The Mill Valley, Karekare Bay (1899) je obraz, pre ktorý je Frank Wright najznámy; patrí do zbierky Auckland Art Gallery Toi o Tāmaki, Auckland. The Close of day (1909) a Morning after rain (1912) dopĺňajú trojicu najobľúbenejších pláten. Náš katalóg obsahuje 5 diel od umelca Frank Wright. Tu je 5 najznámejších s uvedením roku, múzeá a príbehu každého plátna.
Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované november 2026. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejную reprodukciu na ľanovom plátne alebo ako umeleckú tlač, vyrobenú v požadovanom rozмере.
2 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Frank Wright | Obrazy z tohto zoznamu |
|---|---|---|---|
| Auckland | 4 | The Mill Valley, Karekare Bay, The Close of day, Morning after rain | |
| 1 | Waitakeres |
The Mill Valley, Karekare Bay (1899), Auckland Art Gallery Toi o Tāmaki, Auckland. Nasledujú The Close of day (1909) a Morning after rain (1912).
Frank Wright, narodený v 1860, mal 39 rokov: The Mill Valley, Karekare Bay vznikol v roku 1899.
V našom katalógu sa nachádza 5 diel od umelca Frank Wright, datovaných od 1899 do 1912.
Väčšinou v Auckland Art Gallery Toi o Tāmaki (Auckland) a Te Whare O Rehua Sarjeant Gallery; vyššie uvedený zoznam uvádza jednotlivé múzeá a ich plátna.
V období 1910s, ktoré predstavuje 2 z 5 diel na tejto stránke, medzi nimi aj Morning after rain.
Najstaršie plátno je z The Mill Valley, Karekare Bay (1899); najnovšie je z Morning after rain (1912).
V múzeu Auckland Art Gallery Toi o Tāmaki, Auckland sa nachádza 4 z diel na tejto stránke, vrátane The Mill Valley, Karekare Bay, The Close of day a Morning after rain.
Áno. Každý obraz na tejto stránke si môžete objednať z jeho vlastnej stránky ako ručne maľovanú olejную reprodukciu alebo ako umeleckú tlač, v rozmeroch, ktoré si vyberiete.
Frank Wright remains a figure of significant interest for collectors tracking the turn-of-the-century landscape of New Zealand. While his reputation was long confined to the Auckland region, his technical proficiency distinguishes him from his contemporaries. He was a professional painter who operated with a level of discipline that set him apart from more popular, less structured artists of his era. His work provides a direct visual record of the New Zealand landscape and its inhabitants during a transformative period.
The market has recently begun to recognize the true value of his output. For years, his works lagged behind others in price, but recent auction results have corrected this oversight. His ability to capture specific locales, from the waters of Whangarei Harbour to the estuaries of Tamaki, demonstrates a focused commitment to the geography of his surroundings.
Wright’s practice was defined by a clear, observational approach to his subjects. He worked across various media, showing a particular aptitude for both oil on canvas and watercolour. His compositions often centered on the intersection of land and water, capturing the specific light and atmosphere of the New Zealand coast.
His repertoire includes several notable subjects and formats:
The significance of Wright’s work is cemented by his inclusion in major regional exhibitions. A joint exhibition arranged by the Auckland City Art Gallery in 1953 confirmed his place in the local canon. He was part of a final generation of painters who defined the aesthetic of the turn of the century in New Zealand. His paintings are no longer merely regional curiosities; they are essential components for understanding the development of New Zealand's early art market.