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      Max Liebermann, 1847 – 1935

      The 100 Most Famous Max Liebermann Paintings, Ranked

      The best-loved painting by Max Liebermann is Wolny czas w Amsterdamie dla sierot (1876). Self Portrait with Kitchen Still LIfe (1873) and Corner of a Dutch Village with Washing Hung up to Dry (1890) come next among the canvases readers know best. Our catalogue holds 280 works by Max Liebermann: here are the 100 most famous, each with its year, its museum and what makes it memorable.

      Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Październik 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portret Max Liebermann
      Max Liebermann · 1847 – 1935
      Urodzony · zmarł
      1847 – 1935, Berlin
      Nurt
      Impressionist painting
      Dzieła w naszym katalogu
      280
      Najsłynniejsze
      Wolny czas w Amsterdamie dla sierot (1876)
      Najwięcej dzieł w
      Alte Nationalgalerie

      Top 10 Max Liebermann paintings: the canvases everyone knows

      Wolny czas w Amsterdamie dla sierot (1876) autorstwa Max Liebermann
      1

      Wolny czas w Amsterdamie dla sierot

      1876 · Obraz olejny na płótnie

      A Captivating Glimpse into Victorian Life “Free Hour at Amsterdam Orphanage,” painted in 1876 by Max Liebermann, stands as a remarkable testament to Impressionism’s ability to distill the essence of everyday experience. More than just a depiction of a courtyard scene, it's an invitation into the heart of 19th-century Dutch society—a moment frozen in time where compassion and community intertwine. Liebermann skillfully captures this atmosphere through his distinctive blend of…

      Self Portrait with Kitchen Still LIfe (1873) autorstwa Max Liebermann
      2

      Self Portrait with Kitchen Still LIfe

      1873 · Oil On Canvas · Stadtisches Museum, Gelsenkirchen

      To stand before Max Liebermann’s Self Portrait with Kitchen Still Life is not merely to observe a painting; it is to step directly into the vibrant, sun-drenched moments of late nineteenth-century Berlin. Created in 1873, this oil on canvas captures more than just a likeness; it encapsulates the artist's profound belief that true beauty resides within the quotidian—the humble objects and simple acts of daily life. Liebermann, a master whose…

      Corner of a Dutch Village with Washing Hung up to Dry (1890) autorstwa Max Liebermann
      3

      Corner of a Dutch Village with Washing Hung up to Dry

      1890 · Oil On Panel · Harvard Art Museums, Cambridge

      The air feels heavy with the scent of damp fabric and the salt of a nearby coast. In this corner of a Dutch village, time seems to pause, caught in the soft, overcast light of 1890. A white building dominates the immediate view, its red door and blue shutters providing the only sharp interruptions to the muted, earthy tones of the village. Above the doorway, laundry hangs from a line,…

      Portrait of Richard Strauss (1918) autorstwa Max Liebermann
      4

      Portrait of Richard Strauss

      1918 · Oil · Alte Nationalgalerie, Berlin

      This 1918 impressionist painting by Max Liebermann presents a black and white portrait of Richard Strauss. The subject is depicted sitting in a chair with his hands clasped together, wearing a suit and tie. He is shown with a mustache and appears to be looking directly at the viewer. To provide depth to the scene, the background features a curtain behind the seated man.

      Restaurant De oude Vink (1905) autorstwa Max Liebermann
      5

      Restaurant De oude Vink

      1905 · Oil

      There is a certain quietude found in the middle of a crowd, a feeling captured here in 1905. In Restaurant De oude Vink, we find ourselves seated among patrons enjoying a meal under the dappled shade of trees. The scene is one of casual, unhurried leisure. Green chairs are scattered around tables, some occupied by figures lost in conversation, others left empty as if the guests have only just stepped…

      Self-portrait (1916) autorstwa Max Liebermann
      6

      Self-portrait

      1916 · Oil On Canvas · Kunsthalle Bremen, Brema

      An older man sits in a moment of quiet creation, his presence filling the space with a heavy, contemplative dignity. He faces the viewer directly, his gaze steady and unblinking, even as his hands remain occupied with the tools of his trade. In his right hand, he holds a palette, while his left hand brings a brush toward an easel, capturing a fragment of life in real-time. The light enters…

