Forest Landscape with Bathing Children (1867) je obraz, pre ktorý je Carl Ebert najznámy; patrí do zbierky Bavarské štátne múzeá výtvarného umenia, Mních. Evening Landscape (1875) a Landscape society in a park dopĺňajú trojicu najobľúbenejších pláten. Náš katalóg obsahuje 5 diel od umelca Carl Ebert. Tu je 5 najznámejších s uvedením roku, múzeá a príbehu každého plátna.
Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované november 2026. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejную reprodukciu na ľanovom plátne alebo ako umeleckú tlač, vyrobenú v požadovanom rozмере.
2 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Carl Ebert | Obrazy z tohto zoznamu |
|---|---|---|---|
| Mních | 2 | Forest Landscape with Bathing Children, Evening Landscape | |
| Mníchov | 1 | Isar Landscape |
Takmer dekáda pri palete, od 1867 do 1875: plátna od Carl Ebert s dátumovaním rok za rokom.
Forest Landscape with Bathing Children (1867), Bavarské štátne múzeá výtvarného umenia, Mních. Nasledujú Evening Landscape (1875) a Landscape society in a park.
Carl Ebert, narodený v 1821, mal 46 rokov: Forest Landscape with Bathing Children vznikol v roku 1867.
V našom katalógu sa nachádza 5 diel od umelca Carl Ebert, datovaných od 1867 do 1875.
Väčšinou v Bavarské štátne múzeá výtvarného umenia (Mních) a Lenbachhaus (Mníchov); vyššie uvedený zoznam uvádza jednotlivé múzeá a ich plátna.
Najstaršie plátno je z Forest Landscape with Bathing Children (1867); najnovšie je z Evening Landscape (1875).
V múzeu Bavarské štátne múzeá výtvarného umenia, Mních sa nachádza 2 z diel na tejto stránke, vrátane Forest Landscape with Bathing Children a Evening Landscape.
Áno. Každý obraz na tejto stránke si môžete objednať z jeho vlastnej stránky ako ručne maľovanú olejную reprodukciu alebo ako umeleckú tlač, v rozmeroch, ktoré si vyberiete.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.