Najobľúbenejším obrazom od Xia Gui je Twelve Views of Landscape (Shan-shui shih-erh-ching), ktorý sa nachádza v Nelson-Atkins Museum of Art, Kansas City. Náš katalóg obsahuje 2 diel od umelca Xia Gui: tu je 2 najznámejších, z ktorých každý uvádza rok vytvorenia, múzeu a to, čo ho robí nezabudnuteľným.
Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované október 2026. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejную reprodukciu na ľanovom plátne alebo ako umeleckú tlač, vyrobenú v požadovanom rozмере.
2 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Xia Gui | Obrazy z tohto zoznamu |
|---|---|---|---|
| Kansas City | 1 | Twelve Views of Landscape (Shan-shui shih-erh-ching) | |
| Taipei | 1 | Pure and Remote View of Streams and Mountains |
Twelve Views of Landscape (Shan-shui shih-erh-ching)
V našom katalógu sa nachádza 2 diel od Xia Gui.
Väčšinou v Nelson-Atkins Museum of Art (Kansas City) a Národné palácové múzeum v Taipei (Taipei); vyššie uvedený zoznam uvádza jednotlivé múzeá a ich plátna.
Áno. Každý obraz na tejto stránke si môžete objednať z jeho vlastnej stránky ako ručne maľovanú olejную reprodukciu alebo ako umeleckú tlač, v rozmeroch, ktoré si vyberiete.
Xia Gui was a Chinese landscape painter of the Song dynasty, most likely born in Hangzhou, People's Republic of China. Alongside his contemporary Ma Yuan, he founded the influential Ma-Xia school. While much of his life remains unknown, he served in the Imperial Painting Academy during the reign of Emperor Ningzong. His artistic approach was characterized by a move away from highly detailed, complex compositions toward a more immediate and striking effect, often utilizing limited materials to achieve this impact.
His technical mastery is evident in his use of extremely subtle, graded ink washes and overlapping brushstrokes to create atmospheric effects of mist, sky, and infinity. He was noted for his ability to work with great ease and speed, often producing spontaneous creations on paper that absorbed ink quickly. Furthermore, Xia Gui was praised for his skill in drawing architecture freehand without the use of a ruler.
The surviving works of Xia Gui include various genres, such as small album leaves and hand scrolls. His technique often featured perfectly balanced diagonal compositions where void and solid mass played equally important roles. Notable examples of his work include:
His influence extended far beyond his own era, impacting the Japanese master Sesshū Tōyō, who was influenced by Xia's idiom and made studies of his landscape fans.