Биография художника
Ignacio Pinazo Camarlench: Life and Legacy
Ignacio Pinazo Camarlench (January 11, 1849 – October 18, 1916) was a Spanish painter, and one of the most prominent artists of Valencia from the end of the nineteenth century, working in the Impressionist style.
Born into a poor family in Valencia, Pinazo faced early hardship, being forced from a young age to contribute to the family income by practicing various trades. He had only attended eight grades when his mother died of cholera, and young Ignazio was variously employed as a silversmith, a painter of tiles, and a decorator of fans. After his father’s death, he lived with his grandparents, and in 1864 enrolled in the San Carlos Academy of Fine Arts, Valencia, earning his living as a hatter.
His artistic career started when he was 21, achieving initial success in Barcelona three years later. In 1871, work by him was displayed in the National Exhibition of Fine Arts for the first time. He initially focused on conventional historical themes but shifted dramatically after a pivotal trip to Rome in 1873. Inspired by his travels, he embraced painting family subjects, nude figures, and scenes from daily life – anticipating the style of Joaquín Sorolla y Bastida and Francisco Domingo. A second extended stay in Rome (1876-1881), funded by a grant, further refined his Impressionistic approach. He developed a style characterized by dark colors – blacks, browns, and earth tones – alongside the scintillating palette of Impressionism, often employing rapid brushstrokes.
Pinazo received commissions from the Valencian aristocracy, including the Marchioness of Benicarló. He earned silver medals at art exhibitions in 1881 and 1885, followed by gold medals in 1887 and 1899. He was awarded a royal medal for his artistic contributions. In 1912, the city of Valencia honored him by naming a street after him. Notable Works: Las hijas del Cid, Los últimos momentos del rey Don Jaime el Conquistador, El guardavía, and Barca en la playa.
The largest collection of his paintings and drawings is held at the Institut Valencià d'Art Modern (IVAM), though not always on permanent display. His works can also be found in the Museu de Belles Arts de València and the Museo del Prado. Pinazo’s legacy resides in bridging traditional Valencian artistic heritage with the burgeoning innovations of Impressionism, offering a poignant glimpse into Spanish culture during his time.