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      Max Pietschmann, 1865 – 1952

      1 najznámejších obrazov od Max Pietschmann, zoradených podľa popularity

      Najobľúbenejším obrazom od Max Pietschmann je Adam and Eve (1894), ktorý sa nachádza v Národní galerie Praha, Praha. Náš katalóg obsahuje 1 diel od umelca Max Pietschmann: tu je 1 najznámejších, z ktorých každý uvádza rok vytvorenia, múzeu a to, čo ho robí nezabudnuteľným.

      Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované november 2026. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejovú reprodukciu na ľanovom plátne alebo ako umeleckú tlač, vyrobenú v požadovanom rozmere.

      Portrét Max Pietschmann
      Max Pietschmann · 1865 – 1952
      Narodený · zomrel
      1865 – 1952, Dresden
      Diela v našom katalógu
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      Adam and Eve (1894)
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      Národní galerie Praha

      Top 10 obrazov umelca Max Pietschmann: plátna, ktoré pozná každý

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      Národní galerie Praha, PrahaNárodní galerie Praha Praha 1 Adam and Eve

      Najobľúbenejšie plátna umelca Max Pietschmann, rok po roku

      Každé plátno s dátumom od Max Pietschmann na tejto stránke bolo vytvorené v roku 1894; tu sú, začínajúc tymi najznámejšími.

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        Adam and Eve (1894) od Max Pietschmann
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        Adam and Eve

        Vek 29 rokov · Národní galerie Praha

      O plátnach umelca Max Pietschmann: odpovede na vaše otázky

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      Adam and Eve (1894)

      V akom veku bol/a Max Pietschmann, keď vzniklo dielo Adam and Eve?Prečítajte si odpoveď

      Max Pietschmann, narodený v 1865, mal 29 rokov: Adam and Eve vznikol v roku 1894.

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      V našom katalógu sa nachádza 1 diel od Max Pietschmann.

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      Väčšinou v Národní galerie Praha (Praha); vyššie uvedený zoznam uvádza jednotlivé múzeá a ich plátna.

      Môžem si kúpiť reprodukciu plátna od Max Pietschmann?Prečítajte si odpoveď

      Áno. Každý obraz na tejto stránke si môžete objednať z jeho vlastnej stránky ako ručne maľovanú olejovanú reprodukciu alebo ako umeleckú tlač, v rozmeroch, ktoré si vyberiete.

      Max Pietschmann: život v farbách

      A Life Rooted in Dresden

      Ernst Max Pietschmann lived much of his life within the quiet landscapes and academic circles of Dresden, Germany. Born on August 6, 1865, he began his formal training at the Dresden Academy of Fine Arts, where he studied under Leon Pohle and Ferdinand Pauwels between 1883 and 1889. His path took him far beyond the borders of his home city, including two years spent in Italy alongside Hans Unger and time spent at the Académie Julian in Paris, focusing largely on the study of nude drawing.

      He eventually returned to the familiar surroundings of Saxony, becoming part of the painters' colony in Goppeln. This group focused on plein air painting, capturing the light of the natural world directly from the landscape. In 1904, he moved into a studio house built in an Italian style in Niederpoyritz, where he remained until his death in 1952. His professional life was deeply tied to the Dresden Academy, where he was appointed as a professor in 1909.

      The Language of Symbolism

      Pietschmann’s work is often identified with the German Symbolist movement. He did not follow the later shifts toward Expressionism or New Objectivity that emerged during and after the First World War. Instead, his paintings remained connected to a tradition shared by artists like Max Klinger and Arnold Böcklin. His repertoire frequently explored mythological themes and the human form.

      Some of his notable works include:

      • Polyphemus' Fish Catch: A large-scale sea painting that earned him a medal at the 1893 Chicago World's Fair.
      • Nymph and Faun beneath the Cherry Trees: A piece from 1900 that reflects his interest in mythological subjects.
      • Bathers in the Forest Pond in the Evening: An oil on panel work from 1898.
      • Lampionstudien: Oil studies on cardboard created around 1900.

      Under the pseudonym Fr. Laubnitz, he produced pictures that found a wide audience as mural prints during the first half of the twentieth century. This side of his practice allowed his imagery to enter many homes through more accessible formats.

      A Legacy in the Dresden Collections

      Throughout his career, Pietschmann was part of a group of artists known as the "phalanx of the strong," which included figures such as Oskar Zwintscher and Richard Müller. This group represented the artistic pulse of Dresden at the turn of the century. His presence in the Visual Artists' Association of Dresden helped define the local secession movement.

      Today, much of his physical and creative output is preserved within German institutions. His paintings can be found in the following locations:

      He passed away on April 16, 1952, and was laid to rest in the Hosterwitz Cemetery in Dresden, leaving behind a body of work that remains anchored in the traditions of his era.