Isaac Newton (1702) je obraz, pre ktorý je Gottfried Kneller najznámyjší. Portrait of Pyotr Potyomkin (1682) a William Russell, 1st Duke of Bedford (1690) dopĺňajú trojicu najobľúbenejších pláten. Náš katalóg obsahuje 372 diel od umelca Gottfried Kneller. Tu je 100 najznámejších s uvedením roku, múzeá a príbehu každého plátna.
Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované október 2026. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejную reprodukciu na ľanovom plátne alebo ako umeleckú tlač, vyrobenú v požadovanom rozмере.
This portrait of Isaac Newton was executed by Sir Godfrey Kneller, Bt. in 1702. The sitter, recognized as one of the greatest of all scientists and thinkers, is presented through the meticulous technique of a painter who served the courts of Charles II, James II, William and Mary, and George I. Kneller’s position as a prominent portraitist is reflected in this depiction of a man whose intellectual contributions fundamentally altered…
Sir Godfrey Kneller’s “Portrait of Pyotr Potyomkin” (1682) is more than just a likeness; it's a meticulously crafted tableau of power, ambition, and the carefully constructed image of a formidable Russian statesman. Painted during the reign of Charles II in England, this remarkable work offers a rare glimpse into the intricate world of European diplomacy and the burgeoning influence of Russia on the continent. The portrait depicts Potyomkin, a high-ranking…
A single figure occupies the center of the frame, anchored by the gravity of his own station. William Russell, 1st Duke of Bedford, is rendered in a moment of stillness, his presence defined by the heavy architecture of his ceremonial robes. The light catches the sharp, white edges of a lace cravat and the powdered texture of a voluminous periwig. He is a pillar of fabric and bone against a…
A single light source strikes from the upper left, carving the face of Thomas Wharton out of a deep, somber shadow. He sits in a three-quarter pose, his gaze fixed directly upon the viewer with a steady, unblinking authority. The darkness behind him is a warm, muted brown, pushing his figure forward into the room. His hair, a voluminous mass of light brown curls, frames a face of smooth skin…
A single, heavy shadow anchors the room. Within this darkness, Richard Lumley, 2nd Earl of Scarbrough, emerges through a sudden collision of light and texture. He is positioned in a three-quarter view, his body turned slightly away while his eyes lock onto the viewer with a steady, direct gaze. A voluminous, light brown periwig frames a face rendered with smooth, pale precision. The light catches the crest of his white…
In this 1690 portrait, Queen Anne is presented with a quiet, commanding dignity that defines the Baroque era. She is captured in a three-quarter length pose, standing with a poised elegance that suggests both her royal status and a certain personal composure. The composition draws the eye through the sweeping curves of her heavy drapery and the fluid folds of her gown, creating a sense of movement within a formal…
The portrait presents Robert Harley, 1st Earl of Oxford, in a vertical three-quarter length composition. He is positioned slightly off-center against a muted, dark ochre background. The subject wears a large powdered wig and an elaborate lace cravat. A heavy blue mantle, lined with white ermine fur, drapes over his shoulders and falls in voluminous, flowing curves. Beneath this, his period clothing features structured silhouettes and textures of silk and…
The room falls away into a deep, impenetrable darkness, leaving only the man to emerge from the gloom. He sits in a three-quarter view, his body angled toward the right while his gaze meets the viewer from the left, creating an immediate sense of encounter. A strong, singular light source strikes his face and the voluminous, snowy curls of his powdered wig, casting the rest of his form into a…
This oil on canvas portrait by Sir Godfrey Kneller, Bt. depicts Charles Townshend, 2nd Viscount Townshend. The subject is presented in a full-length, vertical composition, positioned slightly off-center against a dark, atmospheric background. He is shown wearing voluminous red velvet robes accented by white ermine fur and a lace cravat. A large, white wig frames his face, which is illuminated by a light source from the side, creating a chiaroscuro…
The subject is a young man positioned in a three-quarter length view against a dark, indistinct background. He wears a deep reddish-orange velvet jacket that catches the light, creating highlights on the folds of the fabric. A white, ruffled shirt is visible at the neck, providing a sharp tonal contrast to the darker tones of his attire. On his head, he wears a turban-like cap with voluminous folds. The lighting…
A single figure emerges from a void of deep, atmospheric darkness. Anthony Leigh stands in the center of a vertical silence, draped in heavy, voluminous black garments that…
Prinesť toto svetlo domov →
The room falls away into a deep, indistinct darkness, leaving only the man to emerge from the gloom. He sits in a three-quarter view, his body angled with…
Nechajte si to namalovať ručne →
The man gazes out from a soft, oval vignette, his presence commanding the space through a dramatic interplay of light and shadow. He is draped in the heavy,…
Nechajte si to namalovať ručne →
A man emerges from a void of shadow. Edward Southwell meets the viewer with a steady, unblinking stare that pierces the darkness of the background. His hair, a…
