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      Antiochus in Stratonika

      Odlična baročna mojstrovina Antonia Belluccija! Raziskajte lepoto tega velikega umetniškega dela (253x301 cm) z dramsko osvetljavo in izrazitimi emocijami.

      Antonio Bellucci (1654-1726) was an Italian Rococo painter renowned for grand-manner frescoes in England, Germany & Austria. Explore his mythological scenes, portraits, and religious works – a key figure of the Venetian artistic tradition.

      Giclée tisk / Umetniški tisk

      Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. ( Kupite ročno slikano delo Preklop na digitalno sliko)

      Corner sample of the P118B picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
      P118B €10
      Corner sample of the P118H picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
      P118H €10
      Corner sample of the P118W picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
      P118W €10
      Corner sample of the P438Z picture frame: izoblit polistiren, 5.5 cm wide and 3.5 cm thick
      P438Z €10
      Corner sample of the P508JH picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
      P508JH €12
      Corner sample of the P508YH picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P805H picture frame: izoblit polistiren, 5 cm wide and 3.5 cm thick
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      Corner sample of the P919BZ picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919G picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919XJ picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P959ZH picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
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      Corner sample of the P968JZ picture frame: izoblit polistiren, 6 cm wide and 4 cm thick
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      Corner sample of the W106C picture frame: masivno drevo, 5 cm wide and 3 cm thick
      W106C €8
      Corner sample of the W218G picture frame: masivno drevo, 5 cm wide and 3 cm thick
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      Corner sample of the W218JH picture frame: masivno drevo, 5 cm wide and 3 cm thick
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      Corner sample of the W218Y picture frame: masivno drevo, 5 cm wide and 3 cm thick
      W218Y €10
      Corner sample of the W307PJ picture frame: masivno drevo, 6 cm wide and 3 cm thick
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      Corner sample of the W4111J picture frame: masivno drevo, 6.5 cm wide and 3.5 cm thick
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      Corner sample of the W692G picture frame: masivno drevo, 8 cm wide and 4 cm thick
      W692G €12
      Corner sample of the W849H picture frame: masivno drevo, 5 cm wide and 3 cm thick
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      Corner sample of the W940BG picture frame: masivno drevo, 7.5 cm wide and 4.5 cm thick
      W940BG €15
      Corner sample of the W953PJ picture frame: masivno drevo, 6 cm wide and 3.5 cm thick
      W953PJ €8

      Standardna velikost
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      Antiochus in Stratonika

      Giclée tisk / Umetniški tisk

      Velikost reprodukcije

      -

      Skupna cena

      € 61

      Ključni podatki

      • Year: 1700
      • Subject or theme: Смерть и скорбь; библейская история
      • Artistic style: Великий стиль
      • Title: Antiochus и Стратоника
      • Notable elements or techniques: Театральное освещение; экспрессивная манера письма
      • Location: Музей Шлосс Вильгельмсхоэ, Кассель

      Umetniški kviz

      Pri vsakem vprašanju je na voljo le eden pravilen odgovor.

      Vprašanje 1:
      Kakšno umetniško gibanje je Antonio Belluccijeva slika ‘Antiochus in Stratonice’ predvsem povezana?
      Vprašanje 2:
      Slika prikazuje dramsko pripoved o zgodovinski različici, ki je osrednja?
      Vprašanje 3:
      Kakšna je prevladujoča barvna paleta uporabljena v ‘Antiochus in Stratonice’, ki prispevajo k njenemu čustvenemu učinku?
      Vprašanje 4:
      Slika uporablja kompozicijsko tehniko, znano kot piramidska struktura. Kaj je cilj te tehnike?
      Vprašanje 5:
      Kakšno umetniško tehniko Bellucci uporablja v ‘Antiochus in Stratonice’, kar je videti po debelih, vrtljavih barvnih potezah?

      A Symphony of Sorrow: Exploring Antonio Bellucci’s ‘Antiochus & Stratonice’

      Antonio Bellucci's monumental oil painting, “Antiochus and Stratonice,” stands as a cornerstone of Venetian Baroque artistry—a testament to the period’s obsession with grandeur, emotion, and theatrical storytelling. Executed in 1700, this impressive canvas (253 x 301 cm) transcends mere visual representation; it delves into profound themes of loss, grief, and mortality, capturing a pivotal biblical narrative with breathtaking skill.

      The Dramatic Narrative: Plutarch’s Tale Revisited

      Based on Plutarch's account of Antiochus I Soter’s desperate plight—the king consumed by forbidden love for his stepmother Stratonice—Bellucci’s masterpiece portrays a scene fraught with tension and pathos. Seleucus I, recognizing the devastating consequences of his son’s infatuation, demonstrates remarkable compassion by relinquishing his wife to Antiochus as a gesture of reconciliation.

      Technical Brilliance: Baroque Mastery Unleashed

      Bellucci's technique exemplifies the Baroque ideal—a fusion of classical refinement and dynamic expression. Employing oil paint on canvas with meticulous layering, he achieves remarkable textural richness through impasto, creating swirling brushstrokes that animate drapery and convey palpable movement. The artist’s masterful use of dramatic lighting – directional beams highlighting key figures – amplifies the emotional intensity of the composition, emphasizing contrasts between light and shadow.

