Самая известная картина Anthonie Waldorp — это View of Spaarnwoude in Stormy Weather (1839), которая находится в Амстердамский музей, Амстердам. Следующими среди самых узнаваемых полотен читателей являются A Pier Head in Calm Weather (1839) и Mill with sight of Delft (1836). В нашем каталоге представлено 37 работ Anthonie Waldorp: перед вами 35 самых известных, с указанием года создания, музея и особенностей, которые делают их незабываемыми.
Рейтинг основан на нашем показателе популярности, который учитывает количество поисковых запросов, посещений и заказов для каждой работы. Обновлено Октябрь 2026. Каждую картину на этой странице можно заказать как масляную репродукцию, написанную вручную на льняном холсте, или как художественную печать, выполненную в выбранном вами размере.
Fishing boats on calm water. At a jetty on the left, a fisherman in a rowboat holds a fish up.
Заказать ручную работу from $178 →Riverscape with some sailing ships and a wal tower inspired by the Camperveerse tower in Veere
Заказать ручную работу from $178 →Четыре самых популярных сюжета на этих полотнах с их лучшими примерами.
6 музеев, в которых находится большинство картин со страницы.
| Музей | Город | Работы Anthonie Waldorp | Картины из этого списка |
|---|---|---|---|
| Амстердам | 7 | View of Spaarnwoude in Stormy Weather, A Pier Head in Calm Weather, Church in Delft | |
| Dordrecht | 2 | Mill with sight of Delft, Seascape with Ships | |
| Амстердам | 2 | Riviergezicht met een waltoren geïnspireerd op de Camperveerse toren te Veere, Antonie Waldorp, 1855, View Of A Bridge Seine In Paris By Moonlight | |
| Роттердам | 1 | The Merwede River with the Flight of Hugo Grotius | |
| Хаарен | 1 | The Meuse | |
| Alkmaar | 1 | Cityscape |
View of Spaarnwoude in Stormy Weather (1839), Амстердамский музей, Амстердам. Далее следуют A Pier Head in Calm Weather (1839) и Mill with sight of Delft (1836).
Anthonie Waldorp, родившийся в 1802, в возрасте 37 лет: View of Spaarnwoude in Stormy Weather датируется 1839 годом.
View of Spaarnwoude in Stormy Weather, A Pier Head in Calm Weather, Mill with sight of Delft, Church in Delft, Seascape with Ships, The Portrait of Nuijen, Interior of a church in Alkmaar, The Merwede River with the Flight of Hugo Grotius, Marine: Arrival of High-Ranking Figures in a 17th-Century Dutch Port и A Drawbridge over a City Canal. Каждое полотно в рейтинге выше содержит информацию о годе создания и музее.
В нашем каталоге представлено 37 работ Anthonie Waldorp, датированных периодом с 1832 по 1862.
В основном в Амстердамский музей (Амстердам), Dordrechts Museum (Dordrecht) и Рейксмюзеум (Амстердам); в списке выше указаны названия музеев и их полотен.
В 1840s, на долю которого пришлось 6 из 35 работ на этой странице, Seascape with Ships из них.
Самая ранняя работа здесь датирована Church in Delft (1832), а самая поздняя — Beurtschip Zaandam (1862).
Scenes (3), Rivers (3) и Coastal scene (2) в 35 работах на этой странице.
В Амстердамский музей, Амстердам находится 7 работ со страницы, в том числе View of Spaarnwoude in Stormy Weather, A Pier Head in Calm Weather и Church in Delft.
Да. Каждую картину на этой странице можно заказать на ее собственной странице как масляную репродукцию ручной работы или как художественную печать в выбранном вами размере.
Anthonie Waldorp, born Antoine de Saaijer Waldorp on March 28th, 1803, in The Hague, Netherlands, emerged from a family deeply intertwined with the burgeoning Dutch art world. His father, Abel de Saaijer Waldorp, served as keeper of the National Art Gallery—a position that placed young Anthonie directly within a sphere of artistic inspiration during a period when the nation was actively reorganizing its collections after the Napoleonic era. This early exposure to masterpieces undoubtedly sparked his initial fascination with visual expression. Though details regarding his immediate family’s direct involvement in art remain scarce, the household's connection to gallery operations provided invaluable access to both decorative and curatorial practices common within 19th-century artistic circles.
The Hague itself was a vibrant cultural hub during Waldorp’s formative years—the political seat of the Dutch monarchy and government attracted artists, collectors, and institutions that solidified its status as a center for Dutch creativity. Initially, Waldorp embarked on an apprenticeship with Joannes Breckenheimer Jr., a well-known stage scenery painter in The Hague. This foundational training instilled in him a keen understanding of composition, perspective, and the dramatic use of light—skills he would later translate into his fine art endeavors.
Shortly after reaching his twenty-third year, Waldorp committed himself fully to a career as a painter. He quickly distinguished himself as one of the precursors to the celebrated Hague School, a movement known for its realistic depictions of Dutch landscapes and seascapes. His early work reflected this transition, initially focusing on stage sceneries reminiscent of his grandfather’s profession before evolving towards domestic interiors and portraits—often depicting figures in 17th-century attire. However, it was his eventual specialization in landscapes, river scenes, and marine paintings that truly defined his artistic trajectory.
A pivotal moment in Waldorp's development came with a journey through France, Belgium, and Germany in 1833 alongside fellow artist Wijnand Nuyen. This expedition exposed him to diverse artistic styles and broadened his perspective on landscape painting. He began to blend romantic idealism with meticulous observational detail, creating compositions that resonated with contemporary audiences. During this period, Waldorp also took on the role of tutor, sharing his knowledge with aspiring artists such as C.P. 't Hoen, J.C. Hofman, C. Rochussen, and Jan Hendrik Weissenbruch—contributing to the growth of landscape painting within the Netherlands.
Waldorp’s mature style was characterized by serene seascapes and river views that captured the subtle nuances of light and atmosphere. His paintings often featured calm waters, billowing clouds, and meticulously rendered ships—evoking a sense of tranquility and harmony. He wasn't afraid to experiment with lithography as well, expanding his artistic reach beyond traditional oil painting.
His dedication to his craft yielded significant international recognition. Waldorp’s works found favor among the royal courts of Germany, the Netherlands, and France—a testament to their aesthetic appeal and technical skill. This acclaim solidified his position as a leading figure in Dutch landscape painting and paved the way for further artistic exploration.
In 1857, Waldorp relocated to Amsterdam, joining the prestigious Royal Academy and continuing to refine his technique. He received numerous accolades throughout his career, including appointments as a Knight of the Order of Leopold by the Belgian king in 1845, a Knight in the Order of the Dutch Lion in 1847, and a Knight in the Order of the Oak Crown in 1849. His contributions to the art world were further acknowledged through streets named in his honor within both The Hague and Amsterdam.
Anthonie Waldorp’s significance lies not only in the beauty of his paintings but also in his role as a bridge between neoclassical traditions and the emerging realism of the Hague School. He paved the way for future generations of Dutch landscape painters, inspiring them to embrace observational detail while maintaining a sense of romantic idealism. His serene seascapes and river views continue to captivate audiences today, offering a glimpse into the tranquil beauty of 19th-century Netherlands.