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      Basawan, 1560 – 1600

      13 najznámejších obrazov umelca Basawan

      Mihrdukht aims her arrow at the ring (1570) je obraz, pre ktorý je Basawan najznámy; patrí do zbierky Metropolitné múzeum umenia, New York. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) a The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) dopĺňajú trojicu najobľúbenejších pláten. Náš katalóg obsahuje 13 diel od umelca Basawan. Tu je 13 najznámejších s uvedením roku, múzeá a príbehu každého plátna.

      Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované november 2026. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejную reprodukciu na ľanovom plátne alebo ako umeleckú tlač, vyrobenú v požadovanom rozмере.

      Portrét Basawan
      Basawan · 1560 – 1600
      Narodený · zomrel
      1560 – 1600, Uttar Pradesh
      Diela v našom katalógu
      13
      Najznámejšie
      Mihrdukht aims her arrow at the ring (1570)
      Najviac diel v
      Cleveland Museum of Art

      Desať najobľúbenejších obrazov od Basawan

      Mihrdukht aims her arrow at the ring (1570) od Basawan
      1

      Mihrdukht aims her arrow at the ring

      1570 · Tempera · Metropolitné múzeum umenia, New York

      The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…

      Ručne maľovaná olejná reprodukcia od $403 28 × 36 cm Veľkosť rovnaká ako originál $481 52 × 68 cm Objednať v originálnej veľkosti →

      Basawan: plátna od 11 do 13 v rebríčku

      Kde visia plátna umelca Basawan

      6 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

      Múzeá Mesto Diela umelca Basawan Obrazy z tohto zoznamu
      Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 8 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
      Metropolitné múzeum umenia, New YorkMetropolitné múzeum umenia New York 1 Mihrdukht aims her arrow at the ring
      Victoria and Albert Museum, LondýnVictoria and Albert Museum Londýn 1 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama
      San Diego Museum of Art, San DiegoSan Diego Museum of Art San Diego 1 The Virgin and Child
      Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 A Mughal and a Rajput Converse at Dusk

      najznámejšie plátno umelca Basawan, dekádu po dekáde

      1. 1570s
        Mihrdukht aims her arrow at the ring (1570) od Basawan
        Položka 1 z 13

        Mihrdukht aims her arrow at the ring

        Vek 10 – 19 · Metropolitné múzeum umenia

        The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture…

      2. 1580s
      3. 1590s

      Plátna umelca Basawan, odpoveď po odpovedi

      Ktorým plátnom si Basawan zapamätal najviac?Prečítajte si odpoveď

      Mihrdukht aims her arrow at the ring (1570), Metropolitné múzeum umenia, New York. Nasledujú The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) a The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560).

      Mihrdukht aims her arrow at the ring: koľko rokov mal/a Basawan, keď bolo vytvorené?Prečítajte si odpoveď

      Basawan, narodený v 1560, mal 10 rokov: Mihrdukht aims her arrow at the ring vznikol v roku 1570.

      Akých desať najznámejších pláten má Basawan?Prečítajte si odpoveď

      Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) a Page from Tales of a Parrot (Tuti-nama): text page. Každé plátno v uvedenom poradaní obsahuje rok vytvorenia a názov múzeja.

      Koľko obrazov vytvoril/a Basawan?Prečítajte si odpoveď

      V našom katalógu sa nachádza 13 diel od umelca Basawan, datovaných od 1570 do 1596.

      Kde sa dnes nachádzajú najznámejšie plátna umelca Basawan?Prečítajte si odpoveď

      Väčšinou v Cleveland Museum of Art (Cleveland), Metropolitné múzeum umenia (New York) a Victoria and Albert Museum (Londýn); vyššie uvedený zoznam uvádza jednotlivé múzeá a ich plátna.

      Kedy Basawan nakreslil svoje najznámejšie plátna?Prečítajte si odpoveď

      V období 1590s, ktoré predstavuje 4 z 13 diel na tejto stránke, medzi nimi aj Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer.

      Ktoré plátno od slávneho umelca Basawan vzniklo ako prvé a ktoré ako posledné?Prečítajte si odpoveď

      Najstaršie plátno je z Mihrdukht aims her arrow at the ring (1570); najnovšie je z The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596).