      The Preserve Makers (1879) autorstwa Max Liebermann
      7

      The Preserve Makers

      1879 · Oil On Canvas · Museum der bildenden Künste, Lipsk

      The Preserve Makers is a somber and intimate realist painting that captures a group of women gathered within a dimly lit, rustic interior. The composition is dense and crowded, utilizing a shallow depth of field that brings the figures into the immediate foreground to create a sense of enclosure and shared labor. These women are engaged in the communal task of preparing vegetables, their presence evoking a sense of quiet…

      More Max Liebermann canvases, 11 to 100

      The farrier (1874) autorstwa Max Liebermann
      #11

      The farrier

      1874 · Staatliche Kunsthalle Karlsruhe

      The farrier (Beim Hufschmied) is an oil on panel painting by Max Liebermann. Created about 1874, the work belongs to the genre art category. It captures a specific…

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      Albert Einstein (1879–1955) (1922) autorstwa Max Liebermann
      #13

      Albert Einstein (1879–1955)

      1922 · Towarzystwo Królewskie

      Max Liebermann's 1922 portrait of Albert Einstein isn’t merely a likeness; it’s a carefully constructed distillation of intellect, contemplation, and the burgeoning promise of a revolutionary mind. Painted…

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      Portrait Dr. Wilhelm Bode (1909) autorstwa Max Liebermann
      #15

      Portrait Dr. Wilhelm Bode

      1909 · Alte Nationalgalerie

      In this 1909 oil painting, titled Portrait Dr. Wilhelm Bode, the artist Max Liebermann presents a formal study of a man of significant intellectual standing. The work captures…

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      The Siblings (1876) autorstwa Max Liebermann
      #16

      The Siblings

      1876 · Staatliche Kunstsammlungen

      In the quietude of Max Liebermann’s 1876 masterpiece, “The Siblings,” time seems to suspend its forward march, allowing a singular moment of human connection to breathe. This monochrome…

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      Swimmers (1875) autorstwa Max Liebermann
      #17

      Swimmers

      1875 · Muzeum Sztuki w Dallas

      We are looking at Swimmers, a work by Max Liebermann that captures a quiet, unposed moment of daily life. Also known by the title Swimming boys, this painting…

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      Dutch Farmhouse with Woman (1882) autorstwa Max Liebermann
      #33

      Dutch Farmhouse with Woman

      1882 · Frye Art Museum

      To gaze upon Max Liebermann’s "Dutch Farmhouse with Woman" is to step across the threshold of time and into a moment suspended in golden, gentle light. This 1882…

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      A Dutch lacemaker (1881) autorstwa Max Liebermann
      #55

      A Dutch lacemaker

      1881 · Hamburger Kunsthalle

      The painting titled A Dutch lacemaker (Eine holländische Klöpplerin) is an oil on canvas work by the artist Max Liebermann. This specific piece was executed in 1881. The…

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      Gerhart Hauptmann (1912) autorstwa Max Liebermann
      #56

      Gerhart Hauptmann

      1912 · Hamburger Kunsthalle

      A dignified and somber oil portrait of an elderly man, rendered with expressive, painterly brushstrokes that convey a sense of psychological depth and realism. The composition is a…

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      Children Bathing in the Sea (1899) autorstwa Max Liebermann
      #62

      Children Bathing in the Sea

      1899 · Bawarskie Państwowe Zbiory Malarstwa

      To gaze upon Max Liebermann's "Children Bathing in the Sea" is to be instantly transported to a perfect summer afternoon. This painting is more than just a depiction…

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      Parrot Avenue (1902) autorstwa Max Liebermann
      #76

      Parrot Avenue

      1902 · Kunsthalle Bremen

      Max Liebermann's "Parrot Avenue," painted in 1902, is a captivating example of Impressionism that transports viewers to a vibrant scene of urban life. Measuring 88 x 72 cm,…

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      Jewish Street in Amsterdam (1908) autorstwa Max Liebermann
      #88

