De todas as pinturas de Charles Conder, Colombo (1890) é a mais famosa; está exposta no National Gallery of Victoria, em Melbourne. Logo atrás vêm Rickett's Point (1890) e A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury) (1887). Entre as 100 obras de Charles Conder em nosso catálogo, estas 100 são as mais celebradas, cada uma apresentada com a sua data, o seu museu e a sua história.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.
The Heidelberg School emerged during a period of significant artistic experimentation in Australia. Influenced by Impressionism originating in France, artists like Conder sought to depict the Australian landscape with unprecedented sensitivity and immediacy. This movement challenged academic conventions and championed plein air painting—working outdoors directly from nature—a radical departure from studio practice at the time.
Uma Cena Tranquila à Beira-Mar Australiana: Rickett's Point de Charles Edward Conder Rickett’s Point, pintado em 1890 pelo renomado pintor australiano Charles Edward Conder, é uma obra que transcende o simples retrato de um cenário costeiro. Mais do que apenas paisagem, esta pintura captura a essência da vida australiana no final do século XIX e permanece como um símbolo da Heidelberg School, movimento artístico que revolucionou a pintura australiana com…
In the delicate brushstrokes of Charles Edward Conder’s 1887 masterpiece, A Shady Hollow by a Dusty Road, we are invited to step into a moment of profound tranquility. This evocative landscape, also known as Pugh's Lagoon, captures more than just a geographical location; it captures a feeling of suspended time. The scene unfolds along a sun-drenched shoreline where the gentle rhythm of the water meets the soft textures of the…
In the gentle light of 1890, Charles Edward Conder captured a moment of profound tranquility in his masterpiece, On the River Yarra near Heidelberg, Victoria. This evocative oil on canvas serves as more than just a landscape; it is a window into the soul of the Australian countryside during a pivotal era of artistic discovery. The scene unfolds along the banks of the Yarra River, where the water rests in…
In the heart of late Victorian Paris, amidst the bohemian pulse of the Pigalle district, Charles Edward Conder captured a fleeting moment of pure, unadulterated joy. The Moulin Rouge is not merely a painting of a cabaret; it is an immersive descent into the vibrant energy of the Belle Époque. Through his masterful lens, the canvas breathes with the spirit of a society indulging in its most exuberant pleasures. The…
The sun hangs heavy over the sandy expanse of Sandringham. Figures are scattered across the shore like salt grains on a dark cloth. Some stand, watching the tide, while others sit tucked into the dunes. A boat rests near the center, its hull a still point amidst the movement of the coast. Umbrellas cast small, dark circles of shade upon the pale ground. The air feels thick with the salt…
Night in the Garden in Spain is an oil on canvas painted by Charles Conder. The work emerged in 1895, capturing a specific moment of evening light and shadow. It remains part of the permanent collection at the Art Gallery of Western Australia in Perth, Australia.
Charles Edward Conder’s “Dieppe,” painted in 1895, isn't merely a depiction of a coastal scene; it’s an immersion into a fleeting moment of tranquility and observation. The canvas breathes with the muted palette of a late afternoon – a symphony of blues deepening towards the horizon, punctuated by the warm ochres and yellows of the sand and distant buildings. The composition immediately draws the eye along a gentle diagonal path…
To gaze upon Charles Edward Conder's "The Farm, Richmond, New South Wales" is to step through a veil of time directly into the sun-drenched heart of colonial Australian life. Painted in 1888, this oil on canvas is far more than a mere depiction of rural scenery; it is an evocative meditation on peace, community, and the enduring rhythm of agricultural existence. Conder masterfully captures a moment suspended in amber—a tableau…
The painting The Shore at Dornoch is a beautiful depiction of a woman sitting on the beach with her dog, created by the talented artist Charles Edward Conder…
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In the delicate dance between light and shadow, Charles Edward Conder’s Sketch Portrait emerges as a captivating study of elegance and poise. Painted in 1889, this evocative work…
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Charles Edward Conder's "Going Home (The Gray and Gold)," painted in 1888, is more than a simple depiction of a Sydney street at dusk; it’s a poignant meditation…
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The air in the studio feels heavy with the scent of oil and the weight of a silent gaze. A man sits before us, his dark hair framing…
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In the gentle embrace of the Australian countryside, Charles Edward Conder captures a moment of profound stillness in his 1888 masterpiece, A Taste for Literature. This evocative oil…
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In the luminous masterpiece Ricketts Point, Beaumaris, Charles Edward Conder invites us to step into a world of pure, unadulterated joy. Painted in 1890, this sweeping composition captures…
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There is a profound, almost palpable warmth that radiates from Charles Edward Conder’s 1906 masterpiece, The Sands, Newquay. As one gazes upon this exquisite oil on canvas, the…
