A obra de arte exibida nesta página é protegida por leis de direitos autorais, o que significa que não podemos criar ou vender legalmente uma reprodução idêntica. Esta proteção é aplicada por meio de acordos internacionais, tais como a Convenção de Berna e pelas leis nacionais, incluindo as estabelecidas por Lei de Direitos Autorais dos EUA - Título 17.
Como uma alternativa respeitosa e legal, oferecemos obras de arte personalizadas e pintadas à mão, inspiradas na obra original. Nossos artistas profissionais e experientes estudam cuidadosamente o estilo, a atmosfera e a essência artística da obra original para criar uma peça nova e única que evoque a mesma sensação — permanecendo como uma criação original por direito próprio.
Este método cumpre plenamente as regulamentações de direitos autorais, pois não envolve a cópia ou duplicação da obra protegida. Em vez disso, trata-se de uma reinterpretação criativa — uma nova pintura que é influenciada pela original, mas não idêntica a ela.
Óleo sobre tela pintado à mão no tamanho e moldura de sua escolha, feito sob encomenda pelos nossos artistas. ( Alternar para Impressão
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Escolha entre os nossos tamanhos pré-definidos que respeitam as proporções originais da obra de arte.
Digite a largura e a altura de que necessita, para se ajustar à sua moldura ou à sua parede. Esta obra é pintada à mão, por isso, para um tamanho com uma proporção diferente, o artista pode pintar um pouco mais ao redor da imagem ou cortar um pouco — você escolhe. Enviamos-lhe uma maquete digital para aprovação antes de a pintura começar. A imagem exibida nesta página não mostra o resultado real — apenas a maquete mostra.
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Dunluce Castle
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Eric Hesketh Hubbard’s artistic journey is inextricably linked to the tumultuous backdrop of the early 20th century, a period defined by both unprecedented technological advancement and devastating global conflict. Born in London in 1892, his childhood was shaped by the burgeoning industrial landscape and the looming shadow of imperial ambition. Early influences were diverse – he studied at Heatherley’s School of Fine Art, absorbing the academic traditions while simultaneously exploring the emerging currents of Impressionism and early Modernism. However, it wasn't solely formal training that molded his artistic vision; a restless spirit and an adventurous streak led him to travel extensively across Europe and North Africa, experiences which would profoundly inform his later work.
Hubbard’s life took a dramatic turn during the First World War. Rather than pursuing a conventional military career, he joined the Royal Naval Reserve, serving with distinction in submarine warfare. This experience – witnessing firsthand the brutal realities of naval combat and the psychological toll on those involved – became the bedrock of his artistic output. It wasn’t merely a desire to document war that drove him; it was a profound need to grapple with its complexities, to capture not just the physical violence but also the emotional landscape of fear, loss, and resilience.
Hubbard’s wartime paintings are instantly recognizable for their dynamic energy and strikingly realistic depictions of naval battles. He eschewed romanticized notions of heroism in favor of a gritty, unflinching portrayal of the chaos and terror of combat. His compositions are often crowded with figures, conveying a sense of claustrophobia and urgency. He masterfully employed loose brushwork and bold color palettes – often dominated by deep blues, greens, and grays – to create an atmosphere of intense drama and movement. Unlike many contemporary artists who focused solely on heroic moments, Hubbard frequently depicted the less glamorous aspects of war: the wounded, the exhausted, the desperate.
While his wartime paintings are undoubtedly his most celebrated works, Hubbard’s artistic output extended far beyond the realm of military subjects. He possessed a versatile talent, excelling in landscape painting, architectural renderings, and printmaking. His early career was marked by a fascination with the exotic – he produced evocative depictions of scenes from North Africa and the Middle East, capturing the vibrant colors and textures of these distant lands.
He established ‘Forest Press’ in 1923, a pioneering printing workshop that provided a platform for both his own work and the art of other British artists. This venture allowed him to experiment with innovative printmaking techniques and establish connections within the broader artistic community. His later works often reflected a nostalgic longing for simpler times, as evidenced by paintings like “Bostock’s Circus,” which captures the charm and spectacle of a traditional fairground.
Eric Hesketh Hubbard died in 1957, leaving behind a significant body of work that continues to resonate with audiences today. His wartime paintings are now recognized as powerful testaments to the human experience of conflict, offering a rare glimpse into the psychological and emotional realities of war. His distinctive style – characterized by its dynamic energy, realistic detail, and evocative use of color – has influenced generations of artists. Hubbard’s work is held in numerous public and private collections throughout Britain and beyond, ensuring that his artistic legacy will endure for years to come.
1892 - 1957