Self-portrait (1379) je obraz, pre ktorý je Peter Parler najznámy; patrí do zbierky Katedrála, Praha. Head of Charles IV (1375) a Sebeportrét (1379) dopĺňajú trojicu najobľúbenejších pláten. Náš katalóg obsahuje 4 diel od umelca Peter Parler. Tu je 4 najznámejších s uvedením roku, múzeá a príbehu každého plátna.
Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované október 2026. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejную reprodukciu na ľanovom plátne alebo ako umeleckú tlač, vyrobenú v požadovanom rozмере.
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate glimpse into the identity of Peter Parler. He presents himself not as a distant figure of authority, but as a man of flesh and bone, rendered with a startling degree of naturalism. The head is slightly tilted, a subtle movement that breaks…
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight of a crown. Light falls across the brow, catching the deep-set eyes and the sharp, carved lines of a beard that seems to hold the dust of centuries. It is a portrait of a man who shaped a kingdom, rendered in the…
Peter Parlerova Sebaobrazovka – Monumentálna Výstava Zvukovej Umelosti Sebaobrazovka Petra Parlera predstavuje fascinujúci príklad vrcholného gotického umenia, ktorý sa stretol s výrazným vplyvom nového estetického smeru – raného renesansu. Tento detailný obraz vytvoril významný architekt a sculptor Pia Cavallini okolo roku 1379, čím zabezpečil svoj pozostatok medzi najvýznamnejšími dielami doby. Jeho umelecké dielo sa nachádza v rámci katedrály svätého Víta v Prahe, čo nám poskytuje kontext bohatého historického prostredia a…
Štyri témy, ktoré sa na týchto plátnach najčastejšie vracajú, každá s jej najobľúbenejším príkladom.
2 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Peter Parler | Obrazy z tohto zoznamu |
|---|---|---|---|
 Katedrála |
Praha | 3 | Self-portrait, Head of Charles IV, Sebeportrét |
 Katedrála sv. Vigila |
Prague | 1 | Tomb of Ottokar II |
Obrazové plátna umelca Peter Parler na tejto stránke sa pohybujú od 1375 do 1379, čo je len 5 rokov: tu sú, rok po roku.
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight…
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate…
Peter Parlerova Sebaobrazovka – Monumentálna Výstava Zvukovej Umelosti Sebaobrazovka Petra Parlera predstavuje fascinujúci príklad vrcholného gotického umenia, ktorý sa stretol s výrazným vplyvom nového estetického smeru – raného…
Self-portrait (1379), Katedrála, Praha. Nasledujú Head of Charles IV (1375) a Sebeportrét (1379).
Peter Parler, narodený v 1330, mal 49 rokov: Self-portrait vznikol v roku 1379.
V našom katalógu sa nachádza 4 diel od umelca Peter Parler, datovaných od 1375 do 1379.
Väčšinou v Katedrála (Praha) a Katedrála sv. Vigila (Prague); vyššie uvedený zoznam uvádza jednotlivé múzeá a ich plátna.
V období 1379, ktoré predstavuje 2 z 4 diel na tejto stránke, medzi nimi aj Self-portrait.
Najstaršie plátno je z Head of Charles IV (1375); najnovšie je z Self-portrait (1379).
Stone, použité v 2 z 4 dielov na tejto stránke.
V múzeu Katedrála, Praha sa nachádza 3 z diel na tejto stránke, vrátane Self-portrait, Head of Charles IV a Sebeportrét.
Áno. Každý obraz na tejto stránke si môžete objednať z jeho vlastnej stránky ako ručne maľovanú olejную reprodukciu alebo ako umeleckú tlač, v rozmeroch, ktoré si vyberiete.
In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Born into a distinguished dynasty of master builders, he carried the weight of tradition while simultaneously forging a new, expressive language for European architecture. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe. His journey began in the town of Schwäbisch Gmünd, Germany, where he received his early training, eventually leading him to work at significant medieval building sites including Strasbourg, Cologne, and Nuremberg.
The trajectory of Parler’s career reached its zenith when he moved to Prague, the capital of the Kingdom of Bohemia. Here, under the patronage of the Holy Roman Empire, he was able to realize a vision of architectural grandeur that would define the skyline of the city for centuries. His work at St. Vitus Cathedral stands as his most enduring legacy, a monumental achievement where he utilized complex networks of ribbed vaults to create an interior that seems to defy gravity. Through his engineering brilliance, the heavy stone walls appear light and ethereal, allowing for expansive windows that transform the cathedral into a vessel for celestial light.
Parler was not merely a builder of structures but a sculptor of profound emotional depth. His ability to breathe life into cold stone allowed him to bridge the gap between the rigid forms of earlier Gothic traditions and a more naturalistic, human-centric approach. This mastery is perhaps most intimately captured in his Self-Portrait, an evocative piece that offers a rare glimpse into the artist's own contemplative soul. In this work, one can observe the meticulous craftsmanship required to render the subtle textures of hair and the serene expression of a man deeply engaged with both his faith and his craft.
His sculptural contributions often complemented his architectural feats, creating a unified aesthetic experience within the sacred spaces he designed. Notable works such as the Head of Charles IV demonstrate his ability to capture individual character and royal dignity through the Late Gothic style. His achievements were not isolated incidents but part of a broader movement of artistic innovation that saw:
Through his hands, the stone became a chronicle of history, an enduring testament to the skill of the Parler family. His life's work remains etched in the very fabric of Europe, serving as a bridge between the medieval world and the burgeoning complexities of the later centuries.