      Symbolism Woven into Visual Spectacle

      Beyond its formal beauty lies a wealth of symbolic significance. The reclining figure at the painting’s apex represents death itself, draped in sumptuous fabrics symbolizing vulnerability and nobility. The anguished expressions on the faces of the mourners underscore the universal experience of grief—a poignant reminder of human fragility. Furthermore, the opulent chamber setting underscores Antiochus's royal status and reinforces the overarching theme of sorrow amidst splendor.

      A Legacy Enduring Through Time

      "Antiochus and Stratonice" resides in the Gemäldegalerie Alte Meister in Kassel, Germany—a testament to Bellucci’s enduring influence on European art history. Its captivating portrayal of human emotion and its masterful execution continue to inspire admiration and fascination, cementing its place as a masterpiece of Baroque painting.

      Vprašanja in odgovori

      Kje lahko prenesem "Antiochus in Stratonika" avtorja Antonio Bellucci?

      Digitalno sliko za "Antiochus in Stratonika" lahko prenesete na strani Prenos digitalne slike, kjer je na voljo možnost prenos digitalne slike visoke ločljivosti.

      Katera barva prevladuje v kompoziciji dela "Antiochus in Stratonika" avtorja Antonio Bellucci?

      Barva, ki najbolj izstopa v delu "Antiochus in Stratonika", je Črna (#0f0d0e). Prevladujoča barva je koristna pri združevanju umetniškega dela z notranjo opremo.

      Priporočena velikost in orientacija za tiskanje dela "Antiochus in Stratonika" – kakšna velikost, kakšna orientacija?

      Za "Antiochus in Stratonika" priporočamo tiskanje v velikosti Velik in z orientacijo Vodoravna orientacija.


      Biografija umetnika

      The Grandeur of the Venetian Spirit

      Antonio Bellucci stands as a luminous figure within the Venetian artistic tradition, a master whose brush captured the transition from the dramatic intensity of the Baroque to the airy elegance of the Rococo. Born in 1654 in Pieve di Soligo, Italy, Bellucci’s early training under Domenico Difnico in Sebénico provided him with a rigorous foundation in classical principles. However, it was his arrival in Venice that truly ignited his creative spirit. By 1675, he was already making significant contributions to the city's sacred spaces, most notably through his monumental frescoes for San Pietro di Castello. In these works, depicting Saint Lorenzo Giustiniani’s fervent prayers during the plague of 1447, Bellucci demonstrated an extraordinary ability to weave together religious devotion and human emotion, creating a sense of divine drama that resonated deeply with the Venetian public.

      His talent was not confined to the spiritual realm; Bellucci possessed a versatile mastery over various genres, from the intimate tenderness of nativity scenes for the church of Ascension to the sweeping narratives of classical mythology. A defining characteristic of his development was his collaborative spirit. He worked in close harmony with the landscape painter Antonio Tempesta, where Bellucci’s skill in rendering human figures breathed life and narrative complexity into Tempesta's expansive vistas. This synergy between figure and landscape became a hallmark of his maturing style, blending movement and grace with structural depth.

      A Courtly Ascent and European Legacy

      As his reputation grew, Bellucci’s ambitions carried him far beyond the borders of the Venetian Republic, leading him to the heart of European power. His periods in Vienna during the late seventeenth and early eighteenth centuries marked a pinnacle in his career, as he secured the prestigious patronage of the Habsburg court. Under the gaze of Emperor Charles VI, Bellucci undertook monumental projects that showcased his technical prowess on an imperial scale. The four altarpieces he created for Klosterneuburg serve as enduring testaments to his ability to command large-scale religious compositions with both majesty and clarity.

      The zenith of his architectural painting is perhaps best exemplified by the breathtaking ceiling frescoes at Palais Liechtenstein. In depicting the Triumph of Hercules, Bellucci utilized the grand manner to create an immersive experience, where mythological heroism meets the sophisticated aesthetics of the burgeoning Rococo era. This ability to synthesize classical grandeur with a lighter, more decorative touch allowed him to navigate the changing tastes of the European aristocracy with ease.

      Beyond his individual achievements, Bellucci’s historical significance is cemented by his role as a mentor and an influential force in the lineage of Italian art. Through his instruction of talented students such as Antonio Balestra and potentially Jacopo Amigoni, he ensured that the sophisticated techniques of the Venetian school would endure and evolve. His legacy remains etched in the ceilings of palaces and the altars of cathedrals, representing a period of unparalleled artistic splendor where light, movement, and myth converged to celebrate the human and the divine.

      Antonio Bellucci

      Antonio Bellucci

      1654 - 1726 , Italy

      Hitri podatki

      • Artistic Movement Or Style: Rococo
      • Artists Or Movements Influenced By This Artist: ['Venetian Art']
      • Artists Who Influenced This Artist: ['Domenico Difnico']
      • Date Of Birth: 1654
      • Date Of Death: 1726
      • Full Name: Antonio Bellucci
      • Nationality: Italian
      • Notable Artworks:
        • St Lorenzo Giustiniani Praying
        • Nativity
        • Hercules Triumph
      • Place Of Birth: Pieve di Soligo, Italy
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