Still Life with Green Bowl (1935) — самая известная картина Hermann Euler; она находится в Баварские государственные живописные коллекции, Мюнхен. В нашем каталоге представлено 2 работ Hermann Euler. Перед вами 2 самых известных произведений с указанием года создания, музея и истории каждого полотна.
Рейтинг основан на нашем показателе популярности, который учитывает количество поисковых запросов, посещений и заказов для каждой работы. Обновлено Октябрь 2026.
1 музеев, в которых находится больше всего картин со страницы.
| Музей | Город | Работы Hermann Euler | Картины из этого списка |
|---|---|---|---|
| Мюнхен | 2 | Still Life with Green Bowl, Strauss |
Все представленные на этой странице полотна Hermann Euler, датированные 1935 годом, представлены в порядке их известности.
Still Life with Green Bowl (1935)
Hermann Euler, родившийся в 1900, в возрасте 35 лет: Still Life with Green Bowl датируется 1935 годом.
В нашем каталоге представлено 2 работ Hermann Euler.
В основном в Баварские государственные живописные коллекции (Мюнхен); в списке выше указаны названия музеев и их полотен.
В 1935, на долю которого пришлось 2 из 2 работ на этой странице, Still Life with Green Bowl из них.
В Баварские государственные живописные коллекции, Мюнхен находится 2 работ со страницы, в том числе Still Life with Green Bowl и Strauss.
Born in Aschaffenburg, Germany, Hermann Euler was the son of Konrad Euler and Meta Hein. His artistic path began in Munich, where he initially pursued painting without formal training before attending the Malschule of Moritz Heymann. He later studied at the Academy of Fine Arts Munich, first in the class of Heinrich von Zügel and subsequently under Angelo Jank, from whom he graduated as a master student in 1927. In 1925, he joined the Künstlervereinigung Münchner Secession. His travels to Norway and France, often accompanied by his wife, the painter Daisy Campi, were significant to his development. In 1934, Euler moved his family from Munich to a farm in Eichbichl am Rinssee. His later years included travels to Italy, Yugoslavia, France, and Spain, until his death in 1970.
Euler’s work evolved from impressionistic subject dissolution toward a cultivated expressive handwriting. His paintings are characterized by a certain rhythm and decisiveness in form, often appearing as if written onto the canvas with a vigorous gesture. He was a skilled draftsman, and in his later years, he frequently utilized a black brushstroke over a more glazing paint application. His technique involved applying oil paint alla prima onto a primed canvas, resulting in surfaces that varied from thick impasto to matte, glazing layers. His subject matter often drew from the immediate surroundings of his farm, including walled cottage gardens and still lifes placed within landscapes, which challenged traditional perceptions of scale and proportion.