Nechajte si to namalovať ručne →
This portrait depicts Sidney Godolphin, 1st Earl of Godolphin. The subject was a British Tory statesman who held the office of Lord High Treasurer from 8 May 1702…
Prinesť toto svetlo domov →
This portrait of Aubrey de Vere, 20th Earl of Oxford, was executed by Sir Godfrey Kneller, Bt. around 1690. The sitter, who lived from 1627 to 1703, is…
Nechajte si to namalovať ručne →
This portrait presents Charles Seymour, 6th Duke of Somerset. The subject is a single male figure, captured in a moment of quiet, poised dignity. Godfrey Kneller rendered this…
Nechajte si to namalovať ručne →
The Portrait of Johann Philipp Schönborn, elector of Mainz is an oil on canvas work created by the artist Godfrey Kneller. Painted in 1666, this portrait captures Johann…
Nechajte si to namalovať ručne →
The gaze of Arthur Maynwaring meets the viewer through this oil on canvas, a work captured by the hand of Sir Godfrey Kneller, Bt. around 1710. He appears…
Nechajte si to namalovať ručne →
This three-quarter length portrait by Godfrey Kneller depicts William Pulteney, 1st Earl of Bath, a statesman. Painted in 1717, the work is identified as NPG 3194. It belongs…
Prinesť toto svetlo domov →
In the sweeping theatricality of the English Baroque, few works capture the intersection of political power and maritime discovery as profoundly as Sir Godfrey Kneller’s 1692 masterpiece, “Edward…
Prinesť toto svetlo domov →
This portrait depicts King George I, a figure associated with thirty different portraits. The work is a replica of a painting from 1714, executed by the artist Godfrey…
Prinesť toto svetlo domov →
Štyri témy, ktoré sa na týchto plátnach najčastejšie vracajú, každá s jej najobľúbenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Gottfried Kneller | Obrazy z tohto zoznamu |
|---|---|---|---|
 National Portrait Gallery |
Londýn | 73 | William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough |
 Hampton Court Palace |
Londýn | 10 | Diana De Vere, Duchess of St. Albans (d.1742), Mary Scrope, later Mrs Pitt (b.1676), Carey Fraser, Countess of Peterborough (d.1709) |
 Royal Collection |
Londýn | 12 | James II (1633-1701) when Duke of York, William, Duke of Gloucester (1689-1700), when a Child, Mary II (1662-1694) |
 National Maritime Museum |
Londýn | 23 | Admiral Sir Thomas Allin, 1612-85, Samuel Pepys, 1633-1703, Admiral Edward Russell, 1652-1727, 1st Earl of Orford |
 Felbrigg Hall |
Norwich | 4 | Possibly Colonel William Windham I, MP (1647-1689), Catherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717), Ashe Windham, MP (1673-1749) |
 Hardwick Hall |
9 | Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704), Rachel Russell, Duchess of Devonshire (1674 – 1725), Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704) | |
 Škótska národná galéria portrétov |
Edinburgh | 6 | Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, John Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite |
 Yale Center for British Art |
New Haven | 6 | Self-Portrait, Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss |
The Portrait of Johann Philipp Schönborn, elector of Mainz is an oil on canvas work created by the artist Godfrey Kneller. Painted in 1666, this portrait captures Johann…
Sir Godfrey Kneller’s “Portrait of Pyotr Potyomkin” (1682) is more than just a likeness; it's a meticulously crafted tableau of power, ambition, and the carefully constructed image of…
A single figure occupies the center of the frame, anchored by the gravity of his own station. William Russell, 1st Duke of Bedford, is rendered in a moment…
This portrait of Isaac Newton was executed by Sir Godfrey Kneller, Bt. in 1702. The sitter, recognized as one of the greatest of all scientists and thinkers, is…
A single light source strikes from the upper left, carving the face of Thomas Wharton out of a deep, somber shadow. He sits in a three-quarter pose, his…
Isaac Newton (1702), po ktorom nasledujú Portrait of Pyotr Potyomkin (1682) a William Russell, 1st Duke of Bedford (1690).
Gottfried Kneller, narodený v 1646, mal 56 rokov: Isaac Newton vznikol v roku 1702.
Isaac Newton, Portrait of Pyotr Potyomkin, William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough, Queen Anne, Robert Harley, 1st Earl of Oxford, Sir Samuel Garth, Charles Townshend, 2nd Viscount Townshend a Charles Fitzroy, 2nd Duke of Grafton. Každé plátno v uvedenom poradaní obsahuje rok vytvorenia a názov múzeja.
V našom katalógu sa nachádza 372 diel od umelca Gottfried Kneller, datovaných od 1666 do 1717.
Väčšinou v National Portrait Gallery (Londýn), Hampton Court Palace (Londýn) a Royal Collection (Londýn); vyššie uvedený zoznam uvádza jednotlivé múzeá a ich plátna.
V období 1690s, ktoré predstavuje 38 z 100 diel na tejto stránke, medzi nimi aj William Russell, 1st Duke of Bedford.
Najstaršie plátno je z Portrait of Johann Philipp Schönborn, elector of Mainz (1666); najnovšie je z Richard Lumley, 2nd Earl of Scarbrough (1717).
Man (19), Wig (9) a Dark background (8), v rámci 100 diel na tejto stránke.
Oil On Canvas, použité v 19 z 100 dielov na tejto stránke.
Baroque style, ako dokazujú plátna na tejto stránke.
V múzeu National Portrait Gallery, Londýn sa nachádza 24 z diel na tejto stránke, vrátane William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton a Richard Lumley, 2nd Earl of Scarbrough.
Áno. Každý obraz na tejto stránke si môžete objednať z jeho vlastnej stránky ako ručne maľovanú olejную reprodukciu alebo ako umeleckú tlač, v rozmeroch, ktoré si vyberiete.
