52of 99
Japońska Born in Prefektura Aichi Buddyzm Zen Wikipedia, 12 of 32 languages
Musō Soseki, wybitna postać w świecie japońskiej sztuki i duchowości, przyszedł na świat w 1275 roku i odszedł 20 października 1351 roku. Aby dostrzec styl, który zainspirował, warto przyjrzeć się takim dziełom jak „krajobraz w stylu Zhan Jingfenga” autorstwa Li Yanshana, który, choć nie przypisuje się bezpośrednio Musō Soseki, odzwierciedla trwałe dziedzictwo jego podejścia artystycznego.
53of 99
Italian Born in Pisa Gothic Art Wikipedia, 11 of 32 languages
This meticulous attention to detail aligns closely with Orcagna’s sculptural approach, emphasizing naturalism as a vehicle for conveying spiritual truth. The Dance of Death Motif: The Triumph of Death fresco, arguably Traini's magnum opus, embodies the pervasive preoccupation with mortality during the Black Death era. Orcagna's Legacy: Andrea Orcagna’s influence is undeniable in Traini’s compositional strategies and expressive dynamism.
54of 99
Italian Born in Bologna International Gothic Wikipedia, 12 of 32 languages
The historical importance of Vitale da Bologna lies in his role as a pivotal figure in the evolution of the Bolognese school. His legacy is found in: The Synthesis of Styles: The seamless integration of Riminese color palettes with Giottesque structural depth. His St George’s Battle with the Dragon stands as a breathtaking example of Gothic dynamism, where the struggle between faith and evil is rendered through striking geometric forms and a sense of kinetic energy.
55of 99
Kurdish Born in Erbil Company Style
This era saw the emergence of what is now known as the “Company style” of painting—a hybrid aesthetic favored by British officials and collectors who sought realistic depictions of Indian life, flora, and fauna. His most significant association was with Mary Impey, wife of Sir Elijah Impey, Chief Justice of Calcutta Supreme Court. The Ashmolean Museum in Oxford holds several examples of his work, including exquisite depictions of mountain-rats, hanging bats, parrots, and storks—each painting a miniature world unto itself.
Principal works · The hundred celebrated works
56of 99
Spanish Gothic-Italian
Pere Serra, also known as Jaume Serra, stands as a compelling figure in the transition from the International Gothic style to the burgeoning Renaissance aesthetic within Catalonia. Born around 1357 and passing away in 1406, his life coincided with a period of significant artistic and cultural change across Europe, yet he maintained a distinctly Catalan sensibility throughout his career. The city was a vibrant hub for trade and artistic exchange, exposed to influences from Italy, France, and Flanders.
57of 99
Meksykańska Born in Tenochtitlan Sztuka Mezoamerykańska
Narodziły się na początku XIV wieku w Tenochtitlán, sercu Imperium Azteków, tradycje artystyczne Azteków były głęboko zakorzenione w dziedzictwie wcześniejszych cywilizacji Mezoameryki. Olmekowie, ze swoimi kolosalnymi głowami i wyrafinowanymi systemami kalendarzowymi, Teotihuacanos, słynący z potężnych piramid i planowania urbanistycznego, oraz Toltekowie, mistrzowie obróbki metali i rzeźby – wszyscy oni przyczynili się do bogatego gobelinu artystycznego, który odziedziczyli Aztekowie.
58of 99
Chinese Born in Taizhou Yuan dynasty calligraphy
Some of his most notable achievements include: Teaching on Enlightenment: A masterpiece written in running script that is currently held within the prestigious collection of the Tokyo National Museum in Japan, recognized as a National Treasure.
59of 99
Italian Byzantine-influenced art; Gothic art
In the shimmering, maritime heart of the fourteenth century, a transformative era was unfolding within the lagoons of Venice, and at its center stood Paolo Veneziano. His formative years were steeped in the luminous, spiritual grandeur of Byzantine art, a tradition brought to the Venetian lagoons through trade and deep ecclesiastical ties to Constantinople. Mark’s Basilica, where he decorated the sanctuary with breathtaking compositions depicting Saint Mark Evangelist and the Virgin Mary.
