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      Vasili Perov, 1833 – 1882

      Cele mai celebre 100 picturi ale lui Vasili Perov

      Last Journey (1865) este pictura pentru care Vasili Perov este cel mai cunoscut; aceasta face parte din colecția Galeria Tretyakov, Moscova. The farmer in the field (1876) și Boy-craftsman (1865) completează trioul celor mai iubite picturi. Catalogul nostru cuprinde 170 lucrări ale lui Vasili Perov. Iată cele 100 cele mai faimate, însoțite de anul realizării, muzeul și povestea fiecărei pânze.

      Clasate în funcție de scorul nostru de popularitate, care combină numărul de căutări, vizitele și comenzile pentru fiecare operă. Actualizat Octombrie 2026. Fiecare pictură de pe această pagină poate fi comandată sub formă de reproducere pictată manual în ulei pe pânză de in, sau ca print de artă, realizat la dimensiunea aleasă de dumneavoastră.

      Portretul lui Vasili Perov
      Vasili Perov · 1833 – 1882
      Născut · Decedat
      1833 – 1882, Tobolsk
      Mișcare
      Realism
      Lucrări din catalogul nostru
      170
      Cele mai celebre
      Last Journey (1865)
      Cele mai multe lucrări în
      Galeria Tretyakov

      Cele mai iubite cele zece picturi ale lui Vasili Perov

      Last Journey (1865) de Vasili Perov
      1

      Last Journey

      1865 · Oil On Canvas · Galeria Tretyakov, Moscova

      Vasily Grigoryevich Perov's "Last Journey," painted in 1865, is a poignant masterpiece of Realism that offers a stark and unflinching portrayal of life for the peasantry in 19th-century Russia. Measuring 43 x 57 cm, this oil on canvas work transcends mere depiction; it serves as a social commentary and an emotional exploration of loss, resilience, and the burdens of rural existence.

      Reproducere pictată manual în ulei de la $228 35 × 29 cm Aceeași dimensiune ca originalul $273 57 × 43 cm Comandă în dimensiunea originală →
      The farmer in the field (1876) de Vasili Perov
      2

      The farmer in the field

      1876 · Oil

      In the heart of a sprawling, sun-drenched landscape, Vasily Grigoryevich Perov captures a profound moment of stillness in his 1876 masterpiece, The Farmer in the Field. The painting presents us with an elderly man, a figure etched by time and toil, seated upon a weathered rock amidst the vastness of a rural expanse. His long, white beard flows like a river of silver, contrasting softly against the earthy tones of…

      Reproducere pictată manual în ulei de la $178 27 × 37 cm Aceeași dimensiune ca originalul $242 50 × 62 cm Comandă în dimensiunea originală →
      Boy-craftsman (1865) de Vasili Perov
      3

      Boy-craftsman

      1865 · Oil On Canvas

      In Boy-craftsman, Vasily Perov presents a quiet, intimate moment centered on a young boy. The subject stands before a window framed by a striped awning, his gaze directed upward toward the glass. He is dressed in a dark jacket layered over a lighter-colored shirt, and his bare feet suggest a sense of unadorned reality. In one hand, he holds a plate, while the other cradles a small bird or animal,…

      Reproducere pictată manual în ulei de la $178 26 × 39 cm

      Vasili Perov: pântecele 11 - 100 din clasament

      Cele mai picturate opere ale lui Vasili Perov

      Cele patru teme care apar cel mai des pe aceste pânze, fiecare cu cel mai apreciat exemplu al său.

      Unde sunt expuse picturile lui Vasili Perov

      Cele 5 muzee care dețin cele mai multe dintre picturile de pe această pagină.

      Muzee Oraș Lucrări lui Vasili Perov Picturi din această listă
      Galeria Tretyakov, MoscovaGaleria Tretyakov Moscova 9 Last Journey, Sermon in a Village
      Yekaterinburg Museum of Fine Arts, YekaterinburgYekaterinburg Museum of Fine Arts Yekaterinburg 1 Portrait of an Elderly Woman in a Cap
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Head of a Man
      Muzeul Ermitaj, Sankt PetersburgMuzeul Ermitaj Sankt Petersburg 1 Portrait of a Man
      Kiev National Picture Gallery, KyivKiev National Picture Gallery Kyiv 1 Self-portrait

      Cea mai celebră pânză a lui Vasili Perov, deceniu după deceniu

      1. 1850s
        Self-portrait (1851) de Vasili Perov
        43 din 100

        Self-portrait

        Vârsta 17 – 26 · Kiev National Picture Gallery
      2. 1860s
        Last Journey (1865) de Vasili Perov
        Pânză 1 din 100

