Umelecké dielo zobrazené na tejto stránke je chránené autorským zákonom, čo znamená, že nemôžeme legálne vytvárať ani predávať jeho identickú reprodukciu. Táto ochrana je vymáhaná na základe medzinárodných dohôd, ako napríklad Bernská konvencia a národnými zákonmi, vrátane tých, ktoré sú stanovené v Autorské právo USA – Title 17. Všetky práva vyhradené.
Táto metóda plne dodržiava autorské práva, pretože nezahŕňa kopírovanie ani duplikovanie chráneného diela. Ide skôr o kreatívnu reinterpretáciu – nový obraz, ktorý je ovplybnený originálom, no nie je s ním identický.
Giclée tlač alebo plátno múzeálnej kvality s rýchlou výrobou a rôznymi možnosťami povrchovej úpravy. ( Objednať ručne maľovanú reprodukciu
Prepnúť na digitálnu verziu obrazu)
Vyberte si z našich preddefinovaných rozmerov, ktoré zodpovedajú pôvodným pomeroḿ diela.
Zadajte šírku a výšku, ktoré potrebujete, aby sa reprodukcia hodila k vášmu rámu alebo stene. Print možno len orezávať, nikdy však nemennú veľkosť zvětšiť oproti pôvodnému obrázku, preto pri inom formáte stráca časť obrazu. Pred samotným vytlačiacím procesom vám pošleme digitálny náhľad na schválenie. Obrázok zobrazený na tejto stránke nezobrazuje reálny rez — len digitálny náhľad ukazuje presný výsledok.
Celosvetová doprava () do 2 týždňov namiesto štandardných 4 až 5 týždňov. (23 október)
Spreken
Veľkosť reprodukcie
In the profound and often unsettling realm of contemporary sculpture, few works command as much quiet intensity as Berlinde de Bruyckere’s Spreken. Created in 1999, this evocative piece serves as a haunting meditation on the very essence of human connection. At first glance, the viewer is met with the sight of two figures, interlocked and leaning into one another, shrouded beneath blankets adorned with delicate floral patterns. There is an immediate, visceral sense of a private world being constructed—a temporary architecture of cloth designed to shield the inhabitants from the outside gaze. The work invites us to consider how clothing and fabric act as our first shelters, much like the primitive furs used by our ancestors, providing not just warmth but a boundary between the self and the infinite.
The technique employed in Spreken utilizes polyester to achieve a sculptural presence that feels both organic and strangely synthetic. De Bruyckere masterfully manipulates the medium to evoke the weight and texture of heavy, protective layers. The way the figures emerge from beneath the floral-patterned blankets—with only their bare feet and legs exposed—creates a striking contrast between the vulnerability of naked flesh and the deceptive security of the shroud. This duality is central to the artist's mastery; she uses the physical properties of her materials to mirror the psychological states of concealment and exposure, making the sculpture feel less like an object and more like a living, breathing entity caught in a moment of profound transition.
To look upon Spreken is to confront the ambiguity of language itself. The title, which translates to "To Speak," poses a question that resonates deeply within our modern era: can true communication ever be achieved? The figures appear to be whispering, huddled in a way that suggests a desperate attempt at union, yet their very concealment raises doubts about whether they are truly being heard or if they are merely hiding from the world. The floral designs on the blankets offer a deceptive softness, a layer of beauty that masks the underlying tension of the work. This interplay between the beautiful and the unsettling is a hallmark of De Bruyckere’s style, drawing inspiration from her early life in Ghent and her fascination with the vulnerability of the human form.
Beyond the personal, the work carries a heavy socio-political weight. It acts as an allegory for the increasingly private nature of modern discourse, where communication often retreats into closed, invisible circles. One might see in these huddled figures a depiction of free speech under threat, or perhaps a retreat into a "private home" of intimacy to escape a public that no longer listens. For collectors and enthusiasts of contemporary art, Sperken offers a profound intellectual challenge, prompting reflections on gender, privacy, and the sanctity of shared spaces. It is a piece that does not merely sit in a room; it alters the atmosphere of the space it inhabits, demanding a contemplative silence from all who encounter it.
For interior designers and art collectors seeking to infuse a space with depth and narrative power, a high-quality reproduction of Spreken offers an unparalleled opportunity. This artwork is not merely a decorative element; it is a conversation starter, a focal point that brings a sense of sophisticated melancholy and intellectual rigor to any gallery or private residence. The large scale of the original—measuring 200 x 140 cm—provides a commanding presence that can anchor a room, while its muted tones and complex textures harmonize beautifully with modern, minimalist, or even classical settings.
Owning a piece inspired by De Bruyckere’s vision allows one to possess a fragment of contemporary art history. The emotional impact of the work—its ability to evoke empathy, curiosity, and introspection—makes it an enduring investment. Whether placed in a quiet study or a grand salon, Spreken serves as a constant reminder of the beautiful, fragile struggle to be understood, making it a timeless addition to any curated collection of fine art.
Farebná analýza diela „Spreken“ od Berlinde de Bruyckere zachytáva Gentle kontrast a Strong Color Unity harmóniu.
Berlinde de Bruyckere použil/a techniku Polyester pre dielo „Spreken“. Táto technika definuje materiálnu podstatu originálneho diela.
„Spreken“ sa odporúča pre Conversation, ideálnym priestorom je však Living Room.
1964 - , Belgium