Najobľúbenejším obrazom od Émile Bernard je Iron Bridges at Asnières (1887), ktorý sa nachádza v MoMA - Museum of Modern Art, New York. Nasledujú Portrait of Marie Lemasson (1892) a Self-Portrait 1918 (1919) z pláten, ktoré čitateľom najlepšie známe. Náš katalóg obsahuje 201 diel od umelca Émile Bernard: tu je 100 najznámejších, z ktorých každý uvádza rok vytvorenia, múzeu a to, čo ho robí nezabudnuteľným.
Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované október 2026. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejную reprodukciu na ľanovom plátne alebo ako umeleckú tlač, vyrobenú v požadovanom rozмере.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
The gaze of the subject meets the viewer in Portrait of a Black Woman, a work that captures a quiet, heavy stillness. Painted by Émile Bernard, this piece emerges from a period of intense creative exploration. It exists under the title Portrait of a Black Woman, though some records identify the work as Study Of A Mulatto Woman, 1895. This distinction offers a glimpse into how the subject is perceived…
The evening air feels heavy and alive in Night Festival, an oil painting by Émile Bernard. Created about 1888, this work captures a moment of communal celebration suspended in the dark. The scene pulls the viewer into a nocturnal gathering where the glow of light meets the deep shadows of the night. It is a piece that belongs firmly to the Post-Impressionist movement, marking a departure from the fleeting light…
In this 1908 oil on canvas, three figures occupy a tightly packed, studio-like environment. The composition is organized around a shallow depth of field, placing the subjects in…
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This 1888 oil on canvas, titled Self-Portrait, offers an intimate glimpse into the creative environment of Émile Bernard. Painted during his time in the French seaside village of…
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To gaze upon this depiction—a board lavishly adorned with tendrils and an exuberant profusion of blossoms—is to step directly into a moment suspended between vibrant life and delicate…
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This evocative watercolor, depicting the Landscape at Pont-Aven with Poplars, transports the viewer directly to the heart of Brittany in 1888. The scene is imbued with a profound…
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The artwork is titled Still life with flowers in a jug. It was executed by the artist Émile Bernard. This specific composition features a floral arrangement situated within…
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In the quiet, evocative depths of Émile Bernard’s 1889 woodcut, The Adoration of the Shepherds, one finds more than a mere retelling of a biblical milestone; one encounters…
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A Crimson Prelude to Breton Life Study for The Buckwheat Harvesters is far more than a mere preparatory sketch; it is a profound window into the soul of…
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Štyri témy, ktoré sa na týchto plátnach najčastejšie vracajú, každá s jej najobľúbenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Émile Bernard | Obrazy z tohto zoznamu |
|---|---|---|---|
 Van Gogh Museum |
Amsterdam | 11 | Self-Portrait 1918, Woman Sitting in a Field: Brittany, Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941) |
 Musée de Pont-Aven |
Hastenparck | 7 | Landscape at Pont-Aven with Poplars, The Adoration of the Shepherds, Study for The Buckwheat Harvesters |
 Thyssen-Bornemisza Museum |
Madrid | 4 | The Annunciation, Inside a Shop in Pont-Aven, The Cliffs at Le Pouldu |
 Musée des Beaux-Arts de Quimper |
Quimper | 4 | Funeral palls 1, Funeral palls 2, Orchard at Pont Aven |
 Wallraf-Richartz-Museum |
Köln | 3 | Loving Couple, Houses in Pont-Aven |
 Dallas Museum of Art |
Dallas | 3 | The Salon, Bridge at Pont-Aven |
 Musée des Beaux-Arts |
Reims | 3 | Fellah Women at the Bath, Toilet of Venus |
 Ackland Art Museum |
Chapel Hill | 2 | Victorine Lelopin, The Wave |
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic,…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head…
Iron Bridges at Asnières (1887), MoMA - Museum of Modern Art, New York. Nasledujú Portrait of Marie Lemasson (1892) a Self-Portrait 1918 (1919).
Émile Bernard, narodený v 1868, mal 19 rokov: Iron Bridges at Asnières vznikol v roku 1887.
Iron Bridges at Asnières, Portrait of Marie Lemasson, Self-Portrait 1918, Buckwheat Harvesters at Pont Aven, Après le bain (les nymphes), Portrait of a Black Woman, Night Festival, The Harvest, Loving Couple a The Harvest at Saint-Briac. Každé plátno v uvedenom poradaní obsahuje rok vytvorenia a názov múzeja.
V našom katalógu sa nachádza 201 diel od umelca Émile Bernard, datovaných od 1885 do 1940.
Väčšinou v Van Gogh Museum (Amsterdam), Musée de Pont-Aven (Hastenparck) a Thyssen-Bornemisza Museum (Madrid); vyššie uvedený zoznam uvádza jednotlivé múzeá a ich plátna.
V období 1880s, ktoré predstavuje 29 z 100 diel na tejto stránke, medzi nimi aj Iron Bridges at Asnières.
Najstaršie plátno je z Funeral palls 1 (1885); najnovšie je z Breton Women (1940).
Women (10), People (6) a Woman (4), v rámci 100 diel na tejto stránke.
Oil On Canvas, použité v 6 z 100 dielov na tejto stránke.
Post-impressionist synthetism, ako dokazujú plátna na tejto stránke.
V múzeu Van Gogh Museum, Amsterdam sa nachádza 10 z diel na tejto stránke, vrátane Self-Portrait 1918, Woman Sitting in a Field: Brittany a Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941).
Áno. Každý obraz na tejto stránke si môžete objednať z jeho vlastnej stránky ako ručne maľovanú olejную reprodukciu alebo ako umeleckú tlač, v rozmeroch, ktoré si vyberiete.