60of 99
Italian Born in Perugia Renaissance
Serving as a supervising architect and decorator, Matteo played an instrumental role in shaping this monumental edifice, which stands as a testament to Florentine civic pride and the intellectual aspirations of the merchant class.
Principal works · The hundred celebrated works
61of 99
Born in Nanjing
Through his relocation of the capital, his naval voyages, and his massive infrastructure projects like the reconstruction of the Grand Canal, Zhu Di ensured that the House of Zhu would be etched into the very foundation of Chinese history.
62of 99
Catalan Born in Avinyonet del Penedès Gothic painting
Bassa’s initial steps as an artist were taken within the religious sphere, working on chapels in Sitges during the early years of the 14th century – commissions that likely served to hone his skills and establish a local reputation. His ability to synthesize diverse stylistic elements—French elegance, Sienese refinement, and Giottesque drama—resulted in a visual language that was both innovative and deeply rooted in its cultural context.
63of 99
Italian Born in Modena Late Gothic Wikipedia, 15 of 32 languages
Tommaso Barisini, commonly known as Tommaso da Modena and sometimes referred to as Tomaso Baffini (c. 1325 – 1379), stands as one of the most prominent figures in Northern Italian painting during the mid-14th century—a period marked by burgeoning artistic innovation and profound spiritual reflection. His unwavering commitment to naturalistic representation—coupled with his masterful command of perspective—established a precedent for Renaissance artists seeking to emulate the grandeur and clarity of classical art forms.
64of 99
Italian Born in Bologna Renaissance, Proto-Renaissance
D'Avanzi’s style occupies a fascinating position within the transition from Gothic art to the early Renaissance. While retaining elements of traditional Byzantine iconography – particularly in the use of gold leaf and hierarchical scaling – his work demonstrates an increasing interest in naturalism and emotional expression.
65of 99
Włoski Born in San Quirico d'Orcia Naturalizm, Proto-renesans Wikipedia, 10 of 32 languages
Pietro Lorenzetti, urodzony około 1280 roku i tragicznie zmarły w 1348 roku podczas wyniszczającej pandemii Czarnej Śmierci, pozostaje postacią kluczową w ewolucji malarstwa włoskiego. Jego życie, choć tragicznie krótkie, było świadkiem dramatycznej zmiany wrażliwości artystycznej w Sienie, napędzanej w dużej mierze współpracą z młodszym bratem, Ambrogio Lorenzetti, oraz ich zaangażowaniem w innowacyjne techniki Giotta i Giovanni Pisano.
66of 99
Italian Born in Florence Early Italian painter Wikipedia, 14 of 32 languages
His output includes a variety of formats, from devotional panels to architectural elements: Frescoes: The narrative cycles in the San Silvestro chapel, Santa Croce, Florence. Sculpture and Architecture: A marble statue located on the Florentine campanile and various works attributed to his hand in the Florentine school.
67of 99
Yuan dynasty Born in Jiashan County Wikipedia, 12 of 32 languages
The brush of Wu Zhen moved with a particular intent, seeking to capture the essence of the natural world through landscape paintings and the delicate forms of bamboo. He did not merely observe the mountains or the flora; he sought to inhabit them. His work Qing Jiang Chun Xiao remains a definitive example of how he achieved the integration of the Three Perfections, weaving together the intellectual weight of poetry and the fluid grace of calligraphy with the visual depth of his painting.
68of 99
Florentine Born in Florence Later Gothic Wikipedia, 10 of 32 languages
As his career progresses, the influence of the Lorenzetti brothers, Pietro and Ambrogio, becomes visible. The tension between these traditions defines his artistic output: The foundational weight of Giotto’s legacy.
