Z všetkých obrazov umelca Johan Per (Per) Sodermark je najznámejší Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848); visí v múzeu Národné múzeum v meste Stockholm. Hneď za nimi nasledujú Portrait of Werner Holmberg (1853) a Christoffer Eichhorn (1837-1889), librarian, art historian (1889). Z 3 diel umelca Johan Per (Per) Sodermark v našom katalógu je týchto 3 najslávnejších, pričom každá je zobrazená s dátumom jej vytvorenia, jej múzeom a jej príbehom.
Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované november 2026. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejную reprodukciu na ľanovom plátne alebo ako umeleckú tlač, vyrobenú v požadovanom rozмере.
2 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Johan Per (Per) Sodermark | Obrazy z tohto zoznamu |
|---|---|---|---|
 Národné múzeum |
Stockholm | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Finnish National Gallery |
Helsinki | 1 | Portrait of Werner Holmberg |
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Národné múzeum, Stockholm. Nasledujú Portrait of Werner Holmberg (1853) a Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Johan Per (Per) Sodermark, narodený v 1822, mal 26 rokov: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery vznikol v roku 1848.
V našom katalógu sa nachádza 3 diel od umelca Johan Per (Per) Sodermark, datovaných od 1848 do 1889.
Väčšinou v Národné múzeum (Stockholm) a Finnish National Gallery (Helsinki); vyššie uvedený zoznam uvádza jednotlivé múzeá a ich plátna.
Najstaršie plátno je z Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848); najnovšie je z Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
V múzeu Národné múzeum, Stockholm sa nachádza 2 z diel na tejto stránke, vrátane Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery a Christoffer Eichhorn (1837-1889), librarian, art historian.
Áno. Každý obraz na tejto stránke si môžete objednať z jeho vlastnej stránky ako ručne maľovanú olejную reprodukciu alebo ako umeleckú tlač, v rozmeroch, ktoré si vyberiete.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