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Charles Edward Conder's "Mirage," painted in 1889, isn’t merely a depiction of a landscape; it’s an invitation into a realm where reality subtly bends, inviting contemplation on the…
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Charles Edward Conder's "Springime," painted in 1892, isn’t merely a depiction of springtime; it’s an immersion into the very essence of renewal. This oil on canvas, currently residing…
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In his 1892 masterpiece, Fruit Trees in Blossom, Algiers, Charles Edward Conder invites the viewer into a sun-drenched sanctuary where the boundaries between reality and impression dissolve. This…
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“Swnage,” painted by Charles Edward Conder in approximately 1901, isn't merely a depiction of a beach scene; it’s an immersive experience of the Australian coastline captured with Impressionistic…
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“Tea-Time”, pintado por Charles Edward Conder em 1888, é uma obra que transcende apenas a beleza estética da paisagem australiana. É um retrato de uma vida simples, porém…
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Charles Conder captured the quietude of the French countryside in his 1894 oil on canvas, Hayfield, France. The work presents a serene landscape of rural France, where the…
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Charles Edward Conder’s “Newquay (Town Beach)” isn't merely a depiction of a seaside scene; it’s a vibrant distillation of a summer day, captured with the bold confidence and…
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Charles Edward Conder's "Springtime," painted in 1888, isn’t merely a depiction of a rural scene; it’s a vibrant distillation of the Heidelberg School’s artistic philosophy – a celebration…
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“A Dream of Handel’s Largo” by Charles Edward Conder is more than just a painting; it’s an immersion into the atmosphere of Melbourne, Australia, circa 1889. Captured in…
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The painting Watching the Fireworks, St. Cloud by Charles Edward Conder is a beautiful depiction of two people sitting on a stone wall at night, watching the fireworks…
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In the shimmering heat of 1891, Charles Edward Conder captured a moment that transcends the simple boundaries of a beach scene, inviting the viewer into a world where…
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Charles Edward Conder e Coogee Bay: Uma Sinfonia de Luz e Movimento na Heidelberg School Coogee Bay, pintado por Charles Edward Conder em 1888, é uma obra emblemática…
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“Windy Day at Brighton” by Charles Edward Conder stands as a testament to the burgeoning Impressionist movement in Britain during the early 20th century. Created in 1905 and…
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“Smoke and Chrysanthemum Flowers,” pintado por Charles Edward Conder em 1890, é uma obra que transcende a mera representação de flores em um vaso; ela encapsula uma atmosfera…
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The Departure of the Orient - Circular Quay is a stunning oil on canvas painting created by Charles Edward Conder in 1888. This beautiful artwork is currently housed…
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Charles Edward Conder’s “While Daylight Lingers” – A Dreamscape of Rural Tranquility “While Daylight Lingers,” painted in 1890 by Charles Edward Conder, stands as a quintessential example of…
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The Low Tide, Hawkesbury River is a stunning oil on canvas painting created by Charles Edward Conder in 1887. This beautiful piece of art is currently housed at…
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The Orchard at Box Hill is a beautiful oil on canvas painting created by the renowned artist Charles Edward Conder in 1888. This stunning piece of art is…
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The painting The Yarra, Heidelberg by Charles Edward Conder is a beautiful representation of the Yarra River in Heidelberg, Australia. Created in 1890, this oil on canvas painting…
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Uma Paisagem Tranquila da Austrália: Sketch of Littlehapton Beach por Charles Edward Conder Charles Edward Conder, um pintor australiano de destaque do movimento Heidelberg School, capturou uma cena…
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The painting In the Domain, Sydney by Charles Edward Conder is a masterpiece that embodies the essence of rural life in the late 19th century. Created in 1888,…
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Charles Conder was one of a celebrated group of artists who painted landscapes outdoors around Sydney and Melbourne during the 1880s. Together with Tom Roberts and Arthur Streeton…
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'A Holiday at Mentone' is a captivating beach scene painting created by Charles Edward Conder in 1888. This stunning oil on canvas masterpiece is currently housed in the…
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Os 8 museus que detêm a maioria das pinturas desta página.