        Last Journey

        Vârsta 27 – 36 · Galeria Tretyakov

        Vasily Grigoryevich Perov's "Last Journey," painted in 1865, is a poignant masterpiece of Realism that offers a stark and unflinching portrayal of life for the peasantry in 19th-century…

      3. 1870s
        The farmer in the field (1876) de Vasili Perov
        Pânză 2 din 100

        The farmer in the field

        Vârsta 37 – 46

        In the heart of a sprawling, sun-drenched landscape, Vasily Grigoryevich Perov captures a profound moment of stillness in his 1876 masterpiece, The Farmer in the Field. The painting…

      4. 1880s

      Pânzele lui Vasili Perov, întrebare cu întrebare

      Pentru care pictură este cel mai cunoscut Vasili Perov?Citește răspunsul

      Last Journey (1865), Galeria Tretyakov, Moscova. Urmează The farmer in the field (1876) și Boy-craftsman (1865).

      Last Journey: ce vârstă avea Vasili Perov când a fost pictată?Citește răspunsul

      Vasili Perov, născut în 1833, avea 32 de ani: Last Journey datează din 1865.

      Care sunt cele mai celebre zece picturi ale lui Vasili Perov?Citește răspunsul

      Last Journey, The farmer in the field, Boy-craftsman, The conversation at the round table, The funeral of a poor quarter of Paris, Teatime in Mytischi near Moscow, Paris sharmanschitsa. Sketch, Burglary at Easter Eve, Procession on Easter. Sketch for the painting și Organ Grinder. Fiecare pictură din clasamentul de mai sus este însoțită de anul creării și de muzeul în care este expusă.

      Câte picturi a creat Vasili Perov?Citește răspunsul

      În catalogul nostru sunt 170 lucrări ale lui Vasili Perov, datate între 1851 și 1880.

      Unde sunt expuse astăzi cele mai celebrele picturi ale lui Vasili Perov?Citește răspunsul

      În principal în Galeria Tretyakov (Moscova), Yekaterinburg Museum of Fine Arts (Yekaterinburg) și Metropolitan Museum of Art (New York); lista de mai sus enumeră fiecare muzeu și picturile sale.

      Când a pictat Vasili Perov cele mai celebre picturi?Citește răspunsul

      În 1860s, care a inclus 63 dintre cele 100 lucrări de pe această pagină, Last Journey printre acestea.

      Care a fost prima și care a fost ultima pictură a celebrului Vasili Perov?Citește răspunsul

      Cea mai veche pânză de aici datează din Self-portrait (1851), iar cea mai recentă este din Nikita Pustosvyat. The dispute about the faith (1880).

      Ce subiecte a pictat cel mai des Vasili Perov?Citește răspunsul

      Men (33), Portraits (20) și Designs and sketches (12), din cele 100 lucrări de pe această pagină.

      Care este tehnica cea mai prezentă în picturile lui Vasili Perov?Citește răspunsul

      Oil, utilizat în 5 dintre cele 100 lucrări de pe această pagină.

      Cu ce mișcare este asociat(ă) Vasili Perov?Citește răspunsul

      Realism, așa cum demonstrează picturile de pe această pagină.

      Ce picturi ale lui Vasili Perov sunt păstrate la Galeria Tretyakov?Citește răspunsul

      Galeria Tretyakov, Moscova deține 2 dintre lucrările de pe această pagină, printre care se numără Last Journey și Sermon in a Village.

      Unde pot cumpăra o reproducere a unei picturi a lui Vasili Perov?Citește răspunsul

      Da. Orice pictură de pe această pagină poate fi comandată de pe pagina sa dedicată, sub formă de reproducere pictată manual în ulei sau ca print de artă, în dimensiunea aleasă de dumneavoastră.

      Făcând cunoștință cu pictorul: Vasili Perov

      A Life Etched in Realism: Vasily Perov and the Soul of Russia

      Vasily Grigoryevich Perov, born Vasily Vasiliev on January 21st, 1834, in the remote Siberian town of Tobolsk, was not merely a painter; he was a chronicler of his time, a social observer who wielded his brush to expose the realities—both beautiful and brutal—of 19th-century Russia. His life story is inextricably linked to his art, shaped by an unconventional upbringing that instilled within him a profound empathy for the marginalized and a relentless desire to capture the essence of ordinary Russian life. Born out of wedlock to Baron Grigory Kridener and Akulina Ivanova, Perov’s early years were marked not by privilege but by a sense of displacement and a keen awareness of social inequalities—themes that would become central to his artistic vision. The adoption of the surname “Perov,” derived from the Russian word for ‘feather,’ a reference to his early skill in calligraphy, subtly foreshadowed his meticulous attention to detail and his dedication to rendering the world around him with painstaking accuracy. His formal artistic journey began at the Alexander Stupin Art School in Arzamas, where he honed fundamental skills before enrolling at the Moscow School of Painting, Sculpture and Architecture in 1853—a pivotal step that exposed him to a wider range of artistic influences and solidified his commitment to pursuing a career as an artist.