Pupil of Taddeo Gaddi #6 · Master of Spinello Aretino #12
69of 99
Italian Born in Florence Early Renaissance Wikipedia, 12 of 32 languages
Menabuoi’s distinctive style transcends simple categorization, reflecting a complex interplay between Byzantine iconography and Florentine Proto-Renaissance aesthetics. Unlike many of his contemporaries who embraced the burgeoning realism championed by artists like Altichiero and Jacopo d'Avanzi, Menabuoi prioritized conveying spiritual emotion over meticulous anatomical accuracy—a hallmark of Giotto’s artistic vision.
70of 99
French Born in Hesdin International Gothic Wikipedia, 13 of 32 languages
Très Belles Heures du Duc de Berry (Brussels Hours): Considered his most significant work, showcasing elaborate scenes and detailed miniatures. Grandes Heures: Another important illuminated manuscript commissioned by the Duke of Berry. He synthesized these influences into a unique International Gothic style that was highly sought after by European nobility.
71of 99
Italian Born in Viterbo Early Italian Renaissance
In the heart of fourteenth-century Italy, amidst the spiritual awakening of the early Renaissance, the name Matteo Giovanetti emerged as a beacon of devotional mastery. His life’s work serves as a vital bridge between the rigid, symbolic traditions of the Gothic period and the burgeoning naturalism that would soon define the Italian Renaissance.
72of 99
Japanese Born in Ямаширо Zen buddhism art
He favored ink wash techniques (sumi-e), utilizing varying shades of black to create textured surfaces that mirrored the natural world—particularly landscapes reminiscent of Mount Yoshino, a sacred site venerated by Zen monks. This deliberate simplicity was not merely aesthetic; it represented a conscious effort to transcend discursive thought and access a deeper level of awareness—a cornerstone of Zen practice. Although he remains largely unrecognized by mainstream art historians, Reisai Gukyoku’s work stands as a poignant reminder of the transformative potential of artistic practice when guided by spiritual aspiration.
73of 99
Chinese Zen Buddhism
In the quiet, meditative corridors of history, few figures loom as large or as transformative as Seisetsu Shōchō (1274–1339).
74of 99
Italian Born in Siena Sienese school
He possessed a rare, intuitive grasp of how to marry the ancient, ethereal majesty of Byzantine iconography with the burgeoning humanism and spatial curiosity emerging from Florence. This stylistic evolution is perhaps most evident in his ability to balance: The Byzantine influence, which provided the sacred, unmoving grandeur of the divine. Whether through the intimate grace of his Madonna and Child compositions or the solemnity of his depictions of saints, Bulgarini’s work captures the spiritual heartbeat of an era.
75of 99
Japanese Born in Hara Zen painting
Tettō skillfully employed sumi ink – the traditional Japanese black pigment – but he wasn’t constrained by its limitations. His compositions frequently featured sweeping vistas and dynamic brushstrokes, reflecting both the natural world and the internal landscapes of Zen meditation. Gikō Tettō’s influence on Japanese art extends far beyond his own lifetime.
76of 99
Italian Born in Modena Byzantine-influenced Lombard Painting Wikipedia, 12 of 32 languages
Born around 1328 in Modena (Emilia), he emerged from obscurity to become arguably the first Lombard painter of considerable renown, leaving behind an impressive oeuvre that testifies to his unwavering devotion to this venerable artistic heritage.
77of 99
German-Bohemian Born in Schwaebisch Guemund Late Gothic
In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe.
78of 99
Włoska Born in Barcelona Wczesny renesans
Bonanat Descoll I De Santcliment był katalońskim admirałem Korony Aragonii w XIV wieku. Urodził się w Barcelonie w Hiszpanii w 1310 roku, a zmarł w 1390 roku. Bonanat Descoll I De Santcliment był nie tylko biegłym dowódcą wojskowym, ale także wybitnym artystą.
