Z všetkých obrazov umelca John Bogle je najznámejší Självporträtt (1775); visí v múzeu Národné múzeum v meste Stockholm. Hneď za nimi nasledujú Okänd man, James Bogle (1775) a A Woman with the Initials MCC (1773). Z 6 diel umelca John Bogle v našom katalógu je týchto 6 najslávnejších, pričom každá je zobrazená s dátumom jej vytvorenia, jej múzeom a jej príbehom.
Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované november 2026. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejную reprodukciu na ľanovom plátne alebo ako umeleckú tlač, vyrobenú v požadovanom rozмере.
3 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca John Bogle | Obrazy z tohto zoznamu |
|---|---|---|---|
| Stockholm | 2 | Självporträtt, Okänd man, James Bogle | |
| New York | 2 | A Woman with the Initials MCC, A Man with the Initials AC | |
| New Haven | 2 | Portrait of a Gentleman, Portrait of a Gentleman |
Dlhá éra vďaka farbám: 20 rokov, od 1773 do 1792, a najslávnejšie plátna umelca John Bogle z každého roka.
Självporträtt (1775), Národné múzeum, Stockholm. Nasledujú Okänd man, James Bogle (1775) a A Woman with the Initials MCC (1773).
John Bogle, narodený v 1746, mal 29 rokov: Självporträtt vznikol v roku 1775.
V našom katalógu sa nachádza 6 diel od umelca John Bogle, datovaných od 1773 do 1792.
Väčšinou v Národné múzeum (Stockholm), Metropolitné múzeum umenia (New York) a Yale Center for British Art (New Haven); vyššie uvedený zoznam uvádza jednotlivé múzeá a ich plátna.
V období 1775, ktoré predstavuje 2 z 6 diel na tejto stránke, medzi nimi aj Självporträtt.
Najstaršie plátno je z A Woman with the Initials MCC (1773); najnovšie je z Portrait of a Gentleman (1792).
V múzeu Národné múzeum, Stockholm sa nachádza 2 z diel na tejto stránke, vrátane Självporträtt a Okänd man, James Bogle.
Áno. Každý obraz na tejto stránke si môžete objednať z jeho vlastnej stránky ako ručne maľovanú olejную reprodukciu alebo ako umeleckú tlač, v rozmeroch, ktoré si vyberiete.
In the intimate, luminous world of eighteenth-century portraiture, few artists captured the fleeting essence of a human gaze as tenderly as John Bogle. A master of the miniature, Bogle’s life and work represent a bridge between the rugged traditions of Scotland and the refined elegance of the London art scene. Born around 1746 in Glasgow, the son of an excise officer, Bogle’s journey began in the hallowed halls of the Foulis Academy. Under the tutelage of Robert and Andrew Foulis, he immersed himself in the disciplined study of drawing, a foundation that would later allow him to execute works of extraordinary delicacy on the most unforgiving of surfaces: ivory.
Bogle’s early career was marked by a burgeoning reputation that transcended borders. By the late 1760s, he was already exhibiting his miniatures at the Society of Artists in London, though his heart and roots remained tethered to Edinburgh. His talent possessed a unique duality; while his technique was rooted in the rigorous Scottish tradition, his move to London allowed him to engage with the burgeoning sophistication of the English school. This period of his life saw him establishing himself at 1, Panton Square, a prestigious address that placed him at the very center of the British art world.
The true magic of Bogle’s artistry lies in his ability to breathe life into tiny, precious objects. Working primarily with gouache and watercolor on ivory, he mastered the art of layering translucent washes to create a sense of depth and warmth that belied the miniature scale of his subjects. His portraits were not merely likenesses but emotional windows; whether depicting a noble gentleman or a delicate young lady, Bogle possessed an uncanny ability to capture the subtle nuances of character and the soft glow of skin through meticulous brushwork.
His contributions to the Royal Academy, where he exhibited regularly from 1772 until 1794, solidified his status among the elite painters of his era. Some of his most notable achievements include:
As the eighteenth century drew to a close, Bogle’s life came full circle. In 1800, he returned to Scotland with his wife, seeking the familiarity of his homeland. This final chapter of his life was spent in Edinburgh, the city where his artistic journey had been shaped by the Foulis Academy. His death in 1803 marked the end of a career that had navigated the shifting tides of British art history, leaving behind a collection of works that continue to enchant collectors and historians alike.
Today, the historical significance of John Bogle resides in his role as a stylistic conduit. His work epitomizes the subtle tension between the austere, disciplined Scottish style and the more decorative English approach. Through his miniatures, we are invited to witness a vanished world of elegance and poise, preserved forever in the tiny, radiant portraits that remain some of the most cherished treasures of the late Georgian period.