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View of Banff with the Bridge over the River Deveron
Ručne maľovaná olejná reprodukcia od $178 36 × 28 cm
Veľkosť rovnaká ako originál $238 63 × 47 cm Objednať v originálnej veľkosti →
John Fleming, 1792 – 1845
1 najznámejších obrazov umelca John Fleming
View of Banff with the Bridge over the River Deveron (1825) je obraz, pre ktorý je John Fleming najznámy; patrí do zbierky Scottish National Gallery, Edinburgh. Náš katalóg obsahuje 1 diel od umelca John Fleming. Tu je 1 najznámejších s uvedením roku, múzeá a príbehu každého plátna.
Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované november 2026. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejную reprodukciu na ľanovom plátne alebo ako umeleckú tlač, vyrobenú v požadovanom rozмере.
- Narodený · zomrel
- 1792 – 1845
- Diela v našom katalógu
- 1
- Najznámejšie
- View of Banff with the Bridge over the River Deveron (1825)
- Najviac diel v
- Scottish National Gallery
Desať najobľúbenejších obrazov od John Fleming
Kde visia plátna umelca John Fleming
Múzeum, ktoré vlastní najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca John Fleming | Obrazy z tohto zoznamu |
|---|---|---|---|
 Scottish National Gallery |
Edinburgh | 1 | View of Banff with the Bridge over the River Deveron |
Najznámejšie plátna umelca John Fleming, rok za rokom
Plátna od John Fleming z tohto obdobia pochádzajú všetky z roku 1825: tu sú, usporiadané podľa slávy.
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View of Banff with the Bridge over the River Deveron (1825)
View of Banff with the Bridge over the River Deveron: koľko rokov mal/a John Fleming, keď bolo vytvorené?Prečítajte si odpoveď
John Fleming, narodený v 1792, mal 33 rokov: View of Banff with the Bridge over the River Deveron vznikol v roku 1825.
Koľko obrazov vytvoril/a John Fleming?Prečítajte si odpoveď
V našom katalógu sa nachádza 1 diel od John Fleming.
Kde sa dnes nachádzajú najznámejšie plátna umelca John Fleming?Prečítajte si odpoveď
Väčšinou v Scottish National Gallery (Edinburgh); vyššie uvedený zoznam uvádza jednotlivé múzeá a ich plátna.
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Áno. Každý obraz na tejto stránke si môžete objednať z jeho vlastnej stránky ako ručne maľovanú olejную reprodukciu alebo ako umeleckú tlač, v rozmeroch, ktoré si vyberiete.
Spoznajte maliara: John Fleming
A Life Painted in Scenery and Service
John Fleming began his path in the world of color not as a scholar, but through the practical labor of a house painter. At fourteen, he entered an apprenticeship that grounded him in the physical reality of pigments and surfaces. This early training likely shaped his eye for the subtle textures found in the Scottish landscape. After spending time in London, where he worked as a housepainter and studied the works held in various galleries, he eventually settled in Greenock. His life was deeply tied to this community, moving between premises on William Street and Hamilton Street.
While his hands were often busy with the practicalities of trade, his mind was focused on the quiet beauty of his homeland. He became a man who recorded the changing face of his surroundings, capturing the development of Greenock through his brush. His work was not merely about grand vistas; it was about the specific, lived reality of the places he knew.
The Art of the View
Fleming found a particular rhythm in creating small-scale paintings of Scottish scenery. He did not seek to overwhelm the viewer with scale, but rather to offer intimate glimpses of the land. Much of his most recognized work came from a close professional bond with the engraver and publisher Joseph Swan. Together, they brought detailed views of the local landscape to a wider audience through several published series:
- Select Views of Glasgow and its environs (1828)
- Select Views on the Clyde (1830)
- Select Views of the Lakes of Scotland (1834)
The publication regarding the lakes of Scotland was especially well-received, appearing in multiple editions throughout the 1830s. These prints allowed his observations of the natural world to reach beyond the borders of Greenock. Alongside these landscapes, he also worked as a portrait painter, often capturing the likenesses of local merchants who lived and traded in the same streets where he worked.
A Presence in the Scottish Arts
Fleming was an active participant in the growing artistic community of his time. He was an original member of the Institution for Promoting and Encouraging the Fine Arts in the West of Scotland, formed in 1821. His dedication to the local arts scene was further evidenced by his membership in the Watt Club and his election to the West of Scotland Academy in 1841. He also shared his work with the Royal Scottish Academy, exhibiting landscapes there in 1828, 1830, and 1837.
His death in February 1845 left a void in the local community, a sentiment reflected in the gravestone erected by friends and admirers. Today, the traces of his life's work remain held in several important collections, including the McLean Museum and Art Gallery in Greenock, the National Galleries of Scotland, and the University of Edinburgh. Through these pieces, the landscapes he once walked continue to be seen.