79of 99
Chinese Born in Beijing Landscape Art
The Yuan Dynasty (1271–1368), established by Kublai Khan, represents a singular moment in Chinese history – the first time a foreign power successfully ruled over all of China. He actively supported artists like Wang Meng and Zhao Yuan, commissioning monumental landscapes and intricate calligraphy scrolls that celebrated imperial grandeur and Confucian ideals. The Four Masters: The Yuan Dynasty is particularly renowned for its “Four Masters” – Huang Xuan, Zhao Menggui, Wang Meng, and Ni Zan —who redefined the conventions of landscape painting and established a new aesthetic centered on simplicity, spontaneity, and profound contemplation.
80of 99
Italian Born in Verona Trecento art
The attribution of certain works to Giovanni di Rigino remains a subject of scholarly debate.
Principal works · The hundred celebrated works
81of 99
Italian Born in Siena Gothic Art
His most recognizable works center on themes of the Annunciation, the Madonna and Child, and scenes from the life of Christ. The composition typically depicts the Angel Gabriel kneeling before Mary, delivering the news of Christ’s birth. Yet, unlike Simone’s increasingly internationalized aesthetic, Domenico remained firmly rooted in the Sienese tradition.
82of 99
Italian Gothic Art Italy
The city boasted a vibrant sculptural tradition, influenced by both French Gothic precedents and the burgeoning Italian style. Siena’s artistic climate was characterized by a distinctive emphasis on grace, refined detail, and narrative clarity – qualities that would become hallmarks of Agnolo’s own work. Agnolo’s style reflects a synthesis of various influences, blending French Gothic elegance with the growing Italian emphasis on naturalism and emotional expression.
83of 99
Italian Born in Milan Gothic
However, he also absorbed influences from Northern European sculpture traditions, particularly those emanating from France and Germany, demonstrating a cosmopolitan outlook that characterized the artistic landscape of his era.
84of 99
Italian Born in Arezzo Humanist poetry
Petracco’s work reflects a unique blend of contemporary realism, influenced by the late Gothic tradition, alongside an emerging interest in perspective and atmospheric effects – hallmarks of the evolving Renaissance aesthetic. His father, Ser Parenzo, held positions of considerable authority, including serving as Chancellor of the Commission for Reforms, demonstrating a family legacy rooted in public service and intellectual pursuits. He was deeply influenced by the rediscovery of classical texts – particularly those of Cicero – which fueled the humanist movement’s emphasis on human potential, reason, and civic virtue.
85of 99
Born in Siena
A significant partnership was formed with Agnolo di Ventura, culminating in their joint execution of the cenotaph of Guido Tarlati in the Cathedral of Arezzo (signed and dated 1330). Documentation confirms D'Agostino’s involvement in the construction of the Torre del Mangia in 1339.
86of 99
Japanese Born in Tokyo Zen Buddhism
Yūbai’s disciples, including Akamatsu Norimura and Akamatsu Norisuke, diligently upheld his legacy—propagating Zen philosophy and artistic traditions throughout Japan.
87of 99
Egyptian Born in Cairo Islamic Art
Born in Cairo in 1339, his ascent to power marked not merely a change in leadership but a transition into the Burji period—a new era defined by Circassian dominance within the Mamluk Sultanate.
88of 99
Italian Born in Certaldo Humanism precursor
Born amidst the rolling landscapes of Certaldo in 1313, Giovanni Boccaccio emerged as a vital force in the cultural landscape of the fourteenth century. As one of the legendary "Three Crowns" of Italian literature—standing alongside the giants Dante Alighieri and Petrarch—his life served as a bridge between the medieval world and the dawning light of the Renaissance.
89of 99
Japanese Buddhist Art
While the Nanboku-chō period was defined by conflict between rival courts, Kōgon’s focus on Buddhist art provided a sense of cultural continuity and spiritual stability. His patronage laid the groundwork for future developments in Japanese Buddhist iconography, influencing the stylistic trajectory of much of the art produced in the centuries that followed. Emperor Kōgon (1313–1364) was not merely a sovereign navigating a period of profound instability; he was a visionary patron whose devotion to Buddhist iconography helped reshape the aesthetic soul of Northern Japan.