      Jewish Street in Amsterdam

      1908 · Städel Museum

      Jewish Street in Amsterdam is an oil painting by Max Liebermann. Created in 1908, the work depicts a bustling street market scene located in Amsterdam. The subject matter…

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      Max Liebermann's canvases, period by period

      What Max Liebermann painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Max Liebermann's canvases hang

      8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

      Muzeum Miasto Dzieła artysty Max Liebermann Obrazy z tej listy
      Alte Nationalgalerie, BerlinAlte Nationalgalerie Berlin 17 Portrait of Richard Strauss, Portrait Study of Emil Rathenau, Portrait Dr. Wilhelm Bode
      Hamburger Kunsthalle, HamburgHamburger Kunsthalle Hamburg 8 The Net Menders, The Terrace at the Hotel Louis C. Jacob in Nienstedten on the Elbe, A Dutch lacemaker
      Bawarskie Państwowe Zbiory Malarstwa, MonachiumBawarskie Państwowe Zbiory Malarstwa Monachium 7 Self portrait in painting smock (Selbstbildnis im Malkittel), Children Bathing in the Sea, Still life of meat (Fleischstillleben)
      Wallraf-Richartz-Museum, KölnWallraf-Richartz-Museum Köln 6 Two riders on the beach, Self-portrait, The artist's daughter riding
      Staatliche Kunsthalle Karlsruhe, KarlsruheStaatliche Kunsthalle Karlsruhe Karlsruhe 5 The farrier, The Basketweavers (Die Korbflechter), Copy of the Bohémienne after Frans Hals (Young woman)
      Stadtisches Museum, GelsenkirchenStadtisches Museum Gelsenkirchen 3 Self Portrait with Kitchen Still LIfe, The Flower Terrace in the Wannsee Garden, Facing Northwest
      Kunsthalle Bremen, BremaKunsthalle Bremen Brema 3 Self-portrait, Parrot Avenue
      Staatliche Kunstsammlungen Dresden, DreznoStaatliche Kunstsammlungen Dresden Drezno 3 Alfred von Berger, On the Alster in Hamburg

      Max Liebermann's best-loved canvas of each decade

      1. 1860s
      2. 1870s
        Wolny czas w Amsterdamie dla sierot (1876) autorstwa Max Liebermann
        Canvas 1 of 100

        Wolny czas w Amsterdamie dla sierot

        Wiek 23 – 32

        A Captivating Glimpse into Victorian Life “Free Hour at Amsterdam Orphanage,” painted in 1876 by Max Liebermann, stands as a remarkable testament to Impressionism’s ability to distill the…

      3. 1880s
      4. 1890s
      5. 1900s
        Restaurant De oude Vink (1905) autorstwa Max Liebermann
        Canvas 5 of 100

        Restaurant De oude Vink

        Wiek 53 – 62

        There is a certain quietude found in the middle of a crowd, a feeling captured here in 1905. In Restaurant De oude Vink, we find ourselves seated among…

      6. 1910s
        Portrait of Richard Strauss (1918) autorstwa Max Liebermann
        4 of 100

        Portrait of Richard Strauss

        Wiek 63 – 72 · Alte Nationalgalerie

        This 1918 impressionist painting by Max Liebermann presents a black and white portrait of Richard Strauss. The subject is depicted sitting in a chair with his hands clasped…

      7. 1920s
        Albert Einstein (1879–1955) (1922) autorstwa Max Liebermann
        Canvas 13 of 100

        Albert Einstein (1879–1955)

        Wiek 73 – 82 · Towarzystwo Królewskie

        Max Liebermann's 1922 portrait of Albert Einstein isn’t merely a likeness; it’s a carefully constructed distillation of intellect, contemplation, and the burgeoning promise of a revolutionary mind. Painted…

      8. 1930s
        The Surgeon Dr. Ferdinand Sauerbruch (1932) autorstwa Max Liebermann
        Canvas 57 of 100

        The Surgeon Dr. Ferdinand Sauerbruch

        Wiek 83 – 88 · Hamburger Kunsthalle

        The painting, titled The Surgeon Dr. Ferdinand Sauerbruch, is an oil on canvas created in 1932. The portrait depicts a man wearing glasses and a white coat, seated…

      About Max Liebermann's canvases: your questions answered

      What is the best-known painting by Max Liebermann?Read the answer

      Wolny czas w Amsterdamie dla sierot (1876), followed by Self Portrait with Kitchen Still LIfe (1873) and Corner of a Dutch Village with Washing Hung up to Dry (1890).

