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      Роберт Беван, 1865 – 1925

      Роберт Беван: 100 самых известных картин

      Из всех картин Роберт Беван самой известной является From the Artist's Window (1915). Следом за ними идут Horse Dealers (Sale at Ward's Repository No.1) (1918) и Devonshire Valley, No. 2 (1913). Из 106 работ Роберт Беван в нашем каталоге эти 100 являются самыми известными; для каждой из них указаны дата создания, музей и история.

      Рейтинг основан на нашем показателе популярности, который учитывает количество поисковых запросов, посещений и заказов для каждой работы. Обновлено Ноябрь 2026. Каждую картину на этой странице можно заказать как масляную репродукцию, написанную вручную на льняном холсте, или как художественную печать, выполненную в выбранном вами размере.

      Портрет Роберт Беван
      Роберт Беван · 1865 – 1925
      Дата рождения · дата смерти
      1865 – 1925, Хов
      Направление
      Fauvism
      Работы в нашем каталоге
      106
      Самые известные
      From the Artist's Window (1915)
      Больше всего работ в
      Yale Center for British Art

      10 самых знаменитых картин Роберт Беван

      From the Artist's Window (1915) работы Роберт Беван
      1

      From the Artist's Window

      1915 · Oil On Canvas

      The city breathes through the narrow canyon of a street, captured from an elevated vantage point that feels intimate yet detached. High above the cobblestones, the world unfolds in a flurry of motion and shadow. Tall buildings line the thoroughfare, their verticality framing a scene of constant transit. Horses pull heavy carriages through the center of the frame, their strength palpable as they navigate the urban flow. A single horse…

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      Horse Dealers (Sale at Ward's Repository No.1) (1918) работы Роберт Беван
      2

      Horse Dealers (Sale at Ward's Repository No.1)

      1918 · Oil On Canvas

      Horse Dealers (Sale at Ward's Repository No.1) is a work by the British artist Robert Bevan. Created about 1918, the piece emerged during a period of significant stylistic transition for the artist, who was a key figure in the development of modern British art. Bevan was a founding member of several influential collectives, including the Camden Town Group and the Fitzroy Street group, contributing to the evolution of early twentieth-century…

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      Devonshire Valley, No. 2 (1913) работы Роберт Беван
      3

      Devonshire Valley, No. 2

      1913 · Oil On Canvas

      In the quietude of 1913, just before the world was irrevocably altered by the shadows of the Great War, Robert Polhill Bevan captured a moment of profound serenity in Devonshire Valley, No. 2. This exquisite oil on canvas serves as more than a mere landscape; it is an evocative portal into a lost era of English tranquility. The painting presents a sweeping, panoramic vista of a verdant valley, where rolling…

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      Landscape in the Blackdown Hills, Devon (1917) работы Роберт Беван
      4

      Landscape in the Blackdown Hills, Devon

      1917 · Oil On Canvas · Alfred East Art Gallery, Kettering

      In this oil on canvas, Landscape in the Blackdown Hills, Devon, the artist Robert Bevan captures a quiet corner of the English countryside. Painted in 1917, the work reflects a period of significant engagement with this specific landscape. Robert Bevan spent much of his later career in this region, working within the Blackdown Hills from 1912 until 1925.

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      Queen's Grove, St John's Wood (1918) работы Роберт Беван
      5

      Queen's Grove, St John's Wood

      1918 · Oil On Canvas · Ашмолеанский музей искусства и археологии, Оксфорд

      In the quiet, rhythmic pulse of 1918, Robert Bevan captured a moment of suspended animation in Queen's Grove, St John's Wood. This oil on canvas depicts a street scene where the horse-drawn carriage still shared the cobblestone streets with the whispers of a new century. The composition employs a deliberate flattening of perspective, inviting the viewer to step into a world that feels both intimately familiar and dreamily distant. There…

      Репродукция маслом ручной работы от $203 35 × 29 cm Размер как у оригинала $264 60 × 50 cm Заказать в оригинальном размере →
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      The Smithy, Szeliwy, No. 2 (1906) работы Роберт Беван
      6