Principal works · The hundred celebrated works
90of 99
Japanese Born in Tokyo Rinzai Zen
Early Life & Artistic Formation: Little biographical detail survives concerning Genkō’s formative years; he emerged from obscurity as a student of Zen at Nara Temple, establishing a foundation for his lifelong devotion to the Dharma.
91of 99
Italian Born in Sant Joan de les Abadès Sienese painting, Gothic influence
92of 99
English Born in Norwich Medieval Mysticism
Through these spiritual windows, she glimpsed a God characterized not by distant judgment, but by an overwhelming, compassionate intimacy. She famously portrayed the divine as a nurturing force, a Father whose love sustains all of creation.
93of 99
Italian Born in Florence Renaissance Painting Wikipedia, 10 of 32 languages
The significance of Nardo di Cione lies in his ability to bridge the gap between the rigid traditions of the medieval period and the burgeoning humanism of the Renaissance. Chromatic Mastery: The use of vibrant, symbolic colors to navigate complex theological narratives. Born around 1320, he was part of a formidable artistic dynasty, working alongside his brothers, the renowned Orcagna (Andrea di Cione) and Jacopo di Cione.
94of 99
Egyptian Born in Amarna Ancient Egyptian Art
Each artifact—from the delicate ebony rods inscribed with sacred hieroglyphs to the iconic, shimmering golden mask —embodies an idealized vision of royal divinity.
95of 99
Italian Born in Modena Giottesque & Bolognese
One of his most celebrated achievements, the Coronation of the Virgin, bears a proud inscription dating the work to March 1385, serving as a permanent testament to his hand. Beyond the cathedral walls, Serafini’s influence extended into other significant religious sites, such as the Church of San Francesco in Mantua. In the twilight of the fourteenth century, amidst the architectural grandeur of Northern Italy, the name Serafino Serafini emerged as a vital, if enigmatic, force in the evolution of late medieval painting.
96of 99
Italian Venetian Gothic
The magnum opus of Filippo Calendario remains inextricably linked to the ambitious rebuilding project of the Doge’s Palace.
Principal works · The hundred celebrated works
97of 99
Italian Born in Pietrantonella Late Medieval Art
Beyond the physical permanence of his marble reliefs, Antonio Baboccio da Piperno’s true significance lies in the lineage of talent he helped cultivate. He was a progenitor of style, fostering a school of artists that included luminaries such as Agnello del Fiore and Guglielmo Monaco. Antonio Baboccio da Piperno, born around 1351 in the quiet landscape of Pietrantonella, was far more than a mere craftsman; he was an abbot, a painter, a sculptor, and a goldsmith—a true polymath of the visual arts.
98of 99
Italian Born in Tosa Byzantine art
The Master’s origins are shrouded in some mystery, yet a clear lineage can be traced through the artistic networks of Pistoia. Equally significant was the work of Maso di Banco, a prominent Sienese painter known for his dramatic compositions and expressive figures. The figure known as the Master of 1336 remains one of the most intriguing enigmas in Italian art history.
99of 99
Japanese Zen Buddhist Art
His work stands as a testament to several enduring themes: The Integration of Art and Spirit: He remains a primary example of how the Zen concept of "silent mind" can be translated into visual form.
