Из всех картин William Tasker самой известной является Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839); она находится в Yale Center for British Art, Нью-Хейвен. Следом за ними идут The Liverpool and National Steeplechase at Aintree, 1843 (1843) и National Defense (1921). Из 3 работ William Tasker в нашем каталоге эти 3 являются самыми известными; для каждой из них указаны дата создания, музей и история.
Рейтинг основан на нашем показателе популярности, который учитывает количество поисковых запросов, посещений и заказов для каждой работы. Обновлено Ноябрь 2026.
2 музеев, в которых находится большинство картин со страницы.
| Музей | Город | Работы William Tasker | Картины из этого списка |
|---|---|---|---|
| Нью-Хейвен | 2 | Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester, The Liverpool and National Steeplechase at Aintree, 1843 | |
| Нью-Йорк | 1 | National Defense |
Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839), Yale Center for British Art, Нью-Хейвен. Далее следуют The Liverpool and National Steeplechase at Aintree, 1843 (1843) и National Defense (1921).
В нашем каталоге представлено 3 работ William Tasker, датированных периодом с 1839 по 1921.
В основном в Yale Center for British Art (Нью-Хейвен) и Метрополитен-музей (Нью-Йорк); в списке выше указаны названия музеев и их полотен.
Самая ранняя работа здесь датирована Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839), а самая поздняя — National Defense (1921).
В Yale Center for British Art, Нью-Хейвен находится 2 работ со страницы, в том числе Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester и The Liverpool and National Steeplechase at Aintree, 1843.
Born in New York City, William Tasker spent his life observing the way light settles upon the land. His brushwork followed the shifts of the Impressionist movement, focusing on the fleeting qualities of color and the atmosphere of the American landscape. He did not merely paint scenes; he captured the way light moves through a space, often working with oil on canvas to build texture and depth. His hands were accustomed to the quiet work of capturing the ephemeral, turning a specific moment in time into a permanent record of light and shadow.
His career was marked by a steady presence in the American art scene. He was part of a generation that helped bring new ways of seeing to the United States, participating in significant exhibitions that changed how people viewed local scenery. His work moved through the galleries of his time, finding its way into permanent collections where his specific handling of color remains visible.
Tasker’s work captures the energy of specific moments, often focusing on the relationship between a subject and its surroundings. His paintings move between the quietude of the landscape and the structured motion of life. His oil on canvas works include:
In National Defense, there is a sense of weight and purpose. The paint carries a certain gravity, moving away from purely decorative scenes toward something more substantial. He had a way of grounding his subjects within a tangible reality, using color and light to define the space they occupy. His presence in the 1913 Armory Show helped bring these Impressionist sensibilities to a wider American audience.
By the time of his death in 1933, Tasker had left behind a body of work that speaks to the evolution of American painting. His involvement in the Armory Show of 1913 placed him at the center of a major shift in artistic thought. He was there when the old ways of seeing were being challenged by new, more experimental approaches. His paintings remain in places like the Metropolitan Museum of Art, where the brushstrokes still hold the light he once sought to capture. He remains a figure of the Impressionist movement, remembered for how he translated the atmosphere of his surroundings onto the canvas.