| Museu | Cidade | Obras de Charles Conder | Pinturas desta lista |
|---|---|---|---|
 National Gallery of Victoria |
Melbourne | 11 | Colombo, Rickett's Point, A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury) |
 National Gallery of Australia |
Canberra | 9 | Going home (The Gray and Gold), Ricketts Point, Beaumaris, Riddell's Creek |
 Art Gallery of South Australia |
Adelaide | 7 | All on a summer's day, How We Lost Poor Flossie, O Tempo da Té |
 Art Gallery of New South Wales |
Sydney | 6 | On the River Yarra near Heidelberg, Victoria, An Impressionist (Tom Roberts), Sunset, Sydney Harbour |
 Manchester Art Gallery |
Manchester | 3 | The Moulin Rouge, Dieppe, Fumaça e Flores de Crisântemo |
 Tate Gallery |
Londres | 3 | Springime, Swnage, Windy Day at Brighton |
 Galeria Nacional do Canadá |
Ottawa | 2 | Portrait of Mrs. Aikins, Beach Scene, Newquay |
 Birmingham Museum and Art Gallery |
Birmingham | 1 | Beauvais - The Inconstant, The Silenus, The Charlatan |
In the delicate brushstrokes of Charles Edward Conder’s 1887 masterpiece, A Shady Hollow by a Dusty Road, we are invited to step into a moment of profound tranquility.…
The Heidelberg School emerged during a period of significant artistic experimentation in Australia. Influenced by Impressionism originating in France, artists like Conder sought to depict the Australian landscape…
Colombo (1890), National Gallery of Victoria, Melbourne. Seguidos por Rickett's Point (1890) e A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury) (1887).
Charles Conder, nascido(a) em 1868, tinha 22 anos: Colombo data de 1890.
Colombo, Rickett's Point, A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury), On the River Yarra near Heidelberg, Victoria, The Moulin Rouge, Sandringham, Night in the Garden in Spain, Dieppe, The Farm, Richmond, New South Wales e All on a summer's day. Cada tela no ranking acima inclui o seu ano e o seu museu.
100 obras de Charles Conder estão em nosso catálogo, datadas de 1886 a 1907.
Principalmente em National Gallery of Victoria (Melbourne), National Gallery of Australia (Canberra) e Art Gallery of South Australia (Adelaide); a lista acima indica cada museu e as suas telas.
Em 1890s, que compreende 40 das 100 obras desta página, Colombo entre elas.
A tela mais antiga aqui é de Landscape with Two Small Figures Richmond, New South Wales (1886); a mais recente é de Beach Scene, Newquay (1907).
Landscape (20), Beach (10) e Beach scene (7), entre as 100 obras nesta página.
Oil On Canvas, utilizado em 17 das 100 obras nesta página.
Impressionism e Heidelberg school, como mostram as telas nesta página.
O National Gallery of Victoria, Melbourne detém 11 das obras desta página, entre elas Colombo, Rickett's Point e A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury).
Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.
Charles Edward Conder (1868 - 1909) foi um pintor, litógrafo e designer inglês nascido em Londres, filho do segundo de seis filhos, James Conder, engenheiro civil e Mary Ann Ayres. Passou anos na Índia como criança antes da morte de sua mãe em 14 maio 1873 em Bombaim, quando ele tinha apenas quatro anos; foi enviado de volta à Inglaterra e frequentou várias escolas incluindo uma escola preparatória em Eastbourne, onde estudou desde 1877. Abandonou a escola aos quinze anos e seu pai religioso, contra suas naturais inclinações artísticas, decidiu que deveria seguir seus passos como engenheiro civil.
Em 1884, aos dezesseis anos, foi enviado para Sydney, Austrália, onde trabalhou para seu tio, um topógrafo do governo da Nova Gales do Sul. No entanto, ele não gostou do trabalho, preferindo desenhar o cenário em vez de realizar levantamentos. Em 1886, deixou o emprego e tornou-se artista para o *Illustrated Sydney News*, onde estava na companhia de outros artistas como Albert Henry Fullwood, Frank Mahony e Benjamin Edwin Minns. Também frequentou as aulas de pintura de Alfred James Daplyn e juntou-se à Sociedade Artística da Nova Gales do Sul, participando de excursões pictóricas com Julian Ashton.
Conder tornou-se um pintor australiano importante no início do século XX. Sua obra mais famosa é *Departure of the Orient – Circular Quay* (1888), uma cena portuária que captura o movimento e a luz da hora do pôr do sol em Sydney Cove. Esta pintura foi adquirida pelo Art Gallery of New South Wales, marcando seu primeiro trabalho a entrar em uma coleção pública e consolidando sua posição como um dos principais artistas da Escola Heidelberg.
Conder passou seus últimos anos na Europa, principalmente Inglaterra, mas visitou França várias vezes. Sua saúde deteriorou-se constantemente devido à sífilis, que o acompanhou até o fim de sua vida e impediu que ele continuasse pintando. Apesar disso, Conder produziu obras significativas que permanecem como testemunhos de uma época e um artista excepcional.