Plates
Chronology
Notes and figures
| Italy | 37 |
|---|---|
| Włochy | 18 |
| Japan | 8 |
| China | 4 |
| Spain | 3 |
| France | 3 |
| Egypt | 3 |
| People's Republic of China | 2 |
| 1270s | 4 |
|---|---|
| 1280s | 9 |
| 1290s | 11 |
| 1300s | 9 |
| 1310s | 8 |
| 1320s | 12 |
| 1330s | 13 |
| 1340s | 9 |
| 1350s | 15 |
| 1360s | 9 |
| Metropolitan Museum of Art | 18 |
|---|---|
| Yale University Art Gallery | 5 |
| Harvard Art Museums | 4 |
| National Gallery | 4 |
| Museum of Fine Arts | 4 |
| Galleria degli Uffizi | 3 |
| Gemäldegalerie | 3 |
| Rijksmuseum | 3 |
Index of artists
Simone MartiniWłoch · 1284–1344Andriej RublowRosyjska · 1360–1430Ambrogio Lorenzetti1290–1348Pietro LorenzettiWłoska · 1280–1348Hubert Van EyckHolenderski · 1366–1426Taddeo GaddiWłoska · 1300–1366Agnolo GaddiWłoski · 1350–1396Teofan GrekGrecki · 1335–1410Paolo VenezianoWłoska · 1333–1358Lippo MemmiWłoski · 1291–1356Altichiero Da ZevioWłoska · 1330–1390Spinello AretinoWłoska · 1350–1410Bernardo DaddiWłoska · 1290–1348Andrea PisanoWłoch · 1290–1348Niccolò Di TommasoItalian · 1346–1376Ni ZanChińska · 1301–1374Andrea Di Cione Di Arcangelo (Orcagna)Italian · 1308–1368OrcagnaItalian · 1315–1368Giovanni Da Milano1346–1369Barna Da SienaItalian · 1330–1380Wang MengChinese · 1308–1385Cresques AbrahamSpanish · 1325–1387Nicolas BatailleFrench · 1330–1405Lorenzo VenezianoWłoska · 1336–1379Segna Di BuonaventureItalian · 1298–1326Cennino CenniniItalian · 1360–1440Ugolino Di NerioWłoska · 1280–1330Taddeo di BartoloItalian · 1362–1422Lippo Di BenivieniItalian · 1296–1327Zhao YuanChinese · born 1350Andrea Di BartoloItalian · 1360–1428Lorenzo di BicciItalian · 1350–1427Melchior BroederlamBelgian · 1355–1410Lorenzo Di BicciWłoski · 1350–1427Gherardo StarninaItalian · 1354–1413Jean PucelleFrench · 1300–1334Andrea Di BonaiutoWłoska · 1343–1379Guariento di ArpoItalian · 1310–1370Giovanni Del BiondoItalian · 1356–1399Klaus SluterHolender · 1355–1406Kokan ShirenJapanese · 1278–1346Jacopo di CioneItalian · 1325–1399Bartolo Di FrediItalian · 1330–1410Conrad von SoestGerman · 1360–1423TuthmosisEgyptian · 1340–1300Giovanni da MilanoItalian · 1325–1370Master BertramGerman · 1345–1415Agostino Di GiovanniItalian · 1285–1347Ashikaga Yoshimitsu1358–1408André BeauneveuNetherlandish · 1335–1403Jacopo Del Casentino (Jacopo Landino)Italian · 1330–1380Musō SosekiJapońska · 1275–1351Francesco TrainiItalian · 1321–1365Vitale Da BolognaItalian · 1289–1359Sheikh Zain Al-DinKurdish · born 1325Pere SerraSpanish · 1357–1406Imperium AztekówMeksykańska · 1300–1521Liaoan QingyuChinese · 1288–1363Marco Di Paolo VenezianoItalian · born 1362Matteo Di Ser CambioItalian · 1351–1424Zhu Di1360–1424Ferrer BassaCatalan · 1285–1348Tommaso Da ModenaItalian · 1326–1379Jacopo AvanziItalian · 1350–1416Paolo Di Giovanni FeiWłoski · 1345–1411GiottinoItalian · 1324–1372Wu ZhenYuan dynasty · 1280–1354Jacopo del CasentinoFlorentine · 1297–1358Giusto De' MenabuoiItalian · 1330–1393Jacquemart de HesdinFrench · 1350–1410Matteo GiovanettiItalian · 1322–1368Reisai GukyokuJapanese · 1363–1452Qingzhuo Zhengcheng, Ch'Ing-Cho