      The Smithy, Szeliwy, No. 2

      1906 · Oil On Canvas

      In the quiet corners of the early twentieth century, there existed a profound beauty in the rhythmic simplicity of village life, a sentiment captured with breathtaking tenderness in Robert Polhill Bevan’s 1906 masterpiece, The Smithy, Szeliwy, No. 2. This evocative oil on canvas serves as more than just a depiction of a landscape; it is a portal into a bygone era of communal harmony and pastoral grace. As the viewer…

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      Ploughing (1893) работы Роберт Беван
      7

      Ploughing

      1893 · Watercolor

      In "Ploughing" by Robert Bevan, the heavy rhythm of the earth takes center stage. Created about 1893, the work captures a singular moment of agricultural labor. A farmer moves through the soil, his presence tied to the steady, repetitive motion of the field. The scene is a study of quiet industry, focusing on the physical connection between man and the land.

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      The Ploughing Team, Dawn (1906) работы Роберт Беван
      8

      The Ploughing Team, Dawn

      1906 · Oil On Canvas

      The morning light begins to touch the landscape in The Ploughing Team, Dawn, a work painted by Robert Bevan. Created in 1906, this scene captures a quiet moment of industry as the day begins to break. The air feels heavy with the potential of the morning, focusing on the rhythmic connection between humans and animals within a natural setting. It is a moment of steady, purposeful movement amidst the vastness…

      Репродукция маслом ручной работы от $178 36 × 28 cm Размер как у оригинала $236 60 × 48 cm Заказать в оригинальном размере →
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      "Quiet with all Road Nuisances" (1912) работы Роберт Беван
      9

      "Quiet with all Road Nuisances"

      1912 · Oil On Canvas · Yale Center for British Art, Нью-Хейвен

      "Quiet with all Road Nuisances" is an oil on canvas by the British artist Robert Bevan. Created about 1912, the work captures a specific moment of communal anticipation during a public auction or horse sale. The title itself is a direct quotation, taken from an auctioneer's description of the horse at a separate sale.

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      A Morning at Tattersall' (1921) работы Роберт Беван
      10

      A Morning at Tattersall'

      1921 · Oil · Yale Center for British Art, Нью-Хейвен

      In A Morning at Tattersall', Robert Bevan captures a specific, bustling moment within the social and commercial life of the early twentieth century. Created about 1921, this oil painting focuses on the activity of a horse auction or market. The scene is populated by a crowd of figures gathered around horses, documenting the quiet intensity of horse trading. It is a study of human interaction and animal presence within a…

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      Картины художника Роберт Беван в рейтинге с 11 по 100

      Под молотом (1913) работы Роберт Беван
      #71

      Под молотом

      1913 · Walker Art Gallery

      Под Статуей: Шедевр Роберта Бевена и Его Значение для Британского Искусства РГАЛ в Ливерпуле, Великобритания, является домом для впечатляющей коллекции изобразительного искусства и декоративно-прикладного искусства, включая завораживающую картину…

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      The Chestnut Tree (1919) работы Роберт Беван
      #76

      The Chestnut Tree

      1919 · Ашмолеанский музей искусства и археологии

      Robert Polhill Bevan's "The Chestnut Tree," painted in 1919, isn’t merely a depiction of a rural scene; it’s a carefully constructed evocation of the English countryside imbued with…

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      Поле города, Хоршгейт, Западный Суссекс (1914) работы Роберт Беван

      Robert Polhill Bevan и картина «Поле в Хорсгейте» Robert Polhill Bevan (1865–1925) был английским художником, draftsmanтом и литографом, который занимал ключевое место в начале XX века британского искусства.…

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      Задний дом зернаря (1904) работы Роберт Беван
      #100

      Задний дом зернаря

      1904 · Swindon Art Gallery

      Запечатленный Мир: Образец Раннего Модернизма Роберта Полхилла Бевэна и Дом в Польше Роберт Полхилл Бевэн (1865–1925) занимает особое место в истории британского искусства начала XX века, выступая не…