      Early Recognition and Artistic Development

      Perov’s early works quickly garnered attention within the Imperial Academy of Arts, culminating in silver and gold medals for paintings like “Commissary of Rural Police Investigating” (1857) and, most notably, "Sermon in a Village" (1861). The latter painting, depicting a disengaged congregation during a church service, became an instant sensation, catapulting Perov into the national spotlight and securing him the extraordinary opportunity to study abroad. This period in Europe—primarily Paris and various German cities—proved transformative, exposing him to new artistic techniques and broadening his understanding of the world beyond Russia. However, it was not simply exposure that shaped his style; Perov’s time abroad deepened his commitment to realism, a movement he would later champion as a founding member of the Peredvizhniki (Wanderers). He absorbed the lessons of artists like Gustave Courbet and Jean-François Millet, masters of depicting everyday life with unflinching honesty. Returning to Russia in 1865, Perov embarked on a prolific period of artistic production, creating some of his most enduring masterpieces—works that would come to define his legacy as one of Russia’s greatest realist painters.

      The Voice of the Voiceless: Themes and Techniques

      Perov's artistic vision was profoundly rooted in a commitment to portraying Russian society with an uncompromising honesty. He deliberately rejected the idealized depictions favored by many of his contemporaries, choosing instead to focus on the lives of ordinary people—peasants, laborers, the forgotten, and those struggling against poverty and injustice. His paintings are not mere representations; they are powerful social commentaries that expose the hardships, inequalities, and spiritual emptiness prevalent in 19th-century Russia. "Sermon in a Village," for example, subtly critiques religious hypocrisy by depicting a congregation largely detached from the sermon, while “The Queue at the Fountain” starkly illustrates the daily struggles of rural life—the long wait for water, the weariness etched on faces, and the palpable sense of hardship. His technique was characterized by meticulous detail, somber color palettes dominated by browns, grays, and muted greens, and a masterful use of light and shadow to create dramatic effect. He wasn’t interested in romanticizing poverty or suffering; rather, he sought to present it with dignity and empathy, forcing viewers to confront uncomfortable truths about their own society. Works like “The Last Journey,” depicting a peasant funeral procession, and "Troika: Apprentice Workmen Carrying Water" are poignant examples of his ability to evoke profound emotional responses through realistic portrayals of everyday life. Perov’s skill extended beyond oil painting; he also excelled in etching, as demonstrated by the powerful monochromatic work “Naushnitsa. Before the storm,” which showcases his mastery of chiaroscuro and intricate detail.

      Founding a Movement: The Peredvizhniki

      Perov's dedication to realism aligned perfectly with the burgeoning spirit of artistic rebellion that led to the formation of the Peredvizhniki (Wanderers) in 1870. This collective of Russian realist painters broke away from the constraints of the Academy, establishing an independent society dedicated to exhibiting art throughout Russia—reaching audiences beyond the confines of St. Petersburg and Moscow. The Peredvizhniki aimed to bring art directly to the people, to address social issues through their work, and to promote a uniquely Russian artistic identity. Perov was not merely a member; he was a founding force, instrumental in shaping the movement’s ideals and advocating for its principles. His commitment to portraying the lives of ordinary Russians resonated deeply with the Peredvizhniki's mission, solidifying his position as a leading figure within the group. The Wanderers’ exhibitions became immensely popular, attracting large crowds and sparking important conversations about art, society, and national identity.

      Legacy and Enduring Influence

      Vasily Perov’s untimely death from tuberculosis in 1882 at the age of 48 marked a significant loss for Russian art. However, his legacy continued to inspire generations of artists who followed in his footsteps. His influence can be seen in the works of Ilya Repin and Vasily Surikov, both masters of realist painting who further developed the tradition he helped establish. Perov’s paintings remain relevant today not only for their artistic merit but also for their enduring social commentary. They serve as a powerful reminder of the hardships faced by ordinary people throughout history and continue to provoke empathy and understanding. His works are now housed in prominent collections, including the Tropinin and Contemporary Moscow Artists Museum, ensuring that his vision continues to resonate with audiences worldwide. Perov’s contribution extends beyond mere artistic skill; he was a social conscience etched onto canvas, a voice for the voiceless, and a pioneer of Russian realism.