Cheng-Ch'EngChinese · 1274–1339Bartolommeo BulgariniItalian · 1305–1378Gikō TettōJapanese · 1295–1369Barnaba Da ModenaItalian · 1328–1386Piotr ParlerGerman-Bohemian · 1330–1399Bonanat Descoll I De SantclimentWłoska · 1310–1390Yuan DynastyChinese · 1271–1368Giovanni Di RiginoItalian · born 1315Domenico Di AgostinoItalian · 1317–1366Agnolo Di VenturaItalian · 1290–1349Giovanni Da CampioneItalian · 1320–1375Francesco Di PetraccoItalian · 1304–1374Giovanni d'Agostino1285–1347Sesson YūbaiJapanese · 1290–1347Sultan Al-Malik Al-Zahir Abu Sa’Id BarquqEgyptian · 1339–1399Giovanni Di Chellino BoccaccioItalian · 1313–1375Emperor KōgonJapanese · 1313–1364Jakushitsu GenkōJapanese · 1290–1367Bernat Saulet I El Taller De Sant Joan De Les AbadessesItalian · 1341–1342Mother JulianEnglish · born 1343Nardo di CioneItalian · 1320–1366TutankhamenEgyptian · 1345–1327Serafino SerafiniItalian · 1324–1393Filippo CalendarioItalian · 1315–1355Antonio Baboccio Da PipernoItalian · 1351–1435Zekkai ChūshinItalian · 1336–1405Ryūshū ShūtakuJapanese · 1307–1388The visitor asks
Simone Martini (#1) is first in this ranking, followed by Andriej Rublow (#2) and Ambrogio Lorenzetti (#3).
Simone Martini (#1), Andriej Rublow (#2), Ambrogio Lorenzetti (#3), Pietro Lorenzetti (#4) and Hubert Van Eyck (#5).
The earliest-born artist in this list is Yuan Dynasty (#79), born in 1271.
Italy: 37 of the 99 artists in this list were born there, then Włochy (18) and Japan (8).
“The monumental figures, the palpable emotional resonance, and the narrative clarity characteristic of Giotto’s frescoes are unmistakably present in Agnolo’s initial paintings—a testament to his unwavering devotion to Giotto's groundbreaking innovations.” — from our biography of Agnolo Gaddi (#7).
The highest-ranked living artists in this list are Zhao Yuan (#30), Sheikh Zain Al-Din (#55), Marco Di Paolo Veneziano (#59), Giovanni Di Rigino (#80) and Mother Julian (#92).
Siena: 13 of the artists in this list were born there.
The museums holding the most key works of this list are Metropolitan Museum of Art (18), Yale University Art Gallery (5) and Harvard Art Museums (4).
This list includes 1 women: Mother Julian (#92).
Most artists in this list were born in the 1350s (15 of 99), between 1271 and 1366 overall.
The highest-ranked artists born in Włochy are Simone Martini (#1), Ambrogio Lorenzetti (#3), Pietro Lorenzetti (#4), Taddeo Gaddi (#6) and Agnolo Gaddi (#7).
Our catalogue holds 1,514 works by these artists. Each one can be ordered as a hand-painted oil reproduction or a print.
Reading room
Further rooms
![[Appointment of Romeu Desplà as administrator and notary for the works of the galleys at the Drassanes (shipyards) of Barcelona]\n\nAppointment by Bonanat Descoll I De Santcliment](/media/artworks/images-thumb/64/e7/64e7531469fd5686ef82dea4779099f0.jpg)
![Madonna and Child, with the Man of Sorrows [middle panel] by Nardo di Cione](/media/artworks/images-thumb/e7/94/e79409458fed83bbe93b0c9d286bc95e.jpg)
![Saint Peter [left panel] by Nardo di Cione](/media/artworks/images-thumb/45/65/4565bd93c5ceb8d7a9e277b4bdd827fe.jpg)
