Chirag Jindal

Chirag Jindal: Mapping Hidden Worlds Through LiDAR Art

Chirag Jindal stands at the forefront of a unique artistic movement—the fusion of documentary journalism, new media art and cartography—a convergence that unveils profound insights into humanity’s connection with the natural world. Born in Auckland, New Zealand, he possesses a Master’s degree in Architecture from The University of Auckland, grounding his creative vision in spatial understanding and meticulous observation. This academic foundation serves as bedrock for his distinctive artistic style, particularly evident in his acclaimed lidar-mapped series “Into the Underworld,” which delves into the concealed geology beneath Auckland city—a project that transcends mere documentation to become a powerful statement about cultural heritage and environmental stewardship.

Early Influences: The Seeds of Mapping

Jindal’s fascination with mapping blossomed during his architectural studies, where he honed skills in spatial analysis and representation. Beyond conventional design principles, he cultivated an eagerness to explore territories unseen by the naked eye—both physical landscapes and conceptual realms. This inquisitive spirit foreshadowed his later embrace of LiDAR technology as a primary artistic tool, recognizing its transformative potential for visualizing environments previously inaccessible to traditional methods. The influence of pioneers in architectural visualization and exploration undoubtedly shaped his formative years.

LiDAR Technology & Artistic Vision: Unlocking Hidden Landscapes

Recognizing the revolutionary capabilities of LiDAR (Light Detection and Ranging)—a technique utilizing laser scanners—Jindal swiftly adopted this technology as his artistic cornerstone. LiDAR’s ability to generate detailed 3D models from ground surveys fundamentally altered the possibilities for representing landscapes, allowing artists like Jindal to transcend conventional perspectives and reveal hidden dimensions of geological formations. This embrace of cutting-edge instrumentation reflects a broader commitment to pushing creative boundaries and harnessing technological advancements to enrich artistic expression.

“Into The Underworld”: A Geological Narrative

The “Into The Underworld” series solidified Jindal’s reputation as an artist who dares to confront challenging subjects with sensitivity and intellectual rigor. Utilizing LiDAR data, he meticulously documented the extensive lava caves beneath Auckland—sites revered by Māori culture and now facing imminent threat from urban expansion. More than just geological accuracy, the resulting artworks convey a deep reverence for indigenous heritage and underscore the importance of safeguarding vulnerable ecosystems. Jindal’s approach embodies an empirical methodology combined with artistic storytelling, transforming scientific observation into evocative visual narratives that resonate with both intellectual curiosity and emotional engagement.

Education & Artistic Development

Jindal's academic pursuits culminated in a Master of Architecture (First Class Honours) from The University of Auckland in 2016—a testament to his unwavering dedication to scholarly excellence alongside artistic exploration. Prior to this degree, he completed his Bachelor of Architectural Studies at the same institution in 2013, honing foundational skills in spatial design and visual communication. Furthermore, Jindal’s involvement with FTII (Film and Television Institute of India) provided him with invaluable experience in performance and storytelling—disciplines that enrich his artistic perspective and contribute to the depth of his creative output.

Recognition & Exhibitions: Sharing Visionary Art

Jindal's artistic achievements have garnered considerable acclaim and awards, reflecting the impact of his work within the contemporary art landscape. He was awarded the Royal Photographic Society’s Under 30s Award in 2020 for his photographic explorations of marginalized environments—a recognition of his commitment to documenting perspectives often overlooked by mainstream media. His participation in international exhibitions—including Silo 6, Auckland; Copenhagen Photo Festival; and Ars Electronica—demonstrates a willingness to engage with diverse audiences and contribute to broader dialogues about art and culture. He continues to refine his artistic practice, driven by a desire to inspire contemplation and foster appreciation for the beauty and complexity of our planet.