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      John Dee, 1527 – 1608

      4 najznámejších obrazov od John Dee, zoradených podľa popularity

      Najobľúbenejším obrazom, ktorý vytvoril John Dee, je Obsidian Mirror (1400). Nasledujú Four Castles Gold Disk (1560) a Sigillum Dei, Wax Disks (1582) z pláten, ktoré čitateľom najlepšie známe. Náš katalóg obsahuje 4 diel od umelca John Dee: tu je 4 najznámejších, z ktorých každý uvádza rok vytvorenia, múzeu a to, čo ho robí nezabudnuteľným.

      Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované november 2026. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejную reprodukciu na ľanovom plátne alebo ako umeleckú tlač, vyrobenú v požadovanom rozмере.

      Portrét John Dee
      John Dee · 1527 – 1608
      Narodený · zomrel
      1527 – 1608
      Diela v našom katalógu
      4
      Najznámejšie
      Obsidian Mirror (1400)

      Top 10 obrazov umelca John Dee: plátna, ktoré pozná každý

      Najobľúbenejšie plátna umelca John Dee, rok po roku

      John Dee pri palici cez 23 rokov, od 1560 do 1582: najobľúbenejšie plátna každého roka, v chronologickom poradí.

      1. 1560
      2. 1582
      3. 1582

      O plátnach umelca John Dee: odpovede na vaše otázky

      Ktorý obraz od John Dee je najznámejší?Prečítajte si odpoveď

      Obsidian Mirror (1400), po ktorom nasledujú Four Castles Gold Disk (1560) a Sigillum Dei, Wax Disks (1582).

      Koľko celkom diel nakreslil/a John Dee?Prečítajte si odpoveď

      V našom katalógu sa nachádza 4 diel od umelca John Dee, datovaných od 1560 do 1582.

      Kedy John Dee namaloval svoje najobľúbeniejšie plátna?Prečítajte si odpoveď

      V období 1582, ktoré predstavuje 2 z 4 diel na tejto stránke, medzi nimi aj Sigillum Dei, Wax Disks.

      Ktoré sú najskoršie a najneskoršie známe plátna umelca John Dee?Prečítajte si odpoveď

      Najstaršie plátno je z Four Castles Gold Disk (1560); najnovšie je z Sigillum Dei, Wax Disks (1582).

      Môžem si kúpiť reprodukciu plátna od John Dee?Prečítajte si odpoveď

      Áno. Každý obraz na tejto stránke si môžete objednať z jeho vlastnej stránky ako ručne maľovanú olejную reprodukciu alebo ako umeleckú tlač, v rozmeroch, ktoré si vyberiete.

      John Dee: život v farbách

      The Life and Family of John Dee

      John Dee was an English polymath and occultist, a man whose intellectual reach extended far beyond the boundaries of traditional scholarship. Born on 13 July 1527, he occupied a space between rigorous science and the esoteric. His lineage began with his father, Rowland Dee, providing the foundation for a life defined by the pursuit of hidden knowledge. He was not a painter or a visual creator, but a thinker whose influence was felt through his vast intellectual inquiries and his involvement in the occult sciences of the sixteenth century.

      Family life for Dee was marked by specific, documented connections that anchored his complex existence. His son, Arthur Dee, was born on 13 July 1579. This lineage continued through a life spent largely in Mortlake, London, where he maintained his residence and his extensive collections. The weight of his intellectual pursuits often intersected with his personal associations, creating a life that was as much about human relationships as it was about the study of the unknown.

      The end of his life remains a matter of slight historical debate, with records suggesting he died in 1608 or 1609. Regardless of the exact year, the impact of his work remains a concrete part of the history of English intellectualism. He left behind a legacy of manuscripts and tracts, including the Cotton Vitellius C. VII, which serves as a primary record of his own life and thoughts. His existence was defined by this tension between the documented word and the unseen forces he sought to understand.

      Travels and Connections in Europe

      John Dee was an English polymath and occultist whose influence relied heavily on his ability to navigate the complex social and intellectual circles of the European continent. His movements were not mere sightseeing; they were strategic engagements with the power structures of the era. He was a visitor to the court of Rudolf II, a connection that placed him at the center of significant intellectual exchange. This relationship was solidified during his time in Prague, where he visited the court of Rudolf II between 1584 and 1585. These interactions demonstrate a man deeply embedded in the high-stakes political and esoteric currents of the late sixteenth century.

      His social network was as diverse as it was specialized. He maintained a close friendship with Edward Kelley, a relationship that likely defined much of his later intellectual pursuits. Beyond these personal ties, Dee moved through a web of associates and acquaintances that spanned various social strata. He was connected to William of Rosenberg and Nicholas Starkie, figures who represent the breadth of his professional and social reach. These were not casual acquaintances but part of a structured existence defined by proximity to power and the exchange of specialized knowledge. His presence in Prague and his ties to the court of Rudolf II confirm that his work was never isolated to a single locale, but was instead part of a broader, continental dialogue.