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      Полотна Роберт Беван по периодам творчества

      Early Period

      1891 – 1917 · 7 работ в этом списке
      Ploughing (1893), Роберт Беван #7 Ploughing 1893 The Ploughing Team, Dawn (1906), Роберт Беван #8 The Ploughing Team, Dawn 1906 The Horse Mart (Barbican No. 1) (1917), Роберт Беван #17 The Horse Mart (Barbican No. 1) 1917 · Yale Center for British Art Woman from Moëlan cutting bread (1891), Роберт Беван #42 Woman from Moëlan cutting bread 1891 · Musée de Pont-Aven The Farmhouse (1917), Роберт Беван #48 The Farmhouse 1917

      Mature Period

      1904 – 1924 · 21 работ в этом списке
      From the Artist's Window (1915), Роберт Беван #1 From the Artist's Window 1915 Devonshire Valley, No. 2 (1913), Роберт Беван #3 Devonshire Valley, No. 2 1913 "Quiet with all Road Nuisances" (1912), Роберт Беван #9 "Quiet with all Road Nuisances" 1912 · Yale Center for British Art The Hay Harvest (1916), Роберт Беван #14 The Hay Harvest 1916 Mare and Foal (1917), Роберт Беван #15 Mare and Foal 1917

      Early Modernism

      1912 – 1920 · 8 работ в этом списке
      Stanislawa Bevan, née de Karlowska (1920), Роберт Беван #12 Stanislawa Bevan, née de Karlowska 1920 · Национальная портретная галерея Under the Hammer (1914), Роберт Беван #20 Under the Hammer 1914 · Walker Art Gallery Horse Sale at the Barbican (1912), Роберт Беван #68 Horse Sale at the Barbican 1912 · Тейт Галерея Showing at Tattersalls (1919), Роберт Беван #69 Showing at Tattersalls 1919 · Ашмолеанский музей искусства и археологии Под молотом (1913), Роберт Беван #71 Под молотом 1913 · Walker Art Gallery

      Early 20th Century

      1906 – 1922 · 6 работ в этом списке
      The Smithy, Szeliwy, No. 2 (1906), Роберт Беван #6 The Smithy, Szeliwy, No. 2 1906 A London Church (1922), Роберт Беван #11 A London Church 1922 Thirsty Cab Horse (1910), Роберт Беван #33 Thirsty Cab Horse 1910 Rosemary la vallée (1916), Роберт Беван #55 Rosemary la vallée 1916 Near Hemyock (1918), Роберт Беван #60 Near Hemyock 1918

      Early Modern

      1912 – 1921 · 6 работ в этом списке
      Landscape in the Blackdown Hills, Devon (1917), Роберт Беван #4 Landscape in the Blackdown Hills, Devon 1917 · Alfred East Art Gallery Queen's Grove, St John's Wood (1918), Роберт Беван #5 Queen's Grove, St John's Wood 1918 · Ашмолеанский музей искусства и археологии Two Bridges (1912), Роберт Беван #13 Two Bridges 1912 Watering Cattle, Poland (1921), Роберт Беван #58 Watering Cattle, Poland 1921 The Green House, St. John/'s Wood (1919), Роберт Беван #73 The Green House, St. John/'s Wood 1919 · Art Gallery of South Australia

      Что чаще всего писал Роберт Беван

      Четыре самых популярных сюжета на этих полотнах с их лучшими примерами.

