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Armchair
Tamanho da Reprodução
A tonalidade dominante de "Armchair", de Thomas Chippendale é Ochre to Sepia. A tonalidade é o tom subjacente da paleta.
A luminosidade percebida de "Armchair", de Thomas Chippendale é brilliant. Ela pode ser harmonizada com a iluminação do espaço pretendido.
"Armchair", de Thomas Chippendale retrata: armchair, chippendale, mahogany, upholstery, carving, neoclassical, antique, furniture.
Thomas Chippendale (June 5, 1718 – November 13, 1779) was an English cabinet-maker and furniture designer who revolutionized the world of interior design during the Georgian era. His innovative designs and exceptional craftsmanship cemented his place as one of the most influential figures in British decorative arts.
Born in Otley, Yorkshire, England, Chippendale’s early life remains somewhat shrouded in mystery. He began his career as an apprentice cabinet-maker, honing his skills in traditional woodworking techniques. By 1754, he had established his own workshop in St. Martin's Lane, London, quickly gaining a reputation for quality and originality.
Chippendale’s most significant contribution to the field was undoubtedly The Gentleman and Cabinet Maker’s Director, published in 1754. This pattern book, comprising over 160 engraved plates, showcased a diverse range of furniture designs – from elegant Rococo pieces to more restrained Neoclassical forms. It became an instant success and served as a crucial resource for cabinet-makers across England, Europe, and America.
Chippendale’s style wasn't born in isolation; it was a synthesis of various influences:
While many original pieces attributed to Chippendale’s workshop are difficult to definitively identify, several notable examples survive:
Chippendale’s impact on furniture design is immeasurable. He didn't just create beautiful objects; he established a distinct style that defined the Georgian era. His designs continue to inspire contemporary furniture makers and designers today.
Thomas Chippendale’s legacy extends far beyond the 18th century, solidifying his position as a true master of design and a pivotal figure in the history of decorative arts.
1718 - 1779 , United Kingdom