      What age was Max Liebermann when Wolny czas w Amsterdamie dla sierot was painted?Read the answer

      Max Liebermann, born in 1847, was 29 years old: Wolny czas w Amsterdamie dla sierot dates from 1876.

      What are the 10 most famous paintings by Max Liebermann?Read the answer

      Wolny czas w Amsterdamie dla sierot, Self Portrait with Kitchen Still LIfe, Corner of a Dutch Village with Washing Hung up to Dry, Portrait of Richard Strauss, Restaurant De oude Vink, Self-portrait, The Preserve Makers, Schreitender Bauer, KIRCHGANG IN Laren i Alfred von Berger. Each canvas in the ranking above comes with its year and its museum.

      How many works did Max Liebermann paint in all?Read the answer

      280 works by Max Liebermann are in our catalogue, dated 1865 to 1932.

      Where can I see Max Liebermann's most famous canvases?Read the answer

      Mostly in Alte Nationalgalerie (Berlin), Hamburger Kunsthalle (Hamburg) i Bawarskie Państwowe Zbiory Malarstwa (Monachium); the list above names each museum and its canvases.

      When did Max Liebermann paint the best-loved canvases?Read the answer

      In 1910s, which gave 18 of the 100 works on this page, Portrait of Richard Strauss among them.

      Which are Max Liebermann's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Portrait of Felix Liebermann (1865); the latest is The Surgeon Dr. Ferdinand Sauerbruch (1932).

      What did Max Liebermann paint most often?Read the answer

      Man (10), Portrait (6) i Garden scene (6), across the 100 works on this page.

      Which medium did Max Liebermann paint in most often?Read the answer

      Oil On Canvas, used in 29 of the 100 works on this page.

      Which movement is Max Liebermann's painting part of?Read the answer

      Impressionist painting, as the canvases on this page show.

      Which Max Liebermann canvases hang at the Alte Nationalgalerie?Read the answer

      The Alte Nationalgalerie, Berlin holds 9 of the works on this page, among them Portrait of Richard Strauss, Portrait Study of Emil Rathenau i Portrait Dr. Wilhelm Bode.

      Can I buy a reproduction of a Max Liebermann canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Max Liebermann: a life in paint

      A Life Immersed in Light: The World of Max Liebermann

      Max Liebermann, a name synonymous with the vibrant and nuanced development of Impressionism in Germany, was born on July 20, 1847, in Berlin. His early life, steeped in the comforts of a prosperous Jewish family – his father a successful textile manufacturer – seemed destined for a path far removed from the artistic realm. However, a deliberate shift towards intellectual pursuits at the University of Berlin, followed by studies in Weimar, Paris, and the Netherlands, ignited a passion that would forever transform his life and legacy. Liebermann’s journey wasn't simply about acquiring technical skills; it was a profound engagement with the world around him, a desire to capture not just what he saw, but the very essence of experience itself. This inherent sensitivity to light, color, and atmosphere became the hallmark of his distinctive style – an Impressionism uniquely German in its sensibility.

      Embracing Impressionism: A Dialogue with Paris

      Liebermann’s artistic evolution was inextricably linked to his exposure to the revolutionary currents sweeping through France. The boldness of Édouard Manet, his rejection of rigid academic conventions, and his focus on depicting contemporary life resonated deeply within Liebermann's soul. He wasn’t merely a passive observer; he actively engaged with these new ideas, adapting them to his own artistic vision. While he admired the Parisian Impressionists – Monet, Renoir, Degas – he didn’t simply replicate their techniques. Instead, he infused his work with a distinctly German perspective, characterized by a brighter palette, looser brushstrokes, and a focus on scenes of bourgeois leisure and the tranquil beauty of his beloved garden near Lake Wannsee. This garden, a sanctuary from the turbulent world outside, became a recurring motif, a space where light danced upon foliage, and the simple pleasures of summer were immortalized on canvas. Liebermann’s early paintings often depicted scenes of everyday life – working-class laborers, bustling marketplaces, and intimate domestic moments – rendered with an honesty and respect that challenged the prevailing romanticized aesthetic of the time. These weren't intended as social commentaries, but rather as genuine portrayals of human existence, imbued with dignity and a profound appreciation for the beauty of ordinary life.

      The Berlin Secession: A Catalyst for Change

      Recognizing the stifling constraints imposed by the traditional art establishment in Germany – particularly the rigid control exerted by the Prussian Academy of Arts – Liebermann became a pivotal figure in the formation of the Berlin Secession in 1898. This avant-garde movement, alongside artists like Kirchner and Nolde, represented a radical departure from established norms, providing a platform for artistic innovation and independent expression. Liebermann’s leadership of the Secession for over a decade was instrumental in challenging conventional notions of art and paving the way for modern German art. The Secession wasn't merely a group of artists; it was a declaration – a bold assertion of artistic freedom and a commitment to exploring new possibilities beyond the confines of academic tradition. This spirit of rebellion extended far beyond the realm of painting, influencing other areas of culture and contributing to a broader shift in societal attitudes towards art and creativity.

      A Master of Portraiture and Beyond

      While his landscapes and scenes of everyday life are undoubtedly celebrated, Liebermann’s contribution to the art world extends significantly through his masterful portraiture. Over two hundred commissioned portraits attest to his skill and insight – works that capture not just likenesses, but the very essence of his subjects' personalities. Portraits of Albert Einstein, Paul von Hindenburg, and numerous other prominent figures demonstrate Liebermann’s ability to delve beneath the surface, revealing the inner lives of those he depicted through subtle gestures, expressions, and carefully observed details. Beyond portraiture, Liebermann also produced a significant body of prints, further showcasing his technical skill and artistic vision. His work spanned a wide range of subjects – from religious scenes to depictions of rural life – reflecting his diverse interests and evolving style.

      Legacy and Historical Context

      Max Liebermann’s legacy is complex and layered, inextricably intertwined with the tumultuous events of 20th-century Germany. Following the rise of Nazism, he bravely resigned from the Prussian Academy of Arts in 1933, a courageous act of defiance against a regime that increasingly threatened artistic freedom and Jewish identity. Despite facing persecution and discrimination, Liebermann continued to paint, finding solace and purpose in his art until his death on February 8, 1935, in Berlin. Tragically, his wife, Martha, took her own life in 1943 to avoid deportation, a heartbreaking testament to the horrors of the Holocaust. For many years after World War II, Liebermann’s work was somewhat overlooked, overshadowed by the darker chapters of German history. However, in recent decades, there has been a renewed appreciation for his contributions to German Impressionism and modern art – recognizing him not only as a brilliant painter but also as a courageous advocate for artistic expression and a symbol of resistance against tyranny. His paintings continue to captivate viewers with their luminous beauty, insightful observations, and enduring humanity.

      Key Achievements & Lasting Influence

      • “The Twelve-Year-Old Jesus in the Temple”: This early work sparked considerable debate due to its unconventional depiction of a Semitic-looking Jesus, challenging traditional religious iconography.
      • Leadership of the Berlin Secession: His pivotal role in leading this avant-garde movement challenged artistic norms and paved the way for modern art in Germany.
      • Presidency of the Prussian Academy of Arts: A significant recognition of his artistic merit, though ultimately compromised by the rise of Nazism.
      • Masterful Portraiture: His ability to capture the essence of his subjects in over 200 commissioned portraits cemented his reputation as a leading portrait painter.
      • Influence on German Impressionism: Liebermann successfully translated the principles of Impressionism into a uniquely German context, inspiring generations of artists.

      Wszystkie 280 dzieła artysty Max Liebermann →