      Landscape 16 работ

      Landscape in the Blackdown Hills, Devon (1917), Роберт Беван #4 Landscape in the Blackdown Hills, Devon 1917 · Alfred East Art Gallery The Ploughing Team, Dawn (1906), Роберт Беван #8 The Ploughing Team, Dawn 1906 The Hay Harvest (1916), Роберт Беван #14 The Hay Harvest 1916 Village Houses at Szeliwy (1903), Роберт Беван #65 Village Houses at Szeliwy 1903

      British art 14 работ

      Queen's Grove, St John's Wood (1918), Роберт Беван #5 Queen's Grove, St John's Wood 1918 · Ашмолеанский музей искусства и археологии The Horse Mart (Barbican No. 1) (1917), Роберт Беван #17 The Horse Mart (Barbican No. 1) 1917 · Yale Center for British Art Under the Hammer (1914), Роберт Беван #20 Under the Hammer 1914 · Walker Art Gallery Под молотом (1914), Роберт Беван #39 Под молотом 1914 · Walker Art Gallery

      Early 20th century 10 работ

      Devonshire Valley, No. 2 (1913), Роберт Беван #3 Devonshire Valley, No. 2 1913 A London Church (1922), Роберт Беван #11 A London Church 1922 Stanislawa Bevan, née de Karlowska (1920), Роберт Беван #12 Stanislawa Bevan, née de Karlowska 1920 · Национальная портретная галерея Two Bridges (1912), Роберт Беван #13 Two Bridges 1912

      Rural landscape 8 работ

      The Farmhouse (1917), Роберт Беван #48 The Farmhouse 1917 Rosemary la vallée (1916), Роберт Беван #55 Rosemary la vallée 1916 Watering Cattle, Poland (1921), Роберт Беван #58 Watering Cattle, Poland 1921 Near Hemyock (1918), Роберт Беван #60 Near Hemyock 1918

      Где висят полотна Роберт Беван

      8 музеев, в которых находится большинство картин со страницы.

      Музей Город Работы Роберт Беван Картины из этого списка
      Yale Center for British Art, Нью-ХейвенYale Center for British Art Нью-Хейвен 9 "Quiet with all Road Nuisances", A Morning at Tattersall', The Caller at the Mill
      Ашмолеанский музей искусства и археологии, ОксфордАшмолеанский музей искусства и археологии Оксфорд 4 Queen's Grove, St John's Wood, Showing at Tattersalls, The Chestnut Tree
      Национальная портретная галерея, ЛондонНациональная портретная галерея Лондон 3 Stanislawa Bevan, née de Karlowska, Self-Portrait, Robert Polhill Bevan
      Walker Art Gallery, ЛиверпульWalker Art Gallery Ливерпуль 3 Under the Hammer, Под молотом, Под молотом
      Ашмолейский музей, ОксфордАшмолейский музей Оксфорд 3 Queen's Road, St. John's Wood, The Chestnut Tree, Showing at Tattersall's
      Музей изящных искусств, БостонМузей изящных искусств Бостон 2 Parade at Aldridge's, Adelaide Road, N.W.
      Национальный Траст, ЛондонНациональный Траст Лондон 2 The Smithy at Szeliwy, Poland, Meadows, Poland
      Alfred East Art Gallery, KetteringAlfred East Art Gallery Kettering 1 Landscape in the Blackdown Hills, Devon

      Десятилетие за десятилетием: самые знаменитые полотна Роберт Беван

      1. 1890s
        Ploughing (1893) работы Роберт Беван
        7 из 100

        Ploughing

        Возраст 25 – 34

        In "Ploughing" by Robert Bevan, the heavy rhythm of the earth takes center stage. Created about 1893, the work captures a singular moment of agricultural labor. A farmer…

      2. 1900s
        The Smithy, Szeliwy, No. 2 (1906) работы Роберт Беван
        Холст 6 из 100

        The Smithy, Szeliwy, No. 2

        Возраст 35 – 44

        In the quiet corners of the early twentieth century, there existed a profound beauty in the rhythmic simplicity of village life, a sentiment captured with breathtaking tenderness in…

      3. 1910s
        From the Artist's Window (1915) работы Роберт Беван
        Холст 1 из 100

        From the Artist's Window

        Возраст 45 – 54

        The city breathes through the narrow canyon of a street, captured from an elevated vantage point that feels intimate yet detached. High above the cobblestones, the world unfolds…

      4. 1920s
        A Morning at Tattersall' (1921) работы Роберт Беван
        10 из 100

        A Morning at Tattersall'

        Возраст 55 – 60 · Yale Center for British Art

        In A Morning at Tattersall', Robert Bevan captures a specific, bustling moment within the social and commercial life of the early twentieth century. Created about 1921, this oil…

      Ответы на ваши вопросы о картинах Роберт Беван

      Какая картина Роберт Беван является самой знаменитой?Прочитать ответ

      From the Artist's Window (1915), за которой следуют Horse Dealers (Sale at Ward's Repository No.1) (1918) и Devonshire Valley, No. 2 (1913).

      Сколько лет было Роберт Беван на момент создания From the Artist's Window?Прочитать ответ

      Роберт Беван, родившийся в 1865, в возрасте 50 лет: From the Artist's Window датируется 1915 годом.

      Какие десять картин Роберт Беван наиболее известны?Прочитать ответ

      From the Artist's Window, Horse Dealers (Sale at Ward's Repository No.1), Devonshire Valley, No. 2, Landscape in the Blackdown Hills, Devon, Queen's Grove, St John's Wood, The Smithy, Szeliwy, No. 2, Ploughing, The Ploughing Team, Dawn, "Quiet with all Road Nuisances" и A Morning at Tattersall'. Каждое полотно в рейтинге выше содержит информацию о годе создания и музее.

      Сколько известно картин Роберт Беван?Прочитать ответ

      В нашем каталоге представлено 106 работ Роберт Беван, датированных периодом с 1891 по 1924.

      В каких музеях хранятся самые известные полотна Роберт Беван?Прочитать ответ

      В основном в Yale Center for British Art (Нью-Хейвен), Ашмолеанский музей искусства и археологии (Оксфорд) и Национальная портретная галерея (Лондон); в списке выше указаны названия музеев и их полотен.

      В какие годы Роберт Беван написал свои самые знаменитые полотна?Прочитать ответ

      В 1910s, на долю которого пришлось 55 из 100 работ на этой странице, From the Artist's Window из них.

      Каковы первые и последние известные полотна Роберт Беван?Прочитать ответ

      Самая ранняя работа здесь датирована Woman from Moëlan cutting bread (1891), а самая поздняя — Aldwych (1924).

      Какие сюжеты чаще всего встречаются на картинах Роберт Беван?Прочитать ответ

      Landscape (16), British art (14) и Early 20th century (10) в 100 работах на этой странице.

      Чем обычно пользовался Роберт Беван в своей живописи?Прочитать ответ

      Oil On Canvas, использовано в 27 из 100 работ на этой странице.

      К какому художественному направлению относится Роберт Беван?Прочитать ответ

      Fauvism, как показывают полотна на этой странице.

      Что я могу увидеть у Роберт Беван в Yale Center for British Art?Прочитать ответ

      В Yale Center for British Art, Нью-Хейвен находится 9 работ со страницы, в том числе "Quiet with all Road Nuisances", A Morning at Tattersall' и The Caller at the Mill.

      Можно ли заказать ручную копию картины Роберт Беван?Прочитать ответ

      Да. Каждую картину на этой странице можно заказать на ее собственной странице как масляную репродукцию ручной работы или как художественную печать в выбранном вами размере.

      Роберт Беван: история художника

      Robert Polhill Bevan (1865–1925): British Painter & Camden Town Group Founder

      Robert Polhill Bevan, born in Hove in 1865, occupies a pivotal yet often understated position within the narrative of early 20th-century British art. Emerging from a Quaker background steeped in banking connections – his parents were Richard Alexander Bevan and Laura Maria Polhill – he defied conventional expectations to become a daring innovator, a key figure in the transition from Impressionism towards more radical explorations of color and form. His journey was one of constant experimentation, absorbing influences from across Europe while forging a distinctly personal artistic vision that would profoundly impact the development of modern art in Britain. Bevan’s early education at Westminster School of Art under Fred Brown provided a solid foundation, but it was his subsequent studies at the Académie Julian in Paris that truly ignited his creative spark. There, he encountered a constellation of rising stars – Paul Sérusier, Pierre Bonnard, Édouard Vuillard, and Maurice Denis – artists who were challenging academic conventions and embracing new approaches to painting. These encounters proved formative, exposing Bevan to the principles of synthetism and laying the groundwork for his future explorations.

      Early Influences & Parisian Awakening

      Bevan’s artistic sensibilities were profoundly shaped by his formative years in Paris. The Académie Julian served as a crucible for innovation, immersing him in the vibrant intellectual atmosphere of the Belle Époque and introducing him to the groundbreaking ideas circulating amongst avant-garde artists. He was particularly captivated by the work of Paul Gauguin and Pierre Bonnard, whose bold use of color and simplified forms resonated deeply with his own artistic inclinations. These encounters instilled in Bevan a conviction that art should transcend mere representation, prioritizing emotional expression and capturing the essence of experience—a belief that would permeate his subsequent oeuvre. The influence of Maurice Denis’s emphasis on decorative elements and symbolic imagery further broadened Bevan's aesthetic horizons, encouraging him to consider how visual language could convey complex ideas and emotions. Importantly, Bevan wasn’t alone in this pursuit; he collaborated closely with fellow artists like Joseph Crawhall, fostering a dynamic exchange of perspectives that fueled his artistic development.

      Brittany & The Fauvist Impulse

      The allure of Brittany proved irresistible to Bevan, propelling him on two significant expeditions between 1890 and 1891. Drawn to Pont-Aven’s distinctive landscape—characterized by rugged coastlines, verdant hillsides, and expansive skies—he absorbed the spirit of Gauguin's artistic vision. The bold colors championed by Gauguin – particularly crimson reds and ultramarine blues – exerted a powerful influence on Bevan’s early drawings and prints, prompting him to experiment with chromatic intensity as a means of conveying emotion. This fascination with pure color foreshadowed the emergence of Fauvism on the continent, demonstrating Bevan's willingness to embrace radical stylistic departures from traditional conventions. His paintings during this period—such as “The Chestnut Tree” and “Landscape in the Blackdown Hills”—are imbued with an unmistakable vibrancy, reflecting his immersion in Breton artistic culture and signaling a decisive step toward establishing his own distinctive aesthetic voice.

      Camden Town & The Pursuit of Modern Expression

      Bevan’s artistic trajectory gained momentum through his involvement with the Camden Town Group—a collective of artists who sought to redefine British art by rejecting academic formalism and embracing expressive abstraction. Founded in 1911, this group comprised influential figures like Spencer Gore and Charles Ginner, united by a shared commitment to depicting modern urban life and exploring new visual languages. Bevan’s membership in Camden Town fostered collaboration and intellectual stimulation, propelling him toward bolder stylistic experiments—most notably his adoption of divisionist techniques reminiscent of Cézanne and Signac. His paintings from 1912-13 exemplify this approach, utilizing fragmented brushstrokes and juxtaposed colors to capture the dynamism of the cityscape and convey a sense of psychological depth. The Camden Town Group’s ethos—characterized by an openness to experimentation and a rejection of stylistic constraints—provided Bevan with invaluable guidance as he navigated the evolving landscape of British art in the years leading up to World War I.

      Legacy & Enduring Influence

      Robert Polhill Bevan's contribution to British modernism extends far beyond his individual artworks. He stands as a pivotal figure for understanding the complex evolution of painting during this transformative era, embodying the spirit of innovation and artistic courage that defined the movement. His pioneering use of Fauvist principles—particularly in his exploration of color palettes—established him as a forerunner of stylistic developments that would resonate throughout subsequent decades. Furthermore, Bevan’s role in founding the Camden Town Group cemented his place within British art history, shaping the collective vision of artists determined to redefine artistic conventions and engage with contemporary social realities. His paintings continue to captivate audiences today, serving as enduring reminders of Bevan's unwavering commitment to expressive abstraction and his profound impact on the trajectory of British art—a legacy that secures his position as one of the most important figures in the history of modern British painting.
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