Umelecké dielo zobrazené na tejto stránke je chránené autorským zákonom, čo znamená, že nemôžeme legálne vytvárať ani predávať jeho identickú reprodukciu. Táto ochrana je vymáhaná na základe medzinárodných dohôd, ako napríklad Bernská konvencia a národnými zákonmi, vrátane tých, ktoré sú stanovené v Autorské právo USA – Title 17. Všetky práva vyhradené.
Ako rešpektujúca a legálna alternatíva ponúkame vlastné, ručne maľované diela inšpirované originálom. Naši skúsení a profesionálni umelci dôkladne študujú štýl, náladu a umelecký podnet originálu, aby vytvorili nové, jedinečné dielo, ktoré vyvoláva rovnaký pocit – pričom samo ostáva vlastným originálnym dielom.
Táto metóda plne dodržiava autorské práva, pretože nezahŕňa kopírovanie ani duplikovanie chráneného diela. Ide skôr o kreatívnu reinterpretáciu – nový obraz, ktorý je ovplybnený originálom, no nie je s ním identický.
Ručne maľovaný olej na plátne vo vašej zvolenej veľkosti a v ráme, vyrobený na mieru našimi umelcami. ( Prepnúť na tlač
Prepnúť na digitálnu verziu obrazu)
Vyberte si z našich preddefinovaných rozmerov, ktoré zodpovedajú pôvodným pomeroḿ diela.
Zadajte šírku a výšku, ktoré potrebujete, aby sa dielo hodilo k vášmu rámu alebo stene. Keďže ide o ručnú maľbu, pri rozmeroch s odlišným pomerom strán môže umelec namalovať o niečo viac okolo obrázka alebo ho mierne orezatú — výber patrí vám. Pred začatím maľovania vám pošleme digitálnu ukážku na schválenie. Obrázok zobrazený na tejto stránke nenahrádza reálny výsledok — ten zobrazuje iba digitálna ukážka.
Celosvetová doprava () za 3 až 4 týždne namiesto štandardných 5 týždňov. (27 október). Bez kompromisov v kvalite.
Passport No.2
Veľkosť reprodukcie
In the profound and intellectually stimulating work Passport No.2, the renowned Chinese contemporary artist Wang Guangyi invites viewers into a complex dialogue between the individual and the state. At first glance, the painting presents a striking portrait of a man, poised in a suit and tie, his gaze directed thoughtfully away from the viewer. Yet, this is no traditional portrait; it is a layered exploration of how human identity is codified, categorized, and ultimately reduced to data. The presence of text—words such as "passport," "names," "sex," "male," and "date of birth"—intertwines with the figure, creating a visual tension between the living, breathing subject and the cold, clinical labels used by bureaucratic institutions to define existence.
The composition is masterfully executed, utilizing a style that bridges the gap between classical oil painting techniques and the bold, graphic language of modern propaganda. Wang Guangyi, a pivotal figure in the Great Criticism movement, utilizes his background in socialist realism to manipulate imagery that feels both familiar and unsettling. The man’s attire—the formal suit and glasses—suggests a sense of professional or civic order, yet the scattered red and black typography acts as a disruptive force, much like the intrusive nature of modern surveillance and globalized movement. This interplay of text and image forces the eye to oscillate between the human face and the administrative script, mirroring the way we navigate our lives through the lens of official documentation.
To understand Passport No.2 is to understand the historical weight of Wang Guangyi’s era. Emerging from the transformative period of the Cultural Revolution in China, Wang developed a unique visual vocabulary that critiques the collision between political ideology and the rising tide of global consumerism. In this specific piece, the symbolism of the "visa" and "passport" serves as a poignant metaphor for the boundaries—both physical and psychological—that define our place in the world. The inclusion of specific identifiers like "China" and "birth place" grounds the work in a geopolitical reality, reminding us that our identities are often constructed by the borders we inhabit and the documents we carry.
For the discerning collector or interior designer, this artwork offers more than just visual prestige; it provides a profound intellectual anchor for any sophisticated space. The large-scale 150 x 120 cm format allows the intricate details of the brushwork and the sharp clarity of the typography to command attention, making it an ideal centerpiece for galleries, executive offices, or modern living environments that value thought-provoking contemporary art. The muted tones, punctuated by the authoritative red lettering, create a palette that is both somber and commanding, ensuring that the piece resonates with an emotional depth that lingers long after the initial viewing.
Investing in a high-quality reproduction of this work allows one to bring the heavy, contemplative atmosphere of Wang Guangyi’s vision into their own collection. It is a piece that invites conversation, challenging guests and residents alike to reflect on the nature of freedom, identity, and the invisible structures that govern our modern lives. Through its masterful blend of portraiture and graphic design, Passport No.2 remains a timeless testament to the power of art to interrogate the very essence of what it means to be human in an increasingly regulated world.
V rámci tvorby umelca Wang Guangyi sa dielo „Passport No.2“ radí do štýlu Contemporary Art, pričom sprevádzajú ho témy ako socialist imagery, western consumerism, state control critique, political vs commercial conflict, identity and bureaucracy.
Reprodukcia diela „Passport No.2“ sa skvele hodí do Coworking.
Dominantným odtieňom diela „Passport No.2“ od Wang Guangyi je Ochre to Sepia. Tento odtieň predstavuje základný tón palety.
1957 - , Čína