Из всех картин Johan Per (Per) Sodermark самой известной является Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848); она находится в Национальный музей Швеции, Стокгольм. Следом за ними идут Portrait of Werner Holmberg (1853) и Christoffer Eichhorn (1837-1889), librarian, art historian (1889). Из 3 работ Johan Per (Per) Sodermark в нашем каталоге эти 3 являются самыми известными; для каждой из них указаны дата создания, музей и история.
Рейтинг основан на нашем показателе популярности, который учитывает количество поисковых запросов, посещений и заказов для каждой работы. Обновлено Ноябрь 2026. Каждую картину на этой странице можно заказать как масляную репродукцию, написанную вручную на льняном холсте, или как художественную печать, выполненную в выбранном вами размере.
2 музеев, в которых находится большинство картин со страницы.
| Музей | Город | Работы Johan Per (Per) Sodermark | Картины из этого списка |
|---|---|---|---|
 Национальный музей Швеции |
Стокгольм | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Finnish National Gallery |
Хельсинки | 1 | Portrait of Werner Holmberg |
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Национальный музей Швеции, Стокгольм. Далее следуют Portrait of Werner Holmberg (1853) и Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Johan Per (Per) Sodermark, родившийся в 1822, в возрасте 26 лет: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery датируется 1848 годом.
В нашем каталоге представлено 3 работ Johan Per (Per) Sodermark, датированных периодом с 1848 по 1889.
В основном в Национальный музей Швеции (Стокгольм) и Finnish National Gallery (Хельсинки); в списке выше указаны названия музеев и их полотен.
Самая ранняя работа здесь датирована Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), а самая поздняя — Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
В Национальный музей Швеции, Стокгольм находится 2 работ со страницы, в том числе Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery и Christoffer Eichhorn (1837-1889), librarian, art historian.
Да. Каждую картину на этой странице можно заказать на ее собственной странице как масляную репродукцию ручной работы или как художественную печать в выбранном вами размере.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