      Aké obrazy od Basawan sa nachádzajú v zbierkach Cleveland Museum of Art?Prečítajte si odpoveď

      V múzeu Cleveland Museum of Art, Cleveland sa nachádza 8 z diel na tejto stránke, vrátane The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night a The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night.

      Kde si môžem kúpiť reprodukciu obrazu od Basawan?Prečítajte si odpoveď

      Áno. Každý obraz na tejto stránke si môžete objednať z jeho vlastnej stránky ako ručne maľovanú olejную reprodukciu alebo ako umeleckú tlač, v rozmeroch, ktoré si vyberiete.

      Spoznajte maliara: Basawan

      Basawan: The Pioneer of Mughal Portraiture

      Basawan (flourished 1580–1600), a name whispered with reverence in Indian art history, stands as one of the foremost figures of the Mughal miniature tradition. Though shrouded in obscurity—details about his life remain scant—his legacy endures through his breathtaking depictions of human subjects within the monumental Akbarnama, cementing his place as an innovator who elevated portraiture to unprecedented heights. Born in New Delhi during a period of significant cultural exchange between Persia and India, Basawan’s artistic journey began amidst the opulent courts of Akbar the Great. His formative years were spent under the tutelage of Abd al-Samad, a renowned artist whose influence profoundly shaped Basawan's stylistic sensibilities. This mentorship instilled within him a meticulous observation of human anatomy and expression—a hallmark that distinguishes his work from contemporaries.
      • Akbarnama Influence: Basawan’s contribution to the Akbarnama is arguably his most celebrated achievement. Unlike previous chronicles, Akbar commissioned a series of portraits capturing not merely royal figures but also individuals representing diverse social strata – scholars, musicians, and artisans. This bold decision signaled a departure from conventional artistic practices and established Basawan as a trailblazer in portraying human character with remarkable realism.
      • Color Palette & Technique: Basawan’s mastery lay primarily in his exceptional color palette and technique. Utilizing opaque watercolor pigments combined with gold leaf—a practice considered revolutionary at the time—he achieved luminous hues and textural depth that captivated viewers. His meticulous layering of colors created an illusionistic effect, mirroring the subtleties of light and shadow and conveying a profound sense of atmosphere.
      • Family Legacy: Basawan’s artistic lineage continued through his son Manohar Das, who carried on the family tradition as a court painter. Today, the Das family maintains a thriving manufacturing business specializing in handcrafted carpets—a tangible connection to their ancestral heritage and a testament to the enduring influence of Basawan's artistic vision.

      Exploring His Artistic Output: Beyond Akbarnama Illustrations

      While the Akbarnama undoubtedly represents Basawan’s magnum opus, evidence suggests he engaged in diverse artistic endeavors extending beyond royal commissions. Fragments of manuscripts depicting scenes from Hindu mythology—particularly those featuring Tara Kalan—offer glimpses into his versatility and willingness to explore different thematic concerns. These works demonstrate a keen understanding of symbolism and narrative complexity, reflecting the broader intellectual currents of the Mughal era.
      • Notable Works: Among Basawan’s surviving paintings are depictions of angels (Peri) riding composite camels—a striking visual representation of Islamic cosmology—and portraits capturing the dignity and solemnity of royal figures.

      Connections to Western Artistic Traditions

      Basawan's artistic development coincided with the arrival of Jesuit missionaries in India, bringing with them European paintings that profoundly impacted Mughal artists. This exposure fostered a dialogue between Eastern and Western aesthetics—a pivotal moment in Indian art history—and Basawan’s oeuvre bears subtle traces of this influence. His meticulous attention to detail and his masterful use of perspective foreshadowed developments occurring across the ocean, marking him as an artist attuned to global artistic trends.

      Historical Significance: A Reflection of Mughal Patronage

      Basawan's success is inextricably linked to Akbar’s enlightened patronage—a royal commitment to fostering artistic excellence and promoting cultural enrichment. Akbar recognized Basawan’s talent and entrusted him with monumental commissions, securing his place as one of the most influential artists of his time. His work serves as a poignant reminder of the transformative power of royal support in shaping artistic innovation and preserving cultural